Regency Collection (page 2)

Man & Woman Costume 1806
Man: top hat, top boots, drab coat with sleeves padded & gathered at the shoulder, breeches. Woman: close bonnet, blue pelisse, short cape, vandyked falling collar

Hampton Court Stair Case
The Grand or Kings Staircase in the portion of the palace designed by Wren and built in 1689. The classically inspired walls & ceilings were painted by Antonio Verrio

Old & New Pipes / Heath
The old way of smoking a pipe & the new way: an upright Georgian gent smokes his long stemmed clay pipe while a semi-recumbent Regency fop, puffs away on his hookah

Man falling off a broken chair at a dinner party causing a servant to spill a soup tureen over him. Other guests shocked, servants amused. More Miseries

Man being attacked by a parrot and cat in a drawing room. More Miseries. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of

Three soldiers in uniform parading outside a tavern, while a barmaid and man laugh at them. Production at a Alehouse. Handcoloured copperplate engraving designed

Design for a Regency park entrance with neoclassical walls and wrought iron gates. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816

Princely Predilections or, Ancient Music and Modern Discord, 1812 (coloured engraving)
LMG162285 Princely Predilections or, Ancient Music and Modern Discord, 1812 (coloured engraving) by Cruikshank, George (1792-1878); Leeds Museums and Art Galleries (Temple Newsam House)

Description of a Boxing Match, 1812 (colour engraving)
CHT221626 Description of a Boxing Match, 1812 (colour engraving) by Rowlandson, Thomas (1756-1827); Bibliotheque Nationale, Paris, France; eArchives Charmet; English, out of copyright

Victors of the Nile, 1803 (engraving)
3244739 Victors of the Nile, 1803 (engraving) by Bromley, William I (1769-1842); National Museum of the Royal Navy, Portsmouth, Hampshire

Harmony before Matrimony, published 1805 (coloured engraving)
STC252078 Harmony before Matrimony, published 1805 (coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

A charming game with a litter of puppies, 1907 (illustration)
2963087 A charming game with a litter of puppies, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Good God! How came you up that staircase? 1907 (illustration)
2963086 Good God! How came you up that staircase? 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

St. Jamess Square: Wedgwood and Byerley Showroom, York Street
GHL16918 St. Jamess Square: Wedgwood and Byerley Showroom, York Street by Ackermann, Rudolph (1764-1834); London Metropolitan Archives, City of London; (add.info.: St)

Cooper the Gipsy, engraved by P. Roberts, published 1822 (colour litho)
STC203620 Cooper the Gipsy, engraved by P. Roberts, published 1822 (colour litho) by Cruikshank, Isaac Robert (1789-1856) (after); Private Collection; The Stapleton Collection; English

The Education of the Princess. (The Marie de Medici Cycle). Artist: Rubens, Pieter Paul (1577-1640)
The Education of the Princess. (The Marie de Medici Cycle). Found in the collection of Louvre, Paris

6th Duke of Devonshire
William Spencer Cavendish 6th Duke of Devonshire Date: 1790 - 1820

Four fashionable Regency ladies playing cards in a candlelit room.. Handcolored copperplate engraving by Francis Eginton from Christopher Ansteys The New Bath Guide, John Browne, Bath, 1807

I have not an instant to lose, illustration from Pride & Prejudice
XJF451393 I have not an instant to lose, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Accompanied by their aunt, illustration from Pride & Prejudice by Jane Austen
XJF451389 Accompanied by their aunt, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Teresa, Contessa Guiccioli (engraving)
XJF373262 Teresa, Contessa Guiccioli (engraving) by Chalon, Alfred-Edward (1780-1860) (after); Private Collection; (add.info.: Teresa)

A West Country Mail Coach leaving Piccadilly, 1829 (pencil on paper) (b / w photo)
XJF354261 A West Country Mail Coach leaving Piccadilly, 1829 (pencil on paper) (b/w photo) by Scharf, George the Elder (1788-1860); Private Collection; German, out of copyright

The Brilliants, 1801 (litho) (b / w photo)
XJF271074 The Brilliants, 1801 (litho) (b/w photo) by Rowlandson, Thomas (1756-1827); Private Collection; English, out of copyright

Skating Lovers (aquatint)
BAL23123 Skating Lovers (aquatint) by Buck, Adam (1759-1833); Private Collection; English, out of copyright

Indian Puppet Show for European Children
Kaut-pootlies, or Puppets exhibited by Native Jugglers, for the amusement of European children. (Plate 18 of 20). Date: 1813

Green Coat & Cane 1807
Green double-breasted cut-away coat with stand-fall collar & revers, white waistcoat, cravat & silk stockings, pale grey breeches, black pumps, top hat & fob ribbon

Jane Austen (1775-1817) illustration from Little Journeys to the Homes of Famous Women
KW331580 Jane Austen (1775-1817) illustration from Little Journeys to the Homes of Famous Women, published 1897 (engraving) (later colouration) by English School

