Saviour Collection (#16)

The Resurrection (tempera on panel)
XZL148155 The Resurrection (tempera on panel) by Borrassa, Lluis (c.1360-1425); Museo de Arte Romanico, Barcelona, Spain; Catalan, out of copyright

Christ Blessing (tempera on panel)
XIR142489 Christ Blessing (tempera on panel) by Bastiani, Lazzaro (d.1512); 53x36 cm; Musee Bonnat, Bayonne, France; Italian, out of copyright

St. George and the Dragon, after an original painting in the Chapel of the Trinity
XZL137076 St. George and the Dragon, after an original painting in the Chapel of the Trinity at Stratford Upon Avon, Warwickshire, 1804 (colour litho) by Hoxton

St. Peter Invited to Walk on the Water, 1766 (oil on canvas)
XIR160459 St. Peter Invited to Walk on the Water, 1766 (oil on canvas) by Boucher, Francois (1703-70); Cathedrale Saint-Louis, Versailles

Coxswain Robert Hook (Of the Lowestoft Lifeboat samuel Plimsoll ), The
Coxswain Robert Hook (Of the Lowestoft Lifeboat " samuel Plimsoll" ), the Saviour of more than Two Hundred Lives, 1883

Christ the Saviour above Saints John the Baptist, Jerome, Catherine and Thomas; Giuseppe Porta (Giuseppe Salviati), Italian

RUSSIA: MOSCOW, c1903. View of Moscow, Russia from the Ivan the Great Bell Tower, overlooking the Upsensky Cathedral and the Cathedral of Christ the Savior in the background. Stereograph, c1903

TREE OF LIFE. Christ the Saviour in the Tree of Life. Page from a Gospel book, German, early 11th century

JESUS: SALVATOR MUNDI. Woodcut by an anonymous German artist, c1479

Moscow - Cathedral of Christ the Saviour, Nikolsky Gate
Moscow, Russia - Cathedral of Christ the Saviour, Nikolsky Gate Date: circa 1898

Moscow - Kremlin, Christ the Saviour, Spasskaya Tower
Moscow, Russia - Kremlin, Cathedral of Christ the Saviour and the Spasskaya Tower (part of the walls of the Kremlin). Date: circa 1898

The Resurrection His countenance was like lightning and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men. Matthew 28-29

Jesus scourged on the face. John: 9. Illustration by J. J. Tissot for his Life of Our
Jesus scourged on the face. John:9. Illustration by J.J.Tissot for his Life of Our Saviour Jesus Christ, 1897. Oleograph

Christ calling Matthew, the tax collector to follow him. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Angel of the Lord on the stone of the sepulchre. His countenance was like lightning and his raiment white as snow. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

Soul of the penitent thief carried into Paradise by angels with burning censers. Luke 23. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

The Tribute Money. Jesus telling his questioners to render up to Caesar what was Caesar s. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Descent from the Cross. Illustration by JJ Tissot for his The Life of our Saviour Jesus Christ London c1890. Oleograph

Childhood of Jesus. Jesus carrying a plank of wood down the street while Mary and Joseph watch from their doorway. Illustration by J.J.Tissot for his Life of Our Saviour Jesus Christ, 1897. Oleograph

Angels ministering to Jesus after the Devil has left him. Matthew 4. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

Jesus raising Lazarus from the tomb. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

Christ appearing to St Peter. Luke 4. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Christ raising the daughter of Jairus, Governor of the Synagogue, from the dead. Bible: Mark V. Illustration by JJ Tissot for his Life of our Saviour Jesus Christ 1897

Doubting Thomas. The Disciple Thomas putting his hand into the lance wound in the side of the risen Jesus to make sure that the Saviour was real. After Armenian Evangelistery (Gospels) c1268

The Incredulity of Thomas (1634) Picture illustrating episode in John 20: 19-29
The Incredulity of Thomas (1634) Picture illustrating episode in John 20:19-29 where the Apostle Thomas puts hand in wound in the risen Saviours side as he doubts what he is seeing

The Raising of Lazarus Jesus raised Lazarus, brother of Martha and Mary (left), from the tomb after four days. Scene set in family side chapel

Christ enthroned: on left, Leo VI the Philosopher, 865-911, Emperor of the East from 886, kneels at the Saviours feet. Chromolithograph after 9th century mosaic in St Sophia, Constantinople

The second miraculous draught of fishes. St John 21. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Christ healing the lepers at Capernaum. Mark I. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Jesus casting devils out of kneeling man, and putting them into Gaderine Swine who plunge over the cliff as if possessed. From JJ Tissot Life of our Saviour Jesus Christ c1890. Oleograph

