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The three Graces, 1812-17, detail of the rear part (marble)
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The three Graces, 1812-17, detail of the rear part (marble)
6342978 The three Graces, 1812-17, detail of the rear part (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Le tre Grazie, 1812-17, di Antonio Canova (1757 - 1822), marmo. Dettaglio della parte posteriore.); Ghigo Roli
Media ID 25137836
© Ghigo Roli / Bridgeman Images
Abbraccio Antonio Canova Arte Bellezza Femminile Divinita Donna Embrace Female Beauty Female Figure Figura Femminile Grace Grazia Grazie L Ottocento Lottocento Marmo Mitología Neoclassicism Neoclassicismo Nudo Olimpo Olympus Scultura Sensualita Sensuality Statua Tenderness Tenerezza The 19th Century The Charites The Graces Xix Secolo Divinity
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EDITORS COMMENTS
This print showcases a mesmerizing detail of the rear part of "The Three Graces" a magnificent marble sculpture created by Antonio Canova between 1812 and 1817. Housed in the State Hermitage Museum in St. Petersburg, Russia, this neoclassical masterpiece exudes timeless beauty and elegance. Canova's skillful craftsmanship is evident in every curve and contour of these three divine figures, representing the Greek mythological goddesses known as The Charites or The Graces. Their nakedness symbolizes purity and vulnerability while celebrating female beauty with grace and sensuality. The intricate details captured in this photograph highlight the delicate embrace shared by these ethereal beings. It evokes a sense of tenderness that transcends time, inviting viewers to appreciate both their physical form and their spiritual significance. "The Three Graces" stands as a testament to Canova's mastery of sculpting techniques during the 19th century. Through his artistry, he brings mythology to life, immortalizing these graceful goddesses for generations to come. This print by Ghigo Roli beautifully captures the essence of this iconic artwork, allowing us to marvel at its exquisite intricacy from afar. Whether displayed in homes or galleries, it serves as a reminder of the enduring power and allure found within classical sculptures like "The Three Graces. "
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