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The Studio Collection (#2)

"The Studio: A Glimpse into Artistic Masterpieces" Step inside "The Studio" and embark on a journey through time, as we explore the captivating works of renowned artists

Background imageThe Studio Collection: Costume Design, 1926, (1927). Artist: Reginald Leefe

Costume Design, 1926, (1927). Artist: Reginald Leefe
Costume Design, 1926, (1927). From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Background imageThe Studio Collection: Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks

Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks
Stage Setting for The Faithful Shepherdess, c1927. The Faithful Shepherdess is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher (1579-1625)

Background imageThe Studio Collection: Craven A - English Poster, c1926. Artist: Jean D ylen

Craven A - English Poster, c1926. Artist: Jean D ylen
Virginia Cigarettes - English Poster, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Design for Costume in Ben Jonsons The Devil is an Ass, c1927. Artist: Claud Lovat Fraser

Design for Costume in Ben Jonsons The Devil is an Ass, c1927. Artist: Claud Lovat Fraser
Design for Costume in Ben Jonsons The Devil is an Ass, c1927. The Devil Is an Ass is a Jacobean comedy by Ben Jonson, first performed in 1616 and first published in 1631

Background imageThe Studio Collection: Rikola Verlag, c1926. Artist: Lupus

Rikola Verlag, c1926. Artist: Lupus
Rikola Verlag, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Bretelles Filver - French Poster, c1926. Artist: Jean D ylen

Bretelles Filver - French Poster, c1926. Artist: Jean D ylen
Bretelles Filver - French Poster, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Western Highlands - First Class Hotels - British Poster, c1926. Artist: Andrew Johnson

Western Highlands - First Class Hotels - British Poster, c1926. Artist: Andrew Johnson
Western Highlands - First Class Hotels - British Poster, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Riquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923

Riquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923. Artist: Harry Clarke
Riquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme. [The Studio, Ltd. London, 1923]

Background imageThe Studio Collection: The Facts in the Case of M. Valdemar. 1923

The Facts in the Case of M. Valdemar. 1923. The Facts in the Case of M. Valdemar is a short story by American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at

Background imageThe Studio Collection: Illustration to Wordsworths Poem To The Daisy, No. 2, 1923. Artist: Eleanor Fortescue-Brickdale

Illustration to Wordsworths Poem To The Daisy, No. 2, 1923. Artist: Eleanor Fortescue-Brickdale
Illustration to Wordsworths Poem To The Daisy, No. 2, 1923. William Wordsworth (7 April 1770 - 23 April 1850) was a major English Romantic poet

Background imageThe Studio Collection: Lois and Her Nurse. From A Book of Quaker Saints. (L. V. Hodgkin. ), 1923

Lois and Her Nurse. From A Book of Quaker Saints. (L. V. Hodgkin. ), 1923. Artist: Frederick Cayley Robinson
Lois and Her Nurse. From A Book of Quaker Saints. (L. V. Hodgkin.), 1923. IA Book of Quaker Saints, was written for the instruction of Quaker children

Background imageThe Studio Collection: Whispering Trees, From A Dish of Apples, 1917, (1923). Artist: Arthur Rackham

Whispering Trees, From A Dish of Apples, 1917, (1923). Artist: Arthur Rackham
Whispering Trees, From A Dish of Apples 1917, (1923). A collection of poems written by Eden Phillpotts (1862-1960) is written on a theme of nature and harvest

Background imageThe Studio Collection: To Make My Small Elves Coats, 1908, (1923). Artist: Arthur Rackham

To Make My Small Elves Coats, 1908, (1923). Artist: Arthur Rackham
To Make My Small Elves Coats, 1908, (1923). From A Midsummer Nights Dream. Act II, Scene 2 (Shakespeare). From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageThe Studio Collection: Little Brother and Little Sister, 1917, (1923). Artist: Arthur Rackham

Little Brother and Little Sister, 1917, (1923). Artist: Arthur Rackham
Little Brother and Little Sister, 1917, (1923). Tired of the cruel mistreatment they endure from their wicked stepmother, who is also a witch, a brother and sister run away from home

Background imageThe Studio Collection: Don Quixote. Pen Sketch from Line: An Art Study, 1923. Artist: Edmund Joseph Sullivan

