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Saviour Collection (#15)

"Saviour: A Divine Presence in Art, History, and Compassion" In the realm of art

Background imageSaviour Collection: Greece. Sparta. Byzantine church of Christ the Saviour

Greece. Sparta. Byzantine church of Christ the Saviour. 10th -11th centuries. Near Acropolis. Region of Laconia. South-eastern peloponnese

Background imageSaviour Collection: Spain. Ona. Monastery of the Saviour. Choir stalls

Spain. Ona. Monastery of the Saviour. Choir stalls. Gothic. 15th century. By Fray Pedro de Valladolid

Background imageSaviour Collection: Moscow / St Saviour C19

Moscow / St Saviour C19
The Church of St Saviour (also known as Our Saviour and Christ the Saviour); erected to commemorate the deliverance of Russia from the French. Date: 19th century

Background imageSaviour Collection: Moscow / St Saviour 1871

Moscow / St Saviour 1871
The Church of St Saviour (also known as Our Saviour and Christ the Saviour); erected to commemorate the deliverance of Russia from the French. Date: 1871

Background imageSaviour Collection: John Gower / Monument

John Gower / Monument
JOHN GOWER Monument in St Saviours Church to the English poet and friend of Chaucer Date: 1325 - 1408

Background imageSaviour Collection: Religious verse with flowers on a Christmas card

Religious verse with flowers on a Christmas card
Religious verse with yellow flowers, red berries and two butterflies on a Christmas card. Date: circa 1890s

Background imageSaviour Collection: A heroine of the war, Lassie of HMS Formidable, WW1

A heroine of the war, Lassie of HMS Formidable, WW1
Lassie, the dog who helped to save the life of a seaman of H.M.S. Formidable by licking his face and warming his body until he moved, and by calling attention to him

Background imageSaviour Collection: BELLINI, Giovanni (1430-1516). Crucifixion. ca

BELLINI, Giovanni (1430-1516). Crucifixion. ca. 1455. Renaissance art. Quattrocento. Venetian school. Tempera on wood. ITALY. VENETO. Venice. Museo Correr. Proc: ITALY. VENETO. VENICE. Venice

Background imageSaviour Collection: Captain Francis Grenfell, VC

Captain Francis Grenfell, VC
Captain F. O. Grenfell V.C. of the 9th Lancers Details Grenfell was 33 years old, and a Captain in the 9th (Queens Royal) Lancers

Background imageSaviour Collection: Monteagle House

Monteagle House
near St Saviours church, Southwark, south London. Date: 1808

Background imageSaviour Collection: Ptolemy I Soter I, ruler of Egypt

Ptolemy I Soter I, ruler of Egypt
Ptolemy I Soter I (Soter meaning Saviour), also known as Ptolemy Lagides, a Macedonian general under Alexander the Great who became ruler of Egypt (323-283 BC)

Background imageSaviour Collection: Church Saviour First Unitarian Congregational

Church Saviour First Unitarian Congregational
Artokoloro

Background imageSaviour Collection: Drawings Prints, Print, Foolish Virgins, Parables, Our, Lord, Saviour, Jesus, Christ

Drawings Prints, Print, Foolish Virgins, Parables, Our, Lord, Saviour, Jesus, Christ
Drawings and Prints, Print, The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais

Background imageSaviour Collection: Drawings Prints, Print, Good Samaritan, Parables, Our, Lord, Saviour, Jesus, Christ

Drawings Prints, Print, Good Samaritan, Parables, Our, Lord, Saviour, Jesus, Christ
Drawings and Prints, Print, The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais

Background imageSaviour Collection: St Saviours Cathedral in Goulburn, Australia

St Saviours Cathedral in Goulburn, Australia
St Saviours Cathedral is the cathedral church of the Anglican Diocese of Canberra and Goulburn, Australia. The cathedral is named after Jesus in his title of Saviour

Background imageSaviour Collection: Source Size = 3585 x 4892

Source Size = 3585 x 4892
Head of our Saviour from Leonardo Da Vincis " last Supper"

