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Satirist Collection (#3)

Satirists have long been the masters of wit and irony, using their sharp tongues to expose society's follies

Background imageSatirist Collection: Facade, Napoleon courtyard, sculpture of Francois Rabelais (photo)

Facade, Napoleon courtyard, sculpture of Francois Rabelais (photo)
GDG279980 Facade, Napoleon courtyard, sculpture of Francois Rabelais (photo) by Lefuel, Hector-M.(1810-80) & Visconti, Louis (1791-1853); Louvre, Paris

Background imageSatirist Collection: Edward Linley Sambourne, British cartoonist (engraving)

Edward Linley Sambourne, British cartoonist (engraving)
3620587 Edward Linley Sambourne, British cartoonist (engraving) by English School, (19th century); Private Collection; (add.info.: Edward Linley Sambourne (1844-1910), British cartoonist

Background imageSatirist Collection: Sebastian Brant, German humanist and satirist (engraving)

Sebastian Brant, German humanist and satirist (engraving)
3647393 Sebastian Brant, German humanist and satirist (engraving) by German School, (19th century); Private Collection; (add.info.: Sebastian Brant (1457-1521), German humanist and satirist

Background imageSatirist Collection: The curate and the barber disguises themselves to take Don Quixote, 18th (engraving)

The curate and the barber disguises themselves to take Don Quixote, 18th (engraving)
2911142 The curate and the barber disguises themselves to take Don Quixote, 18th (engraving) by Hogarth, William (1697-1764); Universal History Archive/UIG; English, out of copyright

Background imageSatirist Collection: John Wilmot, 2nd Earl of Rochester, English poet and courtier (engraving)

John Wilmot, 2nd Earl of Rochester, English poet and courtier (engraving)
3622522 John Wilmot, 2nd Earl of Rochester, English poet and courtier (engraving) by English School, (18th century); Private Collection; (add.info.: John Wilmot, 2nd Earl of Rochester)

Background imageSatirist Collection: Advertisement for wigs, 18th (engraving)

Advertisement for wigs, 18th (engraving)
2911149 Advertisement for wigs, 18th (engraving) by Hogarth, William (1697-1764); Universal History Archive/UIG; English, out of copyright

Background imageSatirist Collection: Portrait of Hilaire Belloc, at his house, Kings Land, Shipley

Portrait of Hilaire Belloc, at his house, Kings Land, Shipley
TPG351583 Portrait of Hilaire Belloc, at his house, Kings Land, Shipley, West Sussex (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Background imageSatirist Collection: Self Portrait, illustration from Hogarth Restored: The Whole Works of the celebrated

Self Portrait, illustration from Hogarth Restored: The Whole Works of the celebrated
STC451157 Self Portrait, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imageSatirist Collection: Sebastian Brant, German humanist and satirist

Sebastian Brant, German humanist and satirist
6039958 Sebastian Brant, German humanist and satirist. by Bry, Theodor de (1528-98); Private Collection; (add.info.: Sebastian Brant, German humanist and satirist)

Background imageSatirist Collection: Captain Cook at the Island of Otaheite, from the Voyages of Captain Cook

Captain Cook at the Island of Otaheite, from the Voyages of Captain Cook
1767265 Captain Cook at the Island of Otaheite, from the Voyages of Captain Cook (watercolour) by Cruikshank, Isaac Robert (1789-1856); 96x14.8 cm; Private Collection; (add.info)

Background imageSatirist Collection: Two criminals in a pillory or stocks in London, 18th (engraving)

Two criminals in a pillory or stocks in London, 18th (engraving)
2911182 Two criminals in a pillory or stocks in London, 18th (engraving) by Hogarth, William (1697-1764); (add.info.: The Times Plate 2)

Background imageSatirist Collection: John Wolcot, English physician and satirist who wrote under the pen name Peter Pindar (engraving)

John Wolcot, English physician and satirist who wrote under the pen name Peter Pindar (engraving)
6014917 John Wolcot, English physician and satirist who wrote under the pen name Peter Pindar (engraving) by Opie, John (1761-1807) (after); Private Collection; (add.info.: John Wolcot (1738-1819)

Background imageSatirist Collection: Portrait of Honore Daumier, 1862 (lithograph in black, with scraping on stone

Portrait of Honore Daumier, 1862 (lithograph in black, with scraping on stone
2972663 Portrait of HonoreDaumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine colleon white wove paper) by Carjat

Background imageSatirist Collection: Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)

Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)
651981 Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 25.4x34.9 cm; Private Collection; (add.info)

Background imageSatirist Collection: A Regatta on the Thames below Westminster, (pen and ink and watercolour)

A Regatta on the Thames below Westminster, (pen and ink and watercolour)
651938 A Regatta on the Thames below Westminster, (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 12 1/8x19in cm; Private Collection; (add.info)