Session on 16th September 1715 of the regency council when Louis XV was a child. The prince Philippe d Orl顮s was elected president of the Council. Anonymous paiting circa 1720. Oil on canvas

ENGLAND: FAMILY, c1810. Young family at the fireside. Steel engraving, English, after Richard Westall (1765-1836)

Skating on the ice

Silhouette portrait of King George IV
Signed silhouette portrait of King George IV (1762 - 1830), by Adolph with hair and jewels pencilled in gold. Date: c.1820

Man Dressing Circa 1800
An elderly gentleman at his toilet buttons up his waistcoat before donning his green coat. He also wears stockings & slippers, breeches a white shirt & cravat. circa 1800

Backstage Covent Garden
Fashionable visitors in the salon at Covent Garden Theatre, London Date: 1820

Flirtation by H. Gillard Glindani
A scene showing showing two young ladies in Regency costume with a pug dog, flirting with two men, one of whom is wearing a military redcoat uniform, sword and wig

Gents Private Carriage
The comfort of being driven like a gentleman

Coat / Brandenbourg Trim
Hat with spreading crown, white cravat, brown coat with Brandenbourg trim & roll collar, strapped pantaloons, red under-waistcoat, black & yellow waistcoat

DRESSMAKERs BILL C1816
Maids dress: melon sleeves, deep v corsage, chemisette & ruff, apron & turban. Lady: white pelisse with scallop edging & ribbon trim, dress with ruff & decorative hem

French Velocipede C1820
An elaborately dressed man embarks on a velocipede ride, to the amazement of a lady spectator

Beaux & Belles / Cassell s
Beaux and belles of the Regency period in Vauxhall Gardens

Man, woman and baby of Corea, Korea, 1818. Handcoloured copperplate engraving from Mary Anne Vennings A Geographical Present being Descriptions of the Principal Countries of the World, Darton

Ranelagh, July 1798, c. 1798-1800 (w / c on paper)
XIR214118 Ranelagh, July 1798, c.1798-1800 (w/c on paper) by English School; Bibliotheque Nationale, Paris, France; (add.info)

United Kingdom, England, Brighton, the Brighton Pavilion - George IVs summer palace
United Kingdom, England, Brighton, the Brighton Pavilion - George IVas summer palace

Lady Penelope brings her Giraffe to Dinner
Sue Skellern

North-east view of the ruins of the Chapel and Granary of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street)
FLO5000412 North-east view of the ruins of the Chapel and Granary of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street)

Fox hunting: The first over. Fox hunter in black jacket on horseback jumping first over a fence
5912981 Fox hunting: The first over. Fox hunter in black jacket on horseback jumping first over a fence, while fox hounds run alongside, 1837

The Holyhead and Chester mail coaches stuck in show at Heckley Hill near Dunstable, 1837
5912965 The Holyhead and Chester mail coaches stuck in show at Heckley Hill near Dunstable, 1837. Driver of four-horse coach falling in deep snow near another mail coach.Color print after an

Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand
5912953 Horses and jockeys warming up at Goodwood Racecourse in front of fashionable crowds in the Grand Stand. Preparing to start a thoroughbred race at the Goodwood track, Sussex, 1836

Bay Middleton, winner of the Derby 1836, being led to the paddock at Epsom Racecourse in front of fashionable crowds in
5912952 Bay Middleton, winner of the Derby 1836, being led to the paddock at Epsom Racecourse in front of fashionable crowds in the Grand Stand. Color print after an engraving by R.G

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Step into the enchanting world of regency, where romance and societal norms intertwine. From the elegant ballrooms to picturesque countryside estates, this era captivates hearts with its timeless allure. As we delve into the pages of Pride & Prejudice, we witness Elizabeth Bennet's anticipation, hoping that Mr. Bingley will appreciate her charm and wit. Jane Austen herself comes alive through a delicate watercolor portrait, capturing her essence as she penned these beloved stories. Transport yourself to the grandeur of Oxton House in Devon, Reverend John Beaumont Swete's seat, or wander through Pynes House in Exeter circa 1825 – both embodying the opulence and refinement architecture. Immerse yourself further as you eavesdrop on Elizabeth overhearing Mr. Darcy at a captivating ball; their complex relationship unfolds against a backdrop of swirling gowns and whispered secrets. Sense and Sensibility introduces us to an endearing gardener who adds depth to Austen's narrative tapestry. The majestic His Majesty's Ship Victory takes center stage in colored engravings – a symbol of Britain's naval prowess during this period. Tender flirtations dance across illustrated pages from Pride & Prejudice; each stroke revealing the intricate courtship rituals that defined society then. Gaze upon Chepstow's Old Wye Bridge spanning over the River Wye – an idyllic setting for stolen glances and shared confidences. Finally, find solace in Mr. Darcy himself as he graces us with his presence once more within Austen's masterpiece. Regency whispers echo through time as we immerse ourselves in this captivating era filled with love, longing, and genteel manners.