Skip to main content

Study Drawing Collection (#9)

"Exploring the Art of Study Drawing: From Venice's San Giorgio to Captivating Portraits" Immerse yourself in the world of study drawing

Background imageStudy Drawing Collection: sketch for the play Priest Tarquinius by D Polinavov, 1922 (gouache and ink on paper)

sketch for the play Priest Tarquinius by D Polinavov, 1922 (gouache and ink on paper)
FIA5356475 sketch for the play Priest Tarquinius by D Polinavov, 1922 (gouache and ink on paper) by Popova, Lyubov Sergeevna (1889-1924); State Tretyakov Gallery

Background imageStudy Drawing Collection: Amazons with a Horse in Procession to the Right (pen and ink)

Amazons with a Horse in Procession to the Right (pen and ink)
6619456 Amazons with a Horse in Procession to the Right (pen and ink) by Cambiaso, Luca (1527-85); Private Collection

Background imageStudy Drawing Collection: Study of a Woman, 1898 (pencil and chalk)

Study of a Woman, 1898 (pencil and chalk)
6619403 Study of a Woman, 1898 (pencil and chalk) by Khnopff, Fernand (1858-1921); Private Collection; (add.info.: Khnopff, Fernand (1858-1921))

Background imageStudy Drawing Collection: An Allegory of Music, c. 1580 (drawing)

An Allegory of Music, c. 1580 (drawing)
7063482 An Allegory of Music, c.1580 (drawing) by Dutch School, (16th century) (attr.to); Private Collection

Background imageStudy Drawing Collection: Horseman with a Tricorn Hat (w / c, pen and ink)

Horseman with a Tricorn Hat (w / c, pen and ink)
7224819 Horseman with a Tricorn Hat (w/c, pen and ink) by Meissonier, Jean-Louis Ernest (1815-91); Private Collection; (add.info.: Meissonier, Jean-Louis Ernest (1815-91))

Background imageStudy Drawing Collection: Narbonne, 'Le Canal Des Deux Mers'(colour litho)

Narbonne, "Le Canal Des Deux Mers"(colour litho)
7159752 Narbonne, " Le Canal Des Deux Mers" (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Narbonne)

Background imageStudy Drawing Collection: Cannes and the Esterel Mountains (colour litho)

Cannes and the Esterel Mountains (colour litho)
7159748 Cannes and the Esterel Mountains (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Cannes and the Esterel Mountains)

Background imageStudy Drawing Collection: San Remo (colour litho)

San Remo (colour litho)
7159746 San Remo (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: San Remo. Illustration for Sketches on the Old Road through France to Florence by A H)

Background imageStudy Drawing Collection: Dieppe, Fifteenth-Century Castle (colour litho)

Dieppe, Fifteenth-Century Castle (colour litho)
7159762 Dieppe, Fifteenth-Century Castle (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Dieppe, Fifteenth-Century Castle)

Background imageStudy Drawing Collection: Honfleur, Harbour Gateway (colour litho)

Honfleur, Harbour Gateway (colour litho)
7159760 Honfleur, Harbour Gateway (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Honfleur, Harbour Gateway)

Background imageStudy Drawing Collection: Antibes (colour litho)

Antibes (colour litho)
7159749 Antibes (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Antibes. Illustration for Sketches on the Old Road through France to Florence by A H)

Background imageStudy Drawing Collection: Sketch of a street oyster-seller at night in Margate (engraving)

Sketch of a street oyster-seller at night in Margate (engraving)
7161039 Sketch of a street oyster-seller at night in Margate (engraving) by English School, (19th century); Private Collection; (add.info.: Sketch of a street oyster-seller at night in Margate)

Background imageStudy Drawing Collection: Florence, Ponte Vecchio (colour litho)

Florence, Ponte Vecchio (colour litho)
7159738 Florence, Ponte Vecchio (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Florence, Ponte Vecchio)

Background imageStudy Drawing Collection: Vallombrosa, Abbey (colour litho)