Background imageSaviour Collection: Source Size = 3764 x 2446

Source Size = 3764 x 2446
THE FOUR SCRIPTURAL PAINTINGS AT CARPENTERs HALL: " Jesus Christ in His Youth Teaching in the Temple: Is this not the Carpenters Son? " ; 2

Background imageSaviour Collection: Source Size = 1262 x 2503

Source Size = 1262 x 2503
Moscow: the Church of the Saviour, Russia, 1874

Background imageSaviour Collection: Source Size = 2034 x 2838

Source Size = 2034 x 2838
" the Virgin Adoring the Infant Saviour" by Ghirlandajo, in the National Gallery

Background imageSaviour Collection: Source Size = 3099 x 3931

Source Size = 3099 x 3931
" our Saviour after the Temptation" Painted by Sir George Hayter, M.A.s.L

Background imageSaviour Collection: The Ascension of Our Lord, Russian icon from the Malo-Kirillov Monastery, Novgorod School

The Ascension of Our Lord, Russian icon from the Malo-Kirillov Monastery, Novgorod School
BAL93090 The Ascension of Our Lord, Russian icon from the Malo-Kirillov Monastery, Novgorod School, 1543 (tempera on panel) by Novgorod School, (16th century); 110x87 cm; Museum of Art, Novgorod

Background imageSaviour Collection: The Five Foolish Virgins, illustration from The Parables of Our Lord and Saviour

The Five Foolish Virgins, illustration from The Parables of Our Lord and Saviour
XJF441946 The Five Foolish Virgins, illustration from The Parables of Our Lord and Saviour Jesus Christ, 1864 (engraving) by Millais

Background imageSaviour Collection: Christ walking on water and reaching out his hand to save Saint Peter (oil on canvas)

Christ walking on water and reaching out his hand to save Saint Peter (oil on canvas)
XIR375792 Christ walking on water and reaching out his hand to save Saint Peter (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); Private Collection; (add.info)

Background imageSaviour Collection: Sir Lancelot, illustration from Romance and Legend of Chivalry by A. R

Sir Lancelot, illustration from Romance and Legend of Chivalry by A. R
KW342910 Sir Lancelot, illustration from Romance and Legend of Chivalry by A. R. Hope Moncrieff (colour litho) by Gilbert

Background imageSaviour Collection: Perseus and Andromeda, illustration from the book Classic Myth and Legend by A

Perseus and Andromeda, illustration from the book Classic Myth and Legend by A
KW342880 Perseus and Andromeda, illustration from the book Classic Myth and Legend by A. R. Hope Moncrieff, published c.1910 (colour litho) by Leighton

Background imageSaviour Collection: Salvator Mundi, c. 1515 (oil on panel)

Salvator Mundi, c. 1515 (oil on panel)
XOS741934 Salvator Mundi, c. 1515 (oil on panel) by Correggio, (Antonio Allegri) (c.1489-1534); National Gallery of Art, Washington DC, USA; Italian, out of copyright

Background imageSaviour Collection: THORWALDSENs STATUE OF THE SAVIOUR. Karl Albert Bertel Thorvaldsen 1770 a

THORWALDSENs STATUE OF THE SAVIOUR. Karl Albert Bertel Thorvaldsen 1770 a 1844 was a Danish sculptor of international fame, who spent most of his life in Italy (from 1789a'1838)

Background imageSaviour Collection: Christ, aged twelve, among the scribes, 16th or 17th century (oil on panel)

Christ, aged twelve, among the scribes, 16th or 17th century (oil on panel)
XAM70441 Christ, aged twelve, among the scribes, 16th or 17th century (oil on panel) by Durer or Duerer, Albrecht (1471-1528) (after); 123x141 cm; Kunsthistorisches Museum, Vienna, Austria; German

Background imageSaviour Collection: Gustavus Adolphus landing at Stralsund in 1630 (engraving)

Gustavus Adolphus landing at Stralsund in 1630 (engraving)
XJF276020 Gustavus Adolphus landing at Stralsund in 1630 (engraving) by Koler, Georg (17th century); Private Collection; (add.info)