Background imageSatirist Collection: Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil

Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil
651924 Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour) by Rowlandson

Background imageSatirist Collection: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks
651920 A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour) by Rowlandson

Background imageSatirist Collection: Broadstairs (pencil, pen and grey ink and watercolour)

Broadstairs (pencil, pen and grey ink and watercolour)
651902 Broadstairs (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.5x37.2 cm; Private Collection; (add.info.: Broadstairs. Thomas Rowlandson (1756-1827)

Background imageSatirist Collection: A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)

A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)
651811 A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour) by Nixon, John (1760-1818); 18.4x9.2 cm; Private Collection; (add.info)

Background imageSatirist Collection: The European Race: An Allegorical Caricature on the State of Political Europe in 1738-9

The European Race: An Allegorical Caricature on the State of Political Europe in 1738-9
651788 The European Race: An Allegorical Caricature on the State of Political Europe in 1738-9, (pencil, pen and brown ink, brown chalk, brown wash) by Mosley

Background imageSatirist Collection: Frontispiece showing The Pickwick Club from

Frontispiece showing The Pickwick Club from
5669012 Frontispiece showing The Pickwick Club from The Posthumous Papers of the Pickwick Club by Charles Dickens by Aldin

Background imageSatirist Collection: Thomas Rowlandson, English cartoonist (engraving)

Thomas Rowlandson, English cartoonist (engraving)
6029681 Thomas Rowlandson, English cartoonist (engraving) by English School, (19th century); Private Collection; (add.info.: Thomas Rowlandson (1756-1827)

Background imageSatirist Collection: Charles Churchill, English poet and satirist (engraving)

Charles Churchill, English poet and satirist (engraving)
5233708 Charles Churchill, English poet and satirist (engraving) by English School, (18th century); Private Collection; (add.info.: Charles Churchill (1731-1764)

Background imageSatirist Collection: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour)

The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour)
824124 The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 25.4x43.2 cm; Private Collection; (add.info.: The Old Swan Inn)

Background imageSatirist Collection: A Coaching Scene, (pen and grey ink and watercolour)

A Coaching Scene, (pen and grey ink and watercolour)
824083 A Coaching Scene, (pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 22.9x33.6. cm; Private Collection; (add.info.: A Coaching Scene. Thomas Rowlandson (1756-1827)

Background imageSatirist Collection: Mikhail Saltykov-Shchedrin, Russian author and satirist (b / w photo)

Mikhail Saltykov-Shchedrin, Russian author and satirist (b / w photo)
821617 Mikhail Saltykov-Shchedrin, Russian author and satirist (b/w photo) by Russian Photographer, (19th century); Private Collection; (add.info.: Mikhail Saltykov-Shchedrin (1826-1889)

Background imageSatirist Collection: Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk

Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk
827611 Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk, pen and brown ink, watercolour and bodycolour) by Romano

Background imageSatirist Collection: Joseph Hall, Bishop of Norwich (engraving)

Joseph Hall, Bishop of Norwich (engraving)
811049 Joseph Hall, Bishop of Norwich (engraving) by English School, (17th century); Private Collection; (add.info.: Joseph Hall, Bishop of Norwich)

Background imageSatirist Collection: Satire on False Perspective, 18th (engraving)

Satire on False Perspective, 18th (engraving)
3521475 Satire on False Perspective, 18th (engraving) by Hogarth, William (1697-1764); (add.info.: Satire on False Perspective is the title for his friend Joshua Kirbys pamphlet on linear)

Background imageSatirist Collection: Statue of Giuseppe Parini, 1838

Statue of Giuseppe Parini, 1838
3498309 Statue of Giuseppe Parini, 1838 by Monti, Gaetano Matteo (1776-1847); Palazzo di Brera, Milan, Lombardy, Italy; (add.info.: Giuseppe Parini (1729-99)

Background imageSatirist Collection: 14 Savile Row, home of Irish satirist and playwright Richard Brinsley Sheridan (b / w photo)

14 Savile Row, home of Irish satirist and playwright Richard Brinsley Sheridan (b / w photo)
3637407 14 Savile Row, home of Irish satirist and playwright Richard Brinsley Sheridan (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: 14 Savile Row)

Background imageSatirist Collection: Johann Fischart, German writer and satirist (engraving)

Johann Fischart, German writer and satirist (engraving)
3647460 Johann Fischart, German writer and satirist (engraving) by German School, (19th century); Private Collection; (add.info.: Johann Fischart (c1545-1591), German writer and satiris

Background imageSatirist Collection: Johann Fischart, German satirist and publicist (engraving)

Johann Fischart, German satirist and publicist (engraving)
3646888 Johann Fischart, German satirist and publicist (engraving) by German School, (19th century); Private Collection; (add.info.: Johann Fischart (c1545-1591), German satirist and publicist