Vallombrosa, Abbey (colour litho)
7159731 Vallombrosa, Abbey (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Vallombrosa, Abbey)

Background imageStudy Drawing Collection: Eton College: Dr Keate (engraving)

Eton College: Dr Keate (engraving)
7178959 Eton College: Dr Keate (engraving) by English School, (19th century); Private Collection; (add.info.: Dr Keate. Illustration for A History of Eton College 1440-1875 by H C Maxwell Lyte)

Background imageStudy Drawing Collection: Architectural drawings for living rooms in three English houses (colour litho)

Architectural drawings for living rooms in three English houses (colour litho)
7200408 Architectural drawings for living rooms in three English houses (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageStudy Drawing Collection: Le Vocabulaire Illustre: Croquis; Sketch; Skizze (engraving)

Le Vocabulaire Illustre: Croquis; Sketch; Skizze (engraving)
7195650 Le Vocabulaire Illustre: Croquis; Sketch; Skizze (engraving) by European School, (19th century); Private Collection; (add.info.: Croquis; Sketch; Skizze)

Background imageStudy Drawing Collection: Tore Hund goes down to the quay with the sword Selshevner, 1898

Tore Hund goes down to the quay with the sword Selshevner, 1898
7211462 Tore Hund goes down to the quay with the sword Selshevner, 1898 by Egedius, Halfdan (1877-99); Private Collection; Photo © O. Vaering

Background imageStudy Drawing Collection: Untitled (w / c and charcoal on paper)

Untitled (w / c and charcoal on paper)
145466 Untitled (w/c and charcoal on paper) by Jongkind, Johan-Barthold (1819-91); 11.5x19 cm; Private Collection

Background imageStudy Drawing Collection: Drawing competition to guess what the man looks like when his top hat is removed (colour litho)

Drawing competition to guess what the man looks like when his top hat is removed (colour litho)
7148244 Drawing competition to guess what the man looks like when his top hat is removed (colour litho) by English School

Background imageStudy Drawing Collection: Studies of Arabic Saddles, c. 1832 (w / c)

Studies of Arabic Saddles, c. 1832 (w / c)
7224824 Studies of Arabic Saddles, c.1832 (w/c) by Delacroix, Ferdinand Victor Eugene (1798-1863); 16.5x22 cm; Private Collection; (add.info.: Delacroix, Ferdinand Victor Eugene (1798-1863))

Background imageStudy Drawing Collection: Study of a Nude (w / c)

Study of a Nude (w / c)
7224823 Study of a Nude (w/c) by Bourdelle, Emile-Antoine (1861-1929); Private Collection; (add.info.: Bourdelle, Emile-Antoine (1861-1929))

Background imageStudy Drawing Collection: A Boy Holding a Net, 1762 (black and white chalk on blue discolored paper)

A Boy Holding a Net, 1762 (black and white chalk on blue discolored paper)
6619455 A Boy Holding a Net, 1762 (black and white chalk on blue discolored paper) by Boucher, Francois (1703-70); 38.5x24.8 cm; Private Collection

Background imageStudy Drawing Collection: Capriccio beside a Venetian Lagoon with an Obelisk and Lion outside the Walls of a Fortified Town

Capriccio beside a Venetian Lagoon with an Obelisk and Lion outside the Walls of a Fortified Town (pen and ink)
6431014 Capriccio beside a Venetian Lagoon with an Obelisk and Lion outside the Walls of a Fortified Town (pen and ink) by Guardi, Francesco (1712-93); Private Collection

Background imageStudy Drawing Collection: Study for a Halt in the Desert (pencil and w / c)

Study for a Halt in the Desert (pencil and w / c)
6619469 Study for a Halt in the Desert (pencil and w/c) by Lewis, John Frederick (1804-76); Victoria & Albert Museum, London, UK

Background imageStudy Drawing Collection: Francois Preparing Supper, c. 1837 (drawing on paper)