Background imageSaviour Collection: Valentine rescuing Silvia from Proteus, from William Shakespeares The Two

Valentine rescuing Silvia from Proteus, from William Shakespeares The Two
XYC283579 Valentine rescuing Silvia from Proteus, from William Shakespeares The Two Gentlemen of Verona, 1792 (oil on canvas) by Wheatley

Background imageSaviour Collection: London Bridge and its Surroundings at about the year 1600, from Old London Illustrated

London Bridge and its Surroundings at about the year 1600, from Old London Illustrated
XJF258653 London Bridge and its Surroundings at about the year 1600, from Old London Illustrated, a Series of Drawings illustrating London in the XVIth Century

Background imageSaviour Collection: Christ on the Cross, 1672 (oil on canvas)

Christ on the Cross, 1672 (oil on canvas)
XIR195535 Christ on the Cross, 1672 (oil on canvas) by Murillo, Bartolome Esteban (1618-82); 71x54 cm; Prado, Madrid, Spain; Spanish, out of copyright

Background imageSaviour Collection: The Blood of the Redeemer, 1460-5 (egg tempera on panel)

The Blood of the Redeemer, 1460-5 (egg tempera on panel)
XOS1765754 The Blood of the Redeemer, 1460-5 (egg tempera on panel) by Bellini, Giovanni (c.1430-1516); National Gallery, London, UK; Italian, out of copyright

Background imageSaviour Collection: Christ the Redeemer, Source of Life, c. 1393-94 (tempera on panel)

Christ the Redeemer, Source of Life, c. 1393-94 (tempera on panel)
XIR174236 Christ the Redeemer, Source of Life, c.1393-94 (tempera on panel) by Byzantine, (14th century); 131x88.5 cm; Umjetnicka Gallerija, Skopje, Macedonia; (add.info.: Le Christ Redempteur)

Background imageSaviour Collection: Baptism of Christ, from Sandzak (tempera on panel)

Baptism of Christ, from Sandzak (tempera on panel)
XIR172253 Baptism of Christ, from Sandzak (tempera on panel) by Yugoslavian School, (14th century); 40.5x32.5 cm; Narodni Muzej, Belgrade, Serbia; Yugoslavian, out of copyright

Background imageSaviour Collection: The Resurrection of Christ, c. 1610-20 (oil on canvas)

The Resurrection of Christ, c. 1610-20 (oil on canvas)
XIR171843 The Resurrection of Christ, c.1610-20 (oil on canvas) by Seghers, Gerard (1591-1651); 324x240 cm; Louvre, Paris, France; Flemish, out of copyright

Background imageSaviour Collection: Christ on the Cross (oil on canvas)

Christ on the Cross (oil on canvas)
XIR170202 Christ on the Cross (oil on canvas) by Cranach, Lucas, the Elder (1472-1553); 52.5x30 cm; Alte Pinakothek, Munich, Germany; German, out of copyright

Background imageSaviour Collection: Christ Blessing (oil on canvas)

Christ Blessing (oil on canvas)
XIR159044 Christ Blessing (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Casa y Museo del Greco, Toledo, Spain; Greek, out of copyright

Background imageSaviour Collection: The Resurrection of Christ, 1700 (oil on canvas)

The Resurrection of Christ, 1700 (oil on canvas)
XIR157799 The Resurrection of Christ, 1700 (oil on canvas) by Coypel, Noel (1628-1707); 350x255 cm; Musee des Beaux-Arts, Rennes, France; French, out of copyright

Background imageSaviour Collection: The Last Judgement and the Resurrection of the Dead, left hand (to viewer) panel

The Last Judgement and the Resurrection of the Dead, left hand (to viewer) panel
XIR156219 The Last Judgement and the Resurrection of the Dead, left hand (to viewer) panel from the Redemption Triptych, c.1460 (oil on panel) by Stockt

Background imageSaviour Collection: The Ascension, 1721 (oil on canvas)

