Retribution Collection (page 2)

"Simon of York", by Max Pemberton (litho)
1629239 " Simon of York", by Max Pemberton (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: " Simon of York", by Max Pemberton)

The Anglo-German-Italian Ultimatum to Venezuela, Scenes in the Recalcitrant Republic (litho)
1601377 The Anglo-German-Italian Ultimatum to Venezuela, Scenes in the Recalcitrant Republic (litho) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info)

Retribution (engraving)
1609792 Retribution (engraving) by Armitage, Edward (1817-96); Private Collection; (add.info.: Retribution. Illustration for The Illustrated London News, 26 February 1859)

British Ships in American Waters (litho)
1604952 British Ships in American Waters (litho) by Jane, Fred T. (1870-1916); Private Collection; (add.info.: British Ships in American Waters)

Detail of Punishment of the Doctor, Villa Medicea di Careggi (fresco)
BEN276605 Detail of Punishment of the Doctor, Villa Medicea di Careggi (fresco) by Watts, George Frederic (1817-1904); Villa Medicea di Careggi, Florence, Tuscany

Chinese Punishment, c. 1867-72 (b / w photo)
473731 Chinese Punishment, c.1867-72 (b/w photo) by Thomson, John (1837-1921); Private Collection; (add.info.: The cangue or collar of wood is one of the lighter punishments of China inflicted for)

The Bombardment of Odessa (engraving)
1619012 The Bombardment of Odessa (engraving) by English School, (19th century); Private Collection; (add.info.: The Bombardment of Odessa. Illustration for The Illustrated London News, 20 May 1854)

The retribution of Ulysses (engraving)
5998513 The retribution of Ulysses (engraving) by Crane, Walter (1845-1915); Private Collection; (add.info.: The retribution of Ulysses)

Lycus (marble) (detail of 143022)
471840 Lycus (marble) (detail of 143022) by Canova, Antonio (1757-1822); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; (add.info.: detail of Hercules and Lycus)

The Rat Plague in the Country (engraving)
1047052 The Rat Plague in the Country (engraving) by English School, (19th century); Private Collection; (add.info.: The Rat Plague in the Country)

That Wretch of a Pup, a Story of Crime and Retribution (engraving)
1056879 That Wretch of a Pup, a Story of Crime and Retribution (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: That Wretch of a Pup)

Gunboat Diplomacy, 1877 (w / c on paper)
MGS149603 Gunboat Diplomacy, 1877 (w/c on paper) by Middlemass, Lt. A. (fl.1877); 36x51.5 cm; Private Collection; (add.info)

Sebastopol, First Days Attack by the Allied Fleet and Armies of France and England (engraving)
1602353 Sebastopol, First Days Attack by the Allied Fleet and Armies of France and England (engraving) by English School, (19th century); Private Collection; (add.info.: Sebastopol)

Just Retribution, burning the House and confiscating the Goods of a Boer who fired upon Our Troops under the White Flag
1599847 Just Retribution, burning the House and confiscating the Goods of a Boer who fired upon Our Troops under the White Flag (litho) by Woodville

The Crimean War (engraving)
2785440 The Crimean War (engraving) by Portch, Julian (active c. 1855); Private Collection; (add.info.: The Crimean War. Illustration for The Illustrated Times)

Retribution (engraving)
2771535 Retribution (engraving) by Armitage, Edward A. (1817-96) (after); Private Collection; (add.info.: Retribution. Illustration for The Illustrated Times)

Cutting out of the "Hermione"("Retribution"), 1799 (colour litho)
726525 Cutting out of the " Hermione" (" Retribution" ), 1799 (colour litho) by Dixon, Charles Edward (1872-1934) (after); Private Collection; (add.info)

HM Steam-Frigate, "Retribution"(engraving)
1618725 HM Steam-Frigate, " Retribution" (engraving) by English School, (19th century); Private Collection; (add.info.: HM Steam-Frigate, " Retribution")

Her Majestys Cruise, the Royal Squadron leaving the Isle of Wight (engraving)
1618285 Her Majestys Cruise, the Royal Squadron leaving the Isle of Wight (engraving) by English School, (19th century); Private Collection; (add.info.: Her Majestys Cruise)

The "Trafalgar"and "Retribution"at the Siege of Sebastopol (engraving)
1607906 The " Trafalgar" and " Retribution" at the Siege of Sebastopol (engraving) by Weedon, Edwin (1819-79); Private Collection; (add.info)

Nemesis (The Great Fortune), 1501-02 (engraving)
877242 Nemesis (The Great Fortune), 1501-02 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 33.2x22.9 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; German

With the Tochi Field Force, "Retribution", destroying Sherani Village (litho)
1042572 With the Tochi Field Force, " Retribution", destroying Sherani Village (litho) by Staniland, Charles J. (1838-1916) (after); Private Collection; (add.info)

The Turkish Fleet in the Bosphorus; The Combined English and French Fleets in Besika Bay (engraving)
1097554 The Turkish Fleet in the Bosphorus; The Combined English and French Fleets in Besika Bay (engraving) by English School