Francois Preparing Supper, c. 1837 (drawing on paper)
5310499 Francois Preparing Supper, c.1837 (drawing on paper) by Miller, Alfred Jacob (1810-74); Joslyn Museum, Omaha, Nebraska

Background imageStudy Drawing Collection: Caen, Church of St Jean (colour litho)

Caen, Church of St Jean (colour litho)
7159758 Caen, Church of St Jean (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Caen, Church of St Jean)

Background imageStudy Drawing Collection: Amboise, the Castle (colour litho)

Amboise, the Castle (colour litho)
7159756 Amboise, the Castle (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Amboise, the Castle)

Background imageStudy Drawing Collection: Carcassone, Cite (colour litho)

Carcassone, Cite (colour litho)
7159753 Carcassone, Cite (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Carcassone, Cite)

Background imageStudy Drawing Collection: Mentone, Old Houses (colour litho)

Mentone, Old Houses (colour litho)
7159747 Mentone, Old Houses (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Mentone, Old Houses)

Background imageStudy Drawing Collection: Florence from the Boboli Gardens, looking towards Fiesole (colour litho)

Florence from the Boboli Gardens, looking towards Fiesole (colour litho)
7159739 Florence from the Boboli Gardens, looking towards Fiesole (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Florence from the Boboli Gardens)

Background imageStudy Drawing Collection: Florence, Interior of the Duomo during the Lenten Preaching (colour litho)

Florence, Interior of the Duomo during the Lenten Preaching (colour litho)
7159737 Florence, Interior of the Duomo during the Lenten Preaching (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Florence)

Background imageStudy Drawing Collection: Florence from the Olive Gardens of San Domenico (colour litho)

Florence from the Olive Gardens of San Domenico (colour litho)
7159734 Florence from the Olive Gardens of San Domenico (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Florence from the Olive Gardens of San Domenico)

Background imageStudy Drawing Collection: Old Houses in Chinon (colour litho)

Old Houses in Chinon (colour litho)
7159761 Old Houses in Chinon (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Old Houses in Chinon)

Background imageStudy Drawing Collection: Sketches of South Carolina State Officers and Legislators, under the Moses Administration

Sketches of South Carolina State Officers and Legislators, under the Moses Administration (engraving)
7170675 Sketches of South Carolina State Officers and Legislators, under the Moses Administration (engraving) by American School

Background imageStudy Drawing Collection: Gabrielle Renard with Jean Renoir and a Little Girl, c. 1895-96 (black chalk on board)

Gabrielle Renard with Jean Renoir and a Little Girl, c. 1895-96 (black chalk on board)
5310871 Gabrielle Renard with Jean Renoir and a Little Girl, c.1895-96 (black chalk on board) by Renoir, Pierre Auguste (1841-1919); 45x52 cm; Private Collection; (add.info)

Background imageStudy Drawing Collection: Mother and Daughter (pencil on paper)

Mother and Daughter (pencil on paper)
7076530 Mother and Daughter (pencil on paper) by Klimt, Gustav (1862-1918); 56.5x37.2 cm; Private Collection

Background imageStudy Drawing Collection: Soldier on Horseback (w / c, pen and ink)

Soldier on Horseback (w / c, pen and ink)
7224831 Soldier on Horseback (w/c, pen and ink) by Lami, Eugene-Louis (1800-90); Private Collection; (add.info.: Lami, Eugene-Louis (1800-90))

Background imageStudy Drawing Collection: Elk. c. 1837 (drawing)

Elk. c. 1837 (drawing)
5310540 Elk. c.1837 (drawing) by Miller, Alfred Jacob (1810-74); Joslyn Museum, Omaha, Nebraska, USA; (add.info.: Miller and Scottish soldier Sir William Drummond Stewart (1795-1871)

Background imageStudy Drawing Collection: Indian Cabin on the Platte, c. 1837 (pen and ink and wash on paper)