The Ascension, 1721 (oil on canvas)
XIR155936 The Ascension, 1721 (oil on canvas) by Troy, Jean Francois de (1679-1752); Musee des Beaux-Arts, Rouen, France; French, out of copyright

Background imageSaviour Collection: Christ on the Cross and the Good Thief, c. 1565 (oil on canvas)

Christ on the Cross and the Good Thief, c. 1565 (oil on canvas)
XAL154019 Christ on the Cross and the Good Thief, c.1565 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 137x149 cm; Pinacoteca Nazionale, Bologna, Italy; Italian, out of copyright

Background imageSaviour Collection: The Resurrection, 1763 (oil on canvas)

The Resurrection, 1763 (oil on canvas)
XKH152268 The Resurrection, 1763 (oil on canvas) by Tischbein, Johann Heinrich (1722-89); 74x48.6 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageSaviour Collection: The Resurrection (tempera on panel)

The Resurrection (tempera on panel)
XZL148155 The Resurrection (tempera on panel) by Borrassa, Lluis (c.1360-1425); Museo de Arte Romanico, Barcelona, Spain; Catalan, out of copyright

Background imageSaviour Collection: Christ Blessing (tempera on panel)

Christ Blessing (tempera on panel)
XIR142489 Christ Blessing (tempera on panel) by Bastiani, Lazzaro (d.1512); 53x36 cm; Musee Bonnat, Bayonne, France; Italian, out of copyright

Background imageSaviour Collection: St. George and the Dragon, after an original painting in the Chapel of the Trinity

St. George and the Dragon, after an original painting in the Chapel of the Trinity
XZL137076 St. George and the Dragon, after an original painting in the Chapel of the Trinity at Stratford Upon Avon, Warwickshire, 1804 (colour litho) by Hoxton

Background imageSaviour Collection: St. Peter Invited to Walk on the Water, 1766 (oil on canvas)

St. Peter Invited to Walk on the Water, 1766 (oil on canvas)
XIR160459 St. Peter Invited to Walk on the Water, 1766 (oil on canvas) by Boucher, Francois (1703-70); Cathedrale Saint-Louis, Versailles

Background imageSaviour Collection: Coxswain Robert Hook (Of the Lowestoft Lifeboat samuel Plimsoll ), The

Coxswain Robert Hook (Of the Lowestoft Lifeboat samuel Plimsoll ), The
Coxswain Robert Hook (Of the Lowestoft Lifeboat " samuel Plimsoll" ), the Saviour of more than Two Hundred Lives, 1883




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"Saviour: A Divine Presence in Art, History, and Compassion" In the realm of art, the concept of a saviour has been depicted through various masterpieces throughout history. One such iconic portrayal is seen in Michelangelo's Last Judgement, where Jesus stands as the ultimate saviour amidst a scene of divine justice and redemption. Another striking representation can be found in the Novgorod Icon, an exquisite tempera on wood artwork that showcases Jesus with his Sacred Heart aflame with love and compassion for humanity. This image serves as a reminder of his role as our eternal saviour. The Christ Pantocrator encaustic on panel painting further emphasizes Jesus' position as a powerful saviour. With eyes full of wisdom and authority, he gazes upon us all, offering solace and guidance in times of need. Beyond the realms of artistry lie real-life instances where individuals have embodied the spirit of a saviour. The Mint Street Workhouse in Southwark served as a refuge for those facing destitution during challenging times. Similarly, Southwark Military Hospital in Dulwich provided salvation to wounded soldiers who sought healing both physically and emotionally. Not limited to adults alone, even children found hope at places like Kilburn Orphanage of the Infant Saviour. Here they were nurtured under compassionate care while being taught about their own potential to become agents of change. The biblical narratives also shed light on Jesus' role as our ultimate saviour. From standing before Pilate with unwavering conviction to healing lepers in Samaria outcasts society had abandoned - these stories exemplify his boundless love for all humanity. Even everyday objects hold significance when it comes to portraying this theme; take for instance the set of thirteen Apostles Spoons from 1626 engraved with intricate details depicting each apostle individually - reminding us how they too played crucial roles alongside Jesus as bearers of salvation.