Study Drawing Collection (#4)

Sketchbook, page 05: "Bethel ME Aug 19th", 1859 (graphite)
XOS5878324 Sketchbook, page 05: "Bethel ME Aug 19th", 1859 (graphite) by Gifford, Sanford Robinson (1823-80); Cleveland Museum of Art, OH

Quite another thing (litho)
8663001 Quite another thing (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Quite another thing. Illustration for Sketches from "Punch" by Phil May (Punch)

Gavarni in London: A Sketch for the West-End (litho)
8670138 Gavarni in London: A Sketch for the West-End (litho) by Gavarni, Paul (1804-66) (after); Private Collection; (add.info.: A Sketch for the West-End)

The National Sporting Club, London (litho)
8663020 The National Sporting Club, London (litho) by May, Phil (1864-1903); Private Collection; (add.info.: The National Sporting Club, London)

Eureka! (litho)
8663013 Eureka! (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Eureka! Illustration for Sketches from "Punch" by Phil May (Punch, 1903).); © Look and Learn

Another Mr Weller (litho)
8663004 Another Mr Weller (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Another Mr Weller. Illustration for Sketches from "Punch" by Phil May (Punch)

Brown's Country House, No 2 (litho)
8662995 Brown's Country House, No 2 (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Brown's Country House, No 2)

Rather difficult for him (litho)
8662992 Rather difficult for him (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Rather difficult for him)

Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)
5862014 Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper) by Ferri, Ciro (1634-89); 20.4x18.5 cm; The Art Institute of Chicago, IL

The Cowherdess, Eragny, 1886 (crayon)
XOS5885343 The Cowherdess, Eragny, 1886 (crayon) by Pissarro, Camille (1830-1903); 43.6x29.1 cm; Cleveland Museum of Art, OH

Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite )
XOS5884187 Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite ) by Millet, Frederic (1786-1859); 46.3x38.2 cm; Cleveland Museum of Art, OH

Portrait of a Woman, 1758-62 ( black, white & red chalk, on blue paper)
8677946 Portrait of a Woman, 1758-62 ( black, white & red chalk, on blue paper) by Liotard, Jean-Etienne (1702-89); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Drawing by Jean Etienne Liotard)

Lobster and Two Witches, c.1602 (pen & w/c on paper)
7443777 Lobster and Two Witches, c.1602 (pen & w/c on paper) by Gheyn, Jacques II de (1565-1629); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Jacques de Gheyn II)

Saint Jerome in a Landscape (pen & ink on paper)
3598792 Saint Jerome in a Landscape (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Apostle (charcoal on paper)
3598783 Apostle (charcoal on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Study for Fountain (pen & ink on paper)
3598765 Study for Fountain (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Cloud study by Luke Howard, c 1808-1811
UIG5092156 Cloud study by Luke Howard, c 1808-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Cloud study by Luke Howard, c 1808-1811)

A Bear Eating a Rabbit (pen & ink on paper)
3598791 A Bear Eating a Rabbit (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Saint Sebastian (pen & ink with wash on paper)
3598786 Saint Sebastian (pen & ink with wash on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: San Sebastiano(1714F) Uffizi, G.D.S., Firenze

Battle (pen & ink on paper)
3598775 Battle (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: Battaglia(1720F) Uffizi, G.D.S., Firenze, Toscana

Angel of the Annunciation (chalk on paper)
3598750 Angel of the Annunciation (chalk on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: Angelo della annunciazione(12903 F) Uffizi, G.D.S.

Water Lane, Stratford St.Mary, 1831 (watercolour on paper)
7528536 Water Lane, Stratford St.Mary, 1831 (watercolour on paper) by Constable, John (1776-1837); 23x18 cm; Gallery Oldham

Ixias, 1904 (pencil, watercolour, paper)
7443874 Ixias, 1904 (pencil, watercolour, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PR.1969.12.b DRAWINGS drawing; watercolour IXIAS Mackintosh)

Sketch drawing of a group of women, Ramose's tomb
8586902 Sketch drawing of a group of women, Ramose's tomb by Egyptian; Necropolis, Luxor, Thebes, Egypt; (add.info.: Egypt TT55)

Cloud study by Luke Howard, c 1808-1811
UIG5066999 Cloud study by Luke Howard, c 1808-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Cloud study by Luke Howard, c 1808-1811)

Landscape roughed in show cumulaic heap similar to tops of trees, 1803-1811
UIG5102127 Landscape roughed in show cumulaic heap similar to tops of trees, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Landscape roughed in show cumulaic heap similar to tops of trees)

Study for a the Portrait of the Duke of Urbino (pen & ink on paper)
3598795 Study for a the Portrait of the Duke of Urbino (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S.)

Landscape with trees on the left and a city in the background (pen & ink on paper)
3598760 Landscape with trees on the left and a city in the background (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S.)

