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The Charites Collection

"The Charites: A Timeless Ode to Grace and Beauty" Step into the ethereal world of artistry, where marble comes alive with delicate details

Background imageThe Charites Collection: Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)

Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)
6343060 Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageThe Charites Collection: The three Graces, detail of legs and feet, 1812-17 (marble)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)

The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)
6342993 The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageThe Charites Collection: The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageThe Charites Collection: The Graces and Cupid, 1820-22 (Carrara marble)

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageThe Charites Collection: The three Graces, detail of the embrace, 1812-17 (marble)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: The three Graces, 1812-17, detail of the back and hand (marble)

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageThe Charites Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: 'The Graces and Cupid', detail, 1820-22 (Carrara marble)

"The Graces and Cupid", detail, 1820-22 (Carrara marble)
6342994 " The Graces and Cupid", detail, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageThe Charites Collection: The three Graces, 1812-17 (marble)

The three Graces, 1812-17 (marble)
6342986 The three Graces, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Le tre Grazie, 1812-17, di Antonio Canova (1757 - 1822)

Background imageThe Charites Collection: The three Graces, detail of the feet, 1812-17 (marble)

The three Graces, detail of the feet, 1812-17 (marble)
6342982 The three Graces, detail of the feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageThe Charites Collection: The Graces and Cupid, rear part, 1820-22 (Carrara marble)

The Graces and Cupid, rear part, 1820-22 (Carrara marble)
6342987 The Graces and Cupid, rear part, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageThe Charites Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342979 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: The three Graces, 1812-17, detail of the rear part (marble)

The three Graces, 1812-17, detail of the rear part (marble)
6342978 The three Graces, 1812-17, detail of the rear part (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageThe Charites Collection: Cupid and the Graces, 1517-18 (fresco)

Cupid and the Graces, 1517-18 (fresco)
2646197 Cupid and the Graces, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)



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"The Charites: A Timeless Ode to Grace and Beauty" Step into the ethereal world of artistry, where marble comes alive with delicate details. The three Graces, known as the Charites in Greek mythology, captivate our gaze with their enchanting presence. These masterpieces by Antonio Canova transport us to a realm where elegance reigns supreme. In "The three Graces, " created between 1812-17, every curve and contour is meticulously carved from pristine Carrara marble. Our eyes are drawn to the intricate detail of their legs and feet, showcasing Canova's unparalleled craftsmanship, and is as if these sculptures possess a lifelike quality that transcends time itself. Canova's finesse extends beyond his sculpting prowess; he also captures emotions effortlessly. In "The Graces and Cupid, " completed between 1820-22, we witness Cupid nestled among the legs of these divine beings. His mischievous presence adds an element of playfulness amidst their serene embrace. As we delve deeper into this artistic journey, another aspect catches our attention—the tender embrace shared by the Graces themselves. Their hands interlocked in perfect harmony reveal an intimate connection that symbolizes unity and sisterhood. Faces adorned with gentle smiles exude warmth and radiance in "The three Graces. " Canova skillfully portrays their timeless beauty through delicate features that seem almost too perfect for mortal eyes to behold. From every angle, whether it be viewing them from behind or gazing upon their captivating faces, these sculptures evoke awe-inspiring admiration. Each stroke on marble tells a story—a tale of grace personified—leaving us spellbound by its sheer magnificence. Antonio Canova's dedication to capturing beauty immortalized these works for generations to come. Through litho prints on mounted wove paper in "Fine Amorous Statues" (1841), his vision continues to inspire and enchant art enthusiasts worldwide.