Indian Cabin on the Platte, c. 1837 (pen and ink and wash on paper)
5310538 Indian Cabin on the Platte, c.1837 (pen and ink and wash on paper) by Miller, Alfred Jacob (1810-74); 17.5x15.3 cm; Joslyn Museum, Omaha, Nebraska

Background imageStudy Drawing Collection: Blois, the Fountain of Louis XII, in the Market-Place (colour litho)

Blois, the Fountain of Louis XII, in the Market-Place (colour litho)
7159757 Blois, the Fountain of Louis XII, in the Market-Place (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Blois, the Fountain of Louis XII)

Background imageStudy Drawing Collection: Albenga, Cathedral Tower and Baptistery (colour litho)

Albenga, Cathedral Tower and Baptistery (colour litho)
7159745 Albenga, Cathedral Tower and Baptistery (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Albenga, Cathedral Tower and Baptistery)

Background imageStudy Drawing Collection: The Sea-Coast North of Viareggio (colour litho)

The Sea-Coast North of Viareggio (colour litho)
7159742 The Sea-Coast North of Viareggio (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: The Sea-Coast North of Viareggio)

Background imageStudy Drawing Collection: Florence from Poggio Gherardo (colour litho)

Florence from Poggio Gherardo (colour litho)
7159732 Florence from Poggio Gherardo (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Florence from Poggio Gherardo)

Background imageStudy Drawing Collection: The Alps from Verona (colour litho)

The Alps from Verona (colour litho)
7159730 The Alps from Verona (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: The Alps from Verona)

Background imageStudy Drawing Collection: Young West showing his sketches to the Indians (engraving)

Young West showing his sketches to the Indians (engraving)
7198138 Young West showing his sketches to the Indians (engraving) by English School, (19th century); Private Collection; (add.info.: Young West showing his sketches to the Indians)

Background imageStudy Drawing Collection: 'Idea for the Frontispiece of a Publick Building in England'(engraving)

"Idea for the Frontispiece of a Publick Building in England"(engraving)
7164151 " Idea for the Frontispiece of a Publick Building in England" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageStudy Drawing Collection: A Bisharin Arab by his Camel (pencil and w / c)

A Bisharin Arab by his Camel (pencil and w / c)
259396 A Bisharin Arab by his Camel (pencil and w/c) by Lewis, John Frederick (1804-76); Private Collection




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Art of Study Drawing: From Venice's San Giorgio to Captivating Portraits" Immerse yourself in the world of study drawing, where artists capture intricate details and emotions through various mediums. Transporting us to the enchanting city of Venice, a vibrant color lithograph depicts the magnificent San Giorgio, inviting us to delve into artistic inspiration. Intriguingly, a sick woman lies in bed, possibly Saskia, wife of a renowned painter from 1640. With pen, brush, and gouache as their tools, artists skillfully bring forth delicate nuances and tender expressions. Moving forward in time to c. 1723-24, we encounter an academic nude seated with hands clasped on light brown paper using red and white chalk. The artist masterfully portrays both vulnerability and strength through this captivating figure study. Head studies painted meticulously on panel showcase the artist's dedication to capturing every detail with oil paints. These intimate glimpses into human features allow for exploration of individuality and character. A graphite sketch titled "Tuning" transports us back to 1867 when an artist used simple lines to convey movement and rhythm within a musical scene. This minimalist approach highlights the power of suggestion while leaving room for interpretation. Traveling once again to Venice in 1840 via pencil and watercolor on card medium reveals "First of the Month's Sculptures. " This artwork captures St Mark's Square adorned with sculptures that celebrate artistry itself—a tribute within a tribute. "The Triumph of the Church, " created after 1628 using oil on wood technique showcases religious symbolism intertwined with artistic prowess—an allegorical representation that captivates viewers' imagination. Delving deeper into history brings us face-to-face with Guinevere herself during her portrayal as Sir Launcelot's muse in 1857. Pencil strokes combined with watercolors breathe life into this study—offering a glimpse into the artist's creative process.