The Elder Collection (page 6)

The Incredulity of Thomas, from Das Plenarium, 1517. Creator
The Incredulity of Thomas, from Das Plenarium, 1517

Christ Healing the Possessed, from Das Plenarium, 1517. Creator
Christ Healing the Possessed, from Das Plenarium, 1517

Christ and the Woman of Canaan, from Das Plenarium, 1517

Christ Healing the Blind, from Das Plenarium, 1517. Creator
Christ Healing the Blind, from Das Plenarium, 1517

The Parable of the Workers in the Vineyard, from Das Plenarium, 1517

Christ Calming the Storm on Lake Tiberias, from Das Plenarium, 1517

Christ Healing the Deaf-Mute, from Das Plenarium, 1517. Creator
Christ Healing the Deaf-Mute, from Das Plenarium, 1517

St. John in Prison, from Das Plenarium, 1517. Creator: Hans Schaufelein the Elder
St. John in Prison, from Das Plenarium, 1517

St. John the Baptist Preaching, from Das Plenarium, 1517

Christ Deploring Jerusalem, from Das Plenarium, 1517. Creator
Christ Deploring Jerusalem, from Das Plenarium, 1517

Christ and the Woman Issuing Blood, from Das Plenarium, 1517. [Jesus healing the bleeding woman]

Ecce Homo / Man of Sorrows, 1922. Creator: Hans Schaufelein the Elder
Ecce Homo / Man of Sorrows, 1922. [Dershau restrike]

The Standard Bearer, ca. 1515. Creator: Hans Schaufelein the Elder
The Standard Bearer, ca. 1515

The Annunciation. Creator: Hans Schaufelein the Elder
The Annunciation

Saint Florian (restrike). Creator: Hans Schaufelein the Elder
Saint Florian (restrike)

Master of Ceremonies and Torchbearer, from The Wedding Dancers

The Story of Esther. Creator: Hans Schaufelein the Elder
The Story of Esther

Musicians and Onlookers. Creator: Hans Schaufelein the Elder
Musicians and Onlookers

The Carrying of the Cross. Creator: Hans Schaufelein the Elder
The Carrying of the Cross

The Flagellation, from The Life of Christ, ca. 1511-12. Creator
The Flagellation, from The Life of Christ, ca. 1511-12

The Wedding at Cana, from The Life of Christ, ca. 1511-12

The Author Writing the Layenspiegel; The Trinity and the Virgin at the Upper Center, from Der Neue Layenspiegel, 1511

Christ Stripped, from Speculum passionis domini nostri Ihesu Christi, 1507

Christ in Limbo, from Speculum passionis domini nostri Ihesu Christi, 1507

The Ascension of Christ, from Speculum passionis domini nostri Ihesu Christi, 1507

The Bearing of the Cross, from Speculum passionis domini nostri Ihesu Christi, 1507

Christ Crowned with Thorns, from Speculum passionis domini nostri Ihesu Christi, 1507

The Entombment, from Speculum passionis domini nostri Ihesu Christi, 1507

The Agony in the Garden, from Speculum passionis domini nostri Ihesu Christi, 1507

The Entry into Jerusalem, from Speculum passionis domini nostri Ihesu Christi, 1507

Christ before Annas, from Speculum passionis domini nostri Ihesu Christi, 1507

Christ Purifying the Temple, from Speculum passionis domini nostri Ihesu Christi, 1507

Christ before Herod in a Hall, from Speculum passionis domini nostri Ihesu Christi, 1507

Christ Taking Leave of His Mother, from Speculum passionis domini nostri Ihesu Christi, 1507

Interior of a Porcelain Cabinet with Paintings and Vases, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Title Plate with a Cartouche Set in a Lavish Interior, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Interior of a Library, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Taste, from The Five Senses, 1561. Creator: Cornelis Cort
Taste, from The Five Senses, 1561

Interior with a Canopy Bed and a Row of Chairs Lining the Walls, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Adam and Eve Lamenting the Death of Abel, 1564. Creator: Cornelis Cort
Adam and Eve Lamenting the Death of Abel, 1564

The Immortal Rewards of Virtue, 1564. Creator: Cornelis Cort
The Immortal Rewards of Virtue, 1564

A Perfect Description of the Firework in Covent Garden that was perform d at the Charge of the Gentry and other inhabitans of that Parish for ye joyfull returan [sic] of His Ma[jes]tie from His

The Harvest and the Wine-Press of Blood. Creator: Hans Schaufelein the Elder
The Harvest and the Wine-Press of Blood

The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen auff dem, wer wol lebt... 1517

The Drunken Man on a Chariot on his Way to Hell, from Hymmelwagen auff dem, wer wol lebt... 1517

A Standard-Bearer Flanked by a Lansquenet at each side (copy)

Christ and the Pharisees, from Das Plenarium, 1517. Creator
Christ and the Pharisees, from Das Plenarium, 1517

Christ Talking to the Disciples, 5, from Das Plenarium, 1517

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"The Elder: A Glimpse into the Mind of a Master Artist" Step into the world of Pieter Bruegel the Elder, an artistic genius whose works continue to captivate and intrigue audiences even centuries later. From his iconic paintings like "Dulle Griet (Mad Meg)" and "The Harvesters" to his lesser-known yet equally thought-provoking pieces such as "Whatever I do, I do not Repent, I Keep Pissing against the Moon, " Bruegel's artistry knows no bounds. His collaborations with fellow artist Pieter van der Heyden resulted in stunning engravings like "Patience (Patientia)" and "Pride (Superbia) from The Seven Deadly Sins, " showcasing their ability to depict complex emotions through intricate details. Bruegel's exploration of religious themes is evident in works like "The Parable of the Sower and the Weeds" from Das Plenarium and Philip Galle's engraving, "The Parable of the Good Shepherd. " These pieces invite viewers to reflect on profound biblical teachings while admiring their visual beauty. In contrast, Bruegel also delves into scenes depicting everyday life. His masterpiece, "The Peasant Dance, " captures a lively celebration filled with joyous movements that transport us back in time. Similarly, his painting titled "Misanthrope" portrays a solitary figure lost in contemplation amidst bustling surroundings—a poignant reminder of human introspection. Beyond his own creations, Bruegel's influence extended beyond borders. William Faithorne's portrait of King Charles II pays homage to this revered monarch while showcasing Faithorne's skillful craftsmanship. However, it is perhaps Philip Galle who best encapsulates Bruegel's legacy through engravings such as "The Death of the Virgin" and especially in one haunting piece entitled "The Triumph of Death. " This macabre depiction forces us to confront our mortality, reminding us of the fleeting nature of life.