View of a Mountainous Coast (ink on paper)
3598745 View of a Mountainous Coast (ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); Photo © Raffaello Bencini

Aggregate cumulus in different stages, 1803-1811
UIG5102122 Aggregate cumulus in different stages, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Aggregate cumulus in different stages, 1803-1811)

Light cirro-cumulus beneath cirrus, 1803-1811
UIG5102121 Light cirro-cumulus beneath cirrus, 1803-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Light cirro-cumulus beneath cirrus, 1803-1811)

Dark cirrostratus, 1803-1811
UIG5102119 Dark cirrostratus, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Dark cirrostratus, 1803-1811. Blue wash cloud study by Luke Howard FRS)

Light cumulus and stratus above a sea inlet, 1803-1811
UIG5102116 Light cumulus and stratus above a sea inlet, 1803-1811 by Howard, Luke (1772-1864); (add.info.: Light cumulus and stratus above a sea inlet, 1803-1811)

Rural landscape and cloud study by Luke Howard, c 1808-1811
UIG5062548 Rural landscape and cloud study by Luke Howard, c 1808-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Rural landscape and cloud study by Luke Howard)

Sketch drawing of a group of men, Ramose's tomb
8586889 Sketch drawing of a group of men, Ramose's tomb by Egyptian; Necropolis, Luxor, Thebes, Egypt; (add.info.: Egypt TT55, Ramose's Thebarian Tomb Sketch drawing of a group of men)

Cock Point, near Folkestone, 1833 (watercolour on paper)
7528535 Cock Point, near Folkestone, 1833 (watercolour on paper) by Constable, John (1776-1837); 20.5x12 cm; Gallery Oldham

Detail of a dog crossing the Red Sea (pen & ink on paper)
3598794 Detail of a dog crossing the Red Sea (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze)

Soldier with Mantel (pen & ink on paper)
3598788 Soldier with Mantel (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

The Virgin Mary with Apostles of Santo Spirito ()
3598763 The Virgin Mary with Apostles of Santo Spirito ( by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Landscape with Birds in Flight (ink on paper)
3598747 Landscape with Birds in Flight (ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian); Photo © Raffaello Bencini

Back view of Roman marble of the Boy with a Goose in his lost drawing book preserved in the Chatsworth record
8601589 Back view of Roman marble of the Boy with a Goose in his lost drawing book preserved in the Chatsworth record, fol 64v-65r (pen & ink on paper) by Rubens

Drawing of a man, Ramose's tomb
8586937 Drawing of a man, Ramose's tomb by Egyptian; Necropolis, Luxor, Thebes, Egypt; (add.info.: Egypt TT55, Ramose's Thebarian Tomb Charcoal drawing of a man); © Jean Bernard

Tomb of Ramses IX, Luxor
8587842 Tomb of Ramses IX, Luxor by Egyptian; Valley of the Kings, Thebes, Egypt; (add.info.: Egypt. Luxor, city on the Nile of ancient Thebes)

Layers of stratus, wreathing mountain slopes, c 1803-1811
UIG5102163 Layers of stratus, wreathing mountain slopes, c 1803-1811 by Howard, Luke (1772-1864); Science Museum, London, UK; (add.info.: Layers of stratus, wreathing mountain slopes, c 1803-1811)

Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper)
5860103 Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper, perimeter mounted on cream wove paper) by Gericault

Houses and an Eagle (pen & ink on paper)
3598793 Houses and an Eagle (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

Roman Emperor (pen & ink on paper)
3598779 Roman Emperor (pen & ink on paper) by Titian (Tiziano Vecellio) (c.1488-1576); (add.info.: by Titian Uffizi, G.D.S., Firenze, Toscana)

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Art of Study Drawing: From Venice's San Giorgio to Captivating Portraits" Immerse yourself in the world of study drawing, where artists capture intricate details and emotions through various mediums. Transporting us to the enchanting city of Venice, a vibrant color lithograph depicts the magnificent San Giorgio, inviting us to delve into artistic inspiration. Intriguingly, a sick woman lies in bed, possibly Saskia, wife of a renowned painter from 1640. With pen, brush, and gouache as their tools, artists skillfully bring forth delicate nuances and tender expressions. Moving forward in time to c. 1723-24, we encounter an academic nude seated with hands clasped on light brown paper using red and white chalk. The artist masterfully portrays both vulnerability and strength through this captivating figure study. Head studies painted meticulously on panel showcase the artist's dedication to capturing every detail with oil paints. These intimate glimpses into human features allow for exploration of individuality and character. A graphite sketch titled "Tuning" transports us back to 1867 when an artist used simple lines to convey movement and rhythm within a musical scene. This minimalist approach highlights the power of suggestion while leaving room for interpretation. Traveling once again to Venice in 1840 via pencil and watercolor on card medium reveals "First of the Month's Sculptures. " This artwork captures St Mark's Square adorned with sculptures that celebrate artistry itself—a tribute within a tribute. "The Triumph of the Church, " created after 1628 using oil on wood technique showcases religious symbolism intertwined with artistic prowess—an allegorical representation that captivates viewers' imagination. Delving deeper into history brings us face-to-face with Guinevere herself during her portrayal as Sir Launcelot's muse in 1857. Pencil strokes combined with watercolors breathe life into this study—offering a glimpse into the artist's creative process.