Background imageSatirist Collection: Cover of Thomas Murners work Die Narrenbeschworung (engraving)

Cover of Thomas Murners work Die Narrenbeschworung (engraving)
3647930 Cover of Thomas Murners work Die Narrenbeschworung (engraving) by German School, (19th century); Private Collection; (add.info.: Cover of Thomas Murners work Die Narrenbeschworung)

Background imageSatirist Collection: Johann Baptist Fischart, German satirist (engraving)

Johann Baptist Fischart, German satirist (engraving)
3647929 Johann Baptist Fischart, German satirist (engraving) by German School, (19th century); Private Collection; (add.info.: Johann Baptist Fischart (c1545-1591)

Background imageSatirist Collection: Title page from the first edition of Sebastian Brants Ship of Fools

Title page from the first edition of Sebastian Brants Ship of Fools, printed by Johann Bergmann von Olpe in Basel in
3647884 Title page from the first edition of Sebastian Brants Ship of Fools, printed by Johann Bergmann von Olpe in Basel in 1491 (engraving) by German School

Background imageSatirist Collection: Absolute Gravity, 18th (engraving)

Absolute Gravity, 18th (engraving)
2911127 Absolute Gravity, 18th (engraving) by Hogarth, William (1697-1764); Universal History Archive/UIG; English, out of copyright

Background imageSatirist Collection: In the Study; En el Estudio, (oil on canvas)

In the Study; En el Estudio, (oil on canvas)
651315 In the Study; En el Estudio, (oil on canvas) by Madrazo y Garreta, Raimundo de (1841-1920); 95.2x66 cm; Private Collection; (add.info.: In the Study; En el Estudio)

Background imageSatirist Collection: Dean Swift, illustration from The Church of England

Dean Swift, illustration from The Church of England
STC393427 Dean Swift, illustration from The Church of England: A History for the People by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo) by English School

Background imageSatirist Collection: Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor

Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor
KDC384221 Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor concerning his commission of a picture of Sigismunda, June 13

Background imageSatirist Collection: Samuel Butler (engraving)

Samuel Butler (engraving)
964842 Samuel Butler (engraving) by English School, (18th century); Private Collection; (add.info.: Samuel Butler. English poet and satirist (14 February 1613 - 25 September 1680)

Background imageSatirist Collection: Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)

Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)
651948 Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 38.2x54 cm; Private Collection; (add.info.: Place Victoire a Paris)

Background imageSatirist Collection: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
651923 A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23.4x32.3 cm; Private Collection; (add.info.: A Cornish Wrestling Match)

Background imageSatirist Collection: The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
651921 The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour) by Rowlandson

Background imageSatirist Collection: The Bishop and Death (pencil, pen and ink and watercolour)

The Bishop and Death (pencil, pen and ink and watercolour)
651903 The Bishop and Death (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 14x20.6 cm; Private Collection; (add.info.: The Bishop and Death. Thomas Rowlandson (1756-1827)

Background imageSatirist Collection: The Gaming Table, (pencil, pen and ink and watercolour)

The Gaming Table, (pencil, pen and ink and watercolour)
651828 The Gaming Table, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 27.3x37.2 cm; Private Collection; (add.info.: The Gaming Table. Thomas Rowlandson (1756-1827)




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Satirists have long been the masters of wit and irony, using their sharp tongues to expose society's follies. From Nasreddin, the Seljuq satirist who cunningly mocked authority with his clever anecdotes, to Dorothy Parker, the American writer known for her biting humor and sardonic observations. Even in ancient times, satirists like Horace found solace in archways as they crafted their witty verses that ridiculed societal norms. Fanny Burney, a lesser-known but equally talented satirist from the 18th century, used her pen to challenge social conventions and highlight women's struggles during her time. The Library of the Royal Institution became a sanctuary for many satirists throughout history. Here they would immerse themselves in knowledge and inspiration before unleashing their sharp critiques on society. James Gillray was one such artist who captured political figures with his pencil strokes, exposing their flaws through caricature. Caran d'Ache carried on this tradition into modern times with his illustrations that playfully poked fun at contemporary issues. Malcolm Muggeridge followed suit as an English journalist and broadcaster whose scathing commentary left no stone unturned. But let us not forget Lucian, the Greek writer from centuries ago whose satire still resonates today. His timeless tales continue to remind us of our own absurdities and invite introspection. And finally, we cannot ignore William Hogarth's iconic depiction of Don Quixote releasing galley-slaves; a powerful image that symbolizes how satire can be a force for liberation against oppression. Through artistry or prose, these satirists have held up mirrors to society's face while simultaneously entertaining us with their wit. Their legacy reminds us that laughter is indeed a potent weapon against ignorance and injustice - one that continues to shape our world today.