The Conversion of Saul, 1857. Creator: Simeon Griswold
The Conversion of Saul, 1857

Lot and His Daughters [reverse], c. 1496/1499. Creator: Albrecht Durer
Lot and His Daughters [reverse], c. 1496/1499

The Delivery of Israel Out of Egypt, 1820-1840. Creator: Samuel Colman
The Delivery of Israel Out of Egypt, 1820-1840

Punitio Malorum, from Allegories of the Christian Faith, from Christian and Profane Allegories.n.d

The Egyptians Crossing the Red Sea, from Das Buch Granatapfel, 1511

Conversion of Paul, ca. 1514. Creator: Hans Baldung
Conversion of Paul, ca. 1514

The Martyrdom of Saint Catherine of Alexandria. n. d. Creator: Albrecht Durer
The Martyrdom of Saint Catherine of Alexandria.n.d

Four Avenging Angels, from the Apocalypse series. n. d. Creator: Albrecht Durer
Four Avenging Angels, from the Apocalypse series.n.d

The Opening of the Fifth and Sixth Seals, from the Apocalypse. n. d
The Opening of the Fifth and Sixth Seals, from the Apocalypse.n.d

The crossing of the red sea, Moses stands at the left pointing to the army being submerged, after Titian, 1589

Plate 21: The Angel of the Lord Vanquishing the Army of Sennacherib, from Th... ca
Plate 21: The Angel of the Lord Vanquishing the Army of Sennacherib, from The Battles of the Old Testament, ca. 1590-ca. 1610

The Israelites crossing the Red Sea, ca. 1740. Creator: Anton Maria Zanetti
The Israelites crossing the Red Sea, ca. 1740

Pride (Superbia), from the series The Seven Deadly Sins, 1558

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

The Fall of Phaeton, 1545. Creator: Antonio Fantuzzi
The Fall of Phaeton, 1545

Fall of Antiochus From His Chariot, 18th century. 18th century
Fall of Antiochus From His Chariot, 18th century

Conversion of Saul, from Michelangelos fresco in the Pauline Chapel at the Vatican, ca. 1545-60

Retribution, the Rats and the Cat, 1878, (1886). Engraved in wood, two blocks, from a drawing by Kiosai. Found in the collection of the British Museum

Nemesis or Good Fortune, c1502 (1956). Durer took this female goddess figure from Manto, a poem by the Italian poet Poliziano

Nemesis, c1501-c1502. Artist: Albrecht Durer
Nemesis, c1501-1502. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Martyrdom of Saint Catherine. n. d. Creator: Albrecht Durer
The Martyrdom of Saint Catherine.n.d

Allegorical fresco. Hall ceiling. Museum of Ethnography. Bud
Allegorical fresco depicting goddess Justice surrounded by the figures depicting Justice and Peace and the Sin and Retribution

The Crimean War: the Trafalgar and Retribution at the Siege of Sebastopol, 1854

The Crimean War: Battle of the Alma: Sketched from the Mizen-Top of H. M. s. Retribution
The Crimean War: Battle of the Alma: Sketched from the Mizen-Top of H.M.s. Retribution, by Lieutenant Montagu O reilly, 1854

Luciphers New Row-Barge, circa 1721 (engraving)
XJF867854 Luciphers New Row-Barge, circa 1721 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1865, 0114.430); English, out of copyright

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"Retribution: A Tale of Justice and Consequences" In the realm of justice, where actions bear consequences, echoes resound. From the depths of history to the present day, its presence is felt in various forms. Through George Studdy's captivating artwork titled "His Broadcast Masters Voice, " we witness Britannia and Cetewayo locked in a battle for retribution. Their clash symbolizes the eternal struggle between oppressor and oppressed. As depicted in "The Transport Fleet embarking the Troops at Varna, " retribution takes shape on the battlefield. The Great Fortune favors those who seek vengeance against their adversaries, as they embark on a mission fueled by righteous anger. Yet sometimes, retribution manifests unexpectedly. In "The Daughter, Retribution Puppy chasing Chicken, " innocence meets consequence as a playful chase unfolds. Even within this lighthearted scene lies an underlying truth – that actions have repercussions. From earthly conflicts to celestial realms, retribution transcends boundaries. The Aggregat 4 rocket soars through space with a purposeful intent - delivering cosmic justice to those who deserve it most. Artistic depictions further explore this theme; "The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate" portrays divine intervention against wickedness. It serves as a reminder that even amidst debauchery, punishment awaits those who succumb to vice. Political satire finds its place too; Aristide Briand and Lloyd George taunt drowning Germany in December 1921 lithograph mocks hubris met with downfall. Retribution becomes poetic justice when arrogance leads one down an inevitable path towards reckoning. Throughout history's darkest moments lie tales etched into our collective memory. Plate 28 from Disasters of War series depicts chaos unleashed upon humanity - Rabble running rampant underlining how unchecked power invites retaliation from society itself.