Mr. T. F. Rider St. Saviour, Southwark, London, UK, Britain, United Kingdom, U.k. Great Britain

THORWALDSENs STATUE OF THE SAVIOUR. Karl Albert Bertel Thorvaldsen 1770 a
THORWALDSENs STATUE OF THE SAVIOUR. Karl Albert Bertel Thorvaldsen 1770 A

Woman with issue of blood touching the border of Jesus garment and being healed of her affliction. Jesus said to her Daughter, they faith hath made thee whole. From J.J

Jesus teaching on the sea shore. Bible, New Testament, St Matthew Ch 12. From J.J. Tissot " The Life of our Saviour Jesus Christ" c1890. Oleograph

Tower of San Salvador. 1310s. SPAIN. Teruel. Church of the Saviour. Detail. Mudejar art. Architecture

JUANES, Juan de (1523-1579). Eucharistic Saviour. c. 1560-1570. Renaissance art. Oil on wood. SPAIN. Valencia. San Pio V Fine Arts Museum

The Church of Transfiguration of Our Saviour. RUSSIA. Novgorod. Church of the Transfiguration.. Late Byzantine art. Fresco

JOAN, Pere or Pere Johan (1398-1458). Saviour. He holds the world ball. Work attributed. Relief on marble. Proc:

The Young Saviour. 15th c. - 16th c. Painting attributed to Giovanni Antonio Boltraffio, belonging to Leonardo da Vincis school. Renaissance art. Oil on wood. SPAIN. Madrid

Church of St. Saviour, Jerusalem, Holy Land. Date between ca. 1890 and ca. 1900

The Life of our Lord and Saviour Jesus Christ. Date c1875

Saviour Church, Copenhagen, Denmark. Date between ca. 1890 and ca. 1900

The Cathedral of St. Saviour, (i. e. Christ the Savior), and
The Cathedral of St. Saviour, (i.e. Christ the Savior), and the Kamennyj, (i.e. Kamennyi Most), Bridge, Moscow, Russia. Date between ca. 1890 and ca. 1900

Christs stigmata, 17th century
Christs stigmata. Artwork of Christs rope-bound hands, showing the site of the stigmata. In this context, stigmata refers to the Holy Wounds that Jesus Christ received during his crucifixion

Rantzaus astrology book, 1584 edition
Rantzaus astrology book. Frontispiece to the 1584 third edition of Catalogus imperatorum, regum ac virorum illustrium, qui artem astrologicam amarunt by the German author

Christs descent into Limbo, 14th century
Christs descent into Limbo. Jesus Christ (left) bearing a flag and walking over a fallen door and a devil holding a key to bring salvation to those in Limbo

Marriage of Prince Olaf of Norway and Princess Martha of Swe
The marriage of Prince Olaf, Crown Prince of Norway and Princess Martha, second daughter of the Duke and Duchess of Vastergotland and niece of the King of Sweden

Henri IV Allegory
The deliverance of France by the French Perseus - allegorical representation of Henri IV depicted as the saviour of France

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"Saviour: A Divine Presence in Art, History, and Compassion" In the realm of art, the concept of a saviour has been depicted through various masterpieces throughout history. One such iconic portrayal is seen in Michelangelo's Last Judgement, where Jesus stands as the ultimate saviour amidst a scene of divine justice and redemption. Another striking representation can be found in the Novgorod Icon, an exquisite tempera on wood artwork that showcases Jesus with his Sacred Heart aflame with love and compassion for humanity. This image serves as a reminder of his role as our eternal saviour. The Christ Pantocrator encaustic on panel painting further emphasizes Jesus' position as a powerful saviour. With eyes full of wisdom and authority, he gazes upon us all, offering solace and guidance in times of need. Beyond the realms of artistry lie real-life instances where individuals have embodied the spirit of a saviour. The Mint Street Workhouse in Southwark served as a refuge for those facing destitution during challenging times. Similarly, Southwark Military Hospital in Dulwich provided salvation to wounded soldiers who sought healing both physically and emotionally. Not limited to adults alone, even children found hope at places like Kilburn Orphanage of the Infant Saviour. Here they were nurtured under compassionate care while being taught about their own potential to become agents of change. The biblical narratives also shed light on Jesus' role as our ultimate saviour. From standing before Pilate with unwavering conviction to healing lepers in Samaria outcasts society had abandoned - these stories exemplify his boundless love for all humanity. Even everyday objects hold significance when it comes to portraying this theme; take for instance the set of thirteen Apostles Spoons from 1626 engraved with intricate details depicting each apostle individually - reminding us how they too played crucial roles alongside Jesus as bearers of salvation.