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Scourge Collection (#2)

"Unveiling the Scourge: A Journey through History, Art, and Struggle" In a world where women's rights were once confined to the shadows

Background imageScourge Collection: Osiris. Temple of Hatshepsut. Deir El-Bahari. Egypt

Osiris. Temple of Hatshepsut. Deir El-Bahari. Egypt
Osiris. Polychrome limestone reliefs from the Temple of Hatshepsut. Dynasty XVIII. New Kingdom. By 1490 B.C. Deir El-Bahari. Egypt

Background imageScourge Collection: Rameseum. Pillars with osirian statues. Detail. Egypt

Rameseum. Pillars with osirian statues. Detail. Egypt
Rameseum. Pillars with osirian statues. Detail. 13th century B.C. Nineteenth Dynasty. New Kingdom. Necropolis of Thebes. Valley of the Kings. Egypt

Background imageScourge Collection: Fokker M5K MG serial no E5-15 of Lt Kurt Wintgens, orig

Fokker M5K MG serial no E5-15 of Lt Kurt Wintgens, origin of the Fokker Scourge, July 1915

Background imageScourge Collection: Blohm u Voss BV138C being hoisted into the water Used f

Blohm u Voss BV138C being hoisted into the water Used for long ranged overwater reconnaissance Became the scourge of Allied Arctic convoys

Background imageScourge Collection: I Married a Suffragette - Oh My

I Married a Suffragette - Oh My!. Policeman grabbed by the arm is marched off by a suffragette brandishing a whip or scourge. Date: circa 1908

Background imageScourge Collection: Cleansing Temple Christ driving money-changers

Cleansing Temple Christ driving money-changers
Artokoloro

Background imageScourge Collection: Attila, the Scourge of God

Attila, the Scourge of God

Background imageScourge Collection: Source Size = 3711 x 2489

Source Size = 3711 x 2489
A Picture by Wilhelm Von Kaulbach: " the Scourge of Small Cords", Dispersion of the Vatican Council

Background imageScourge Collection: The Clerical Magistrate, 1819 (engraving)

The Clerical Magistrate, 1819 (engraving)
XJF488936 The Clerical Magistrate, 1819 (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Illustration to the poem The Clerical Magistrate by William Hone (1780-1842)

Background imageScourge Collection: Pieta, engraved by Giulio Bonasone (engraving)

Pieta, engraved by Giulio Bonasone (engraving)
XJF472191 Pieta, engraved by Giulio Bonasone (engraving) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info)

Background imageScourge Collection: S Mary Magdalene, Pieter de Bailliu (I), Peter Paul Rubens, 1623 - 1660

S Mary Magdalene, Pieter de Bailliu (I), Peter Paul Rubens, 1623 - 1660

Background imageScourge Collection: H Mary Magdalene, Monogrammist CHRO, 1632

H Mary Magdalene, Monogrammist CHRO, 1632

Background imageScourge Collection: Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I

Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I, Anthony van Dyck, Pieter de Bailliu I, 1623 - 1660

Background imageScourge Collection: Church Father Ambrosius, Roeland van Bolten, Jacob Matham, Christoffel van Sichem

Church Father Ambrosius, Roeland van Bolten, Jacob Matham, Christoffel van Sichem, after 1600 - 1608

Background imageScourge Collection: Penitent Mary Magdalene, Jacob Matham, 1607-1612

Penitent Mary Magdalene, Jacob Matham, 1607-1612

Background imageScourge Collection: The repentance of Mary Magdalene, Joannes Bemme, in or before 1805

The repentance of Mary Magdalene, Joannes Bemme, in or before 1805

Background imageScourge Collection: Mary Magdalene, Monogrammist BD (graveur), 1500 - 1510

Mary Magdalene, Monogrammist BD (graveur), 1500 - 1510

Background imageScourge Collection: Portrait of the Jesuit Joao de Almeida, Richard Collin, c. 1660 - c. 1680

Portrait of the Jesuit Joao de Almeida, Richard Collin, c. 1660 - c. 1680

Background imageScourge Collection: The penance of Mary Magdalene, Joannes Bemme, Adriaan Pietersz

The penance of Mary Magdalene, Joannes Bemme, Adriaan Pietersz. Loosjes, Johannes Immerzeel, 1805

Background imageScourge Collection: St. Jerome as a penitent in the desert, Hieronymus Wierix, 1563 - before 1619

St. Jerome as a penitent in the desert, Hieronymus Wierix, 1563 - before 1619

Background imageScourge Collection: Virtue of those who chastise themselves, Hieronymus Wierix, 1563 - before 1619

Virtue of those who chastise themselves, Hieronymus Wierix, 1563 - before 1619

Background imageScourge Collection: Penitent Mary Magdalene reading, Anonymous, 1618

Penitent Mary Magdalene reading, Anonymous, 1618

Background imageScourge Collection: Atilla (Attila c406-453) King of the Huns from 434, known as The Scourge of God

Atilla (Attila c406-453) King of the Huns from 434, known as The Scourge of God. Representation from 19th century chromolithograph

Background imageScourge Collection: Plastic rubbish washed up on Nantandola Beach on Fiji

Plastic rubbish washed up on Nantandola Beach on Fiji
Ashley Cooper / SpecialistStock




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"Unveiling the Scourge: A Journey through History, Art, and Struggle" In a world where women's rights were once confined to the shadows, newspapers became their beacon of hope. Hogarth's masterpiece "The Bench" exposed societal injustices, shedding light on the scourge that plagued gender equality. From Turkey to Tomak, men exercising their power over women was an all too familiar scene. But amidst this darkness emerged figures like Houdini posing with a female medium - defying norms and challenging stereotypes. Artists captured the essence of suffering in different forms throughout history. The pen and ink depiction of "Scourging of Christ" in 1520 showcased the brutality inflicted upon those who dared to challenge authority. Meanwhile, "The Way of the Cross, " an oil painting from 1817, portrayed resilience against oppression. Engravings such as "Flagellum or Scourge" served as reminders that pain could be wielded as a weapon by both oppressor and liberator alike. In contrast, charcoal sketches revealed figures preparing for narrative scenes - symbols of resistance taking shape behind closed doors. "A Slave under the Scourge, " an engraving etched into our collective memory forever highlighted humanity's darkest chapters. Yet within these depths lay frescoes like "Flagellation, " which depicted defiance against tyranny during its creation between 1516-24. Even Attila himself couldn't escape scrutiny; his engraved image serving as a reminder that even conquerors can become victims of their own scourges. Through art and historical artifacts intertwined with tales of struggle and triumphs for justice, we unravelled society's hidden narratives surrounding this pervasive scourge, and is only by acknowledging our past that we can pave a brighter future where darkness no longer prevails over human dignity and equality reigns supreme.