Retribution Collection (page 3)

Fall of Antiochus From His Chariot, 18th century. 18th century
Fall of Antiochus From His Chariot, 18th century

Conversion of Saul, from Michelangelos fresco in the Pauline Chapel at the Vatican, ca. 1545-60

Retribution, the Rats and the Cat, 1878, (1886). Engraved in wood, two blocks, from a drawing by Kiosai. Found in the collection of the British Museum

Nemesis or Good Fortune, c1502 (1956). Durer took this female goddess figure from Manto, a poem by the Italian poet Poliziano

Nemesis, c1501-c1502. Artist: Albrecht Durer
Nemesis, c1501-1502. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Martyrdom of Saint Catherine. n. d. Creator: Albrecht Durer
The Martyrdom of Saint Catherine.n.d

Allegorical fresco. Hall ceiling. Museum of Ethnography. Bud
Allegorical fresco depicting goddess Justice surrounded by the figures depicting Justice and Peace and the Sin and Retribution

The Crimean War: the Trafalgar and Retribution at the Siege of Sebastopol, 1854

The Crimean War: Battle of the Alma: Sketched from the Mizen-Top of H. M. s. Retribution
The Crimean War: Battle of the Alma: Sketched from the Mizen-Top of H.M.s. Retribution, by Lieutenant Montagu O reilly, 1854

Luciphers New Row-Barge, circa 1721 (engraving)
XJF867854 Luciphers New Row-Barge, circa 1721 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1865, 0114.430); English, out of copyright

Of bostynge or hauynge confydence in fortune, illustration from Alexander Barclay s
XJF486415 Of bostynge or hauynge confydence in fortune, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

The Spirit that had followed the ship from the Antartic, scene from The Rime
XJF393835 The Spirit that had followed the ship from the Antartic, scene from The Rime of the Ancient Mariner by S.T. Coleridge, published by Harper & Brothers, New York

Diana and Actaeon, 1655-58 (mural)
XIR336953 Diana and Actaeon, 1655-58 (mural) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); Louvre, Paris, France; (add.info)

Nemesis, 1837 (oil on canvas)
BAL308353 Nemesis, 1837 (oil on canvas) by Rethel, Alfred (1816-59); 95x48 cm; State Hermitage Museum, St. Petersburg, Russia; German, out of copyright

The Deluge, illustration from Dores The Holy Bible, engraved by Pannemaker
KW259198 The Deluge, illustration from Dores The Holy Bible, engraved by Pannemaker, 1866 (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: Genesis 7)

The Children Destroyed by Bears, illustration from Dores The Holy Bible
KW259189 The Children Destroyed by Bears, illustration from Dores The Holy Bible, 1866 (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: 2 Kings 2)

The Death of the Children of Bethel, 1653 (oil on canvas)
XIR220225 The Death of the Children of Bethel, 1653 (oil on canvas) by La Hyre, Laurent de (1606-56); 97x129 cm; Musee des Beaux-Arts, Arras, France; French, out of copyright

Laemedon Punished by Apollo and Poseidon, 1707 (oil on canvas) (b / w photo)
XIR182900 Laemedon Punished by Apollo and Poseidon, 1707 (oil on canvas) (b/w photo) by Dulin, Pierre (1669-1748); Ecole Nationale Superieure des Beaux-Arts, Paris

Belshazzars Feast (oil on canvas)
XYC127210 Belshazzars Feast (oil on canvas) by Martin, John (1789-1854); 77.5x120 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Horse Trainer standing up for his principles
Owner - " I heard as how you ve been fighting with Bob Smith?" " Yus. He said my sister was cross-eyed." " But you haven t got a sister?" " I know that

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"Retribution: A Tale of Justice and Consequences" In the realm of justice, where actions bear consequences, echoes resound. From the depths of history to the present day, its presence is felt in various forms. Through George Studdy's captivating artwork titled "His Broadcast Masters Voice, " we witness Britannia and Cetewayo locked in a battle for retribution. Their clash symbolizes the eternal struggle between oppressor and oppressed. As depicted in "The Transport Fleet embarking the Troops at Varna, " retribution takes shape on the battlefield. The Great Fortune favors those who seek vengeance against their adversaries, as they embark on a mission fueled by righteous anger. Yet sometimes, retribution manifests unexpectedly. In "The Daughter, Retribution Puppy chasing Chicken, " innocence meets consequence as a playful chase unfolds. Even within this lighthearted scene lies an underlying truth – that actions have repercussions. From earthly conflicts to celestial realms, retribution transcends boundaries. The Aggregat 4 rocket soars through space with a purposeful intent - delivering cosmic justice to those who deserve it most. Artistic depictions further explore this theme; "The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate" portrays divine intervention against wickedness. It serves as a reminder that even amidst debauchery, punishment awaits those who succumb to vice. Political satire finds its place too; Aristide Briand and Lloyd George taunt drowning Germany in December 1921 lithograph mocks hubris met with downfall. Retribution becomes poetic justice when arrogance leads one down an inevitable path towards reckoning. Throughout history's darkest moments lie tales etched into our collective memory. Plate 28 from Disasters of War series depicts chaos unleashed upon humanity - Rabble running rampant underlining how unchecked power invites retaliation from society itself.