The Graces Collection

Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)
6343060 Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Principal Greek gods on Mount Olympus
6340157 Principal Greek gods on Mount Olympus by Freschi, Roberto (19th century); (add.info.: Principal Greek gods on Mount Olympus)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)
6342993 The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

"The Graces and Cupid", detail, 1820-22 (Carrara marble)
6342994 " The Graces and Cupid", detail, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, 1812-17 (marble)
6342986 The three Graces, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Le tre Grazie, 1812-17, di Antonio Canova (1757 - 1822)

The three Graces, detail of the feet, 1812-17 (marble)
6342982 The three Graces, detail of the feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, rear part, 1820-22 (Carrara marble)
6342987 The Graces and Cupid, rear part, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

The three Graces, detail of the rear part, 1812-17 (marble)
6342979 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

The three Graces, 1812-17, detail of the rear part (marble)
6342978 The three Graces, 1812-17, detail of the rear part (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Cupid and the Graces, 1517-18 (fresco)
2646197 Cupid and the Graces, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

The Graces, engraved by R A Artlett from a drawing by F R Roffe (engraving)
5199198 The Graces, engraved by R A Artlett from a drawing by F R Roffe (engraving) by English School, (19th century); Private Collection; (add.info.: The Graces)

The Three Graces and Cupid, c1775-c1792. Artist: Gavrila Ivanovitch Scorodomoff
The Three Graces and Cupid, c1775-c1792

Apollo Crowning the Arts, c. 1763-70 (oil on canvas)
XIR905585 Apollo Crowning the Arts, c.1763-70 (oil on canvas) by Boucher, Francois (1703-70); 64.5x82 cm; Musee des Beaux-Arts, Tours, France; (add.info.: Apollon couronnant les Arts); French

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"The Graces: An Exquisite Depiction of Elegance and Divine Beauty" Step into the realm of Greek mythology, where the principal gods on Mount Olympus reign supreme. Among them, a trio known as "The Graces" captivate with their ethereal charm and grace. In 1812-17, Antonio Canova immortalized these enchanting goddesses in marble, showcasing their allure through intricate details. One masterpiece that stands out is "The Three Graces, " featuring an exquisite focus on their legs and feet. The delicately carved marble captures every curve and contour, emphasizing their divine femininity. Canova's attention to detail transports us to a world where beauty knows no bounds. In his work titled "The Graces and Cupid, " we witness Cupid nestled among the legs of these captivating goddesses. Crafted from Carrara marble between 1820-22, this sculpture exudes a sense of intimacy and tenderness. The embrace between the Graces reveals not only love but also harmony personified. As our gaze shifts to another masterpiece by Canova - "Fine Amorous Statues" from 1841 - we are mesmerized by the artist's litho on mounted wove paper technique. This medium allows us to appreciate every stroke that brings life to these amorous figures; it is as if they could step off the page at any moment. Moving back to his Carrara marble sculptures, we find ourselves immersed in yet another depiction of "The Three Graces. " Here, Canova masterfully captures their embrace in such intricate detail that one can almost feel their warmth radiating from the stone itself. Their faces reflect pure joy and serenity – a testament to eternal beauty frozen in time. "The Graces and Cupid" further enchants with its portrayal of intertwined hands conveying affectionate unity amidst Carrara marble splendor. This sculpture invites contemplation about love's power over the divine and mortal realms, leaving us captivated by its profound symbolism.