Don Quixote. Pen Sketch from Line: An Art Study, 1923. Artist: Edmund Joseph Sullivan
Don Quixote. Pen Sketch from Line: An Art Study, 1923. A Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615

Background imageThe Studio Collection: The Legend of St. Cuthbert, Pen Drawing, 1891-1920, (1923). Artist: Robert Spencer

The Legend of St. Cuthbert, Pen Drawing, 1891-1920, (1923). Artist: Robert Spencer
The Legend of St. Cuthbert, Pen Drawing, 1891-1920, (1923). Cuthbert, monk, hermit and Bishop of Lindisfarne, died on 20 March 687

Background imageThe Studio Collection: Christian Fighting Apollyon, 1895, (1923). Artist: William Strang

Christian Fighting Apollyon, 1895, (1923). Artist: William Strang
Christian Fighting Apollyon, 1895, (1923). From: The pilgrims progress, in the centre, Christian is falling back under the weight of Apollyon, a winged demon

Background imageThe Studio Collection: The Poems of Ronsard. Original Woodcut, 1902, (1923). Artist: Lucien Pissarro

The Poems of Ronsard. Original Woodcut, 1902, (1923). Artist: Lucien Pissarro
The Poems of Ronsard. Original Woodcut, 1902, (1923). Pierre de Ronsard (1524-1585) was a French poet or, as his own generation in France called him, a prince of poets

Background imageThe Studio Collection: Illustration from Morte D Arthur, 1893-1894, (1923). Artist: Aubrey Beardsley

Illustration from Morte D Arthur, 1893-1894, (1923). Artist: Aubrey Beardsley
Illustration from Morte D Arthur, 1893-1894, (1923). Le Morte d Arthur is a reworking of traditional tales by Sir Thomas Malory about the legendary King Arthur

Background imageThe Studio Collection: Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson

Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson
Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). She Stoops to Conquer is a comedy by Anglo-Irish author Oliver Goldsmith that was first performed in London in 1773

Background imageThe Studio Collection: The Letter. Unpublished Pen Drawing, 1890, 1923. Artist: Edwin Austin Abbey

The Letter. Unpublished Pen Drawing, 1890, 1923. Artist: Edwin Austin Abbey
The Letter. Unpublished Pen Drawing, 1890, 1923. Edwin Austin Abbey RA (1852-1911) was an American muralist, illustrator, and painter

Background imageThe Studio Collection: The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923)

The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923). Artist: Henry Holiday
The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923). The Hunting of the Snark (An Agony in 8 Fits) is a poem written by Lewis Carroll

Background imageThe Studio Collection: Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Artist: Catherine Greenaway

Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Artist: Catherine Greenaway
Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Catherine Kate Greenaway (1846-1901) was an English childrens book illustrator and writer

Background imageThe Studio Collection: Juvenile Party, From Punch, 1864, (1923). Artist: John Leech

Juvenile Party, From Punch, 1864, (1923). Artist: John Leech
Juvenile Party, From Punch, 1864, (1923). A work devoted to the serious glorification of juvenile aristocracy. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageThe Studio Collection: Boxing Night. Pen Drawing on Wood, c1890, (1923). Artist: Luke Fildes

Boxing Night. Pen Drawing on Wood, c1890, (1923). Artist: Luke Fildes
Boxing Night. Pen Drawing on Wood, 1923. Sir Samuel Luke Fildes (1843-1927) was an English painter and illustrator born in Liverpool and trained at the South Kensington and Royal Academy schools

Background imageThe Studio Collection: The Shepheards Calendar - March, 1898, (1923). Artist: Walter Crane

The Shepheards Calendar - March, 1898, (1923). Artist: Walter Crane
The Shepheards Calendar - March, 1898, (1923).. Cranes cover design for Spensers Shepheards Calender is bold in its blatantly illustrative style

Background imageThe Studio Collection: Queen Catherine: Lord Cardinal, -To You I Speak c1890, (1923) Artist: Sir John Gilbert

Queen Catherine: Lord Cardinal, -To You I Speak c1890, (1923) Artist: Sir John Gilbert
Queen Catherine: Lord Cardinal, -To You I Speak. c1890, (1923). From King Henry The Eighth, Act II, Scene 4. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageThe Studio Collection: Vanity Fair. From The Pilgrims Progress (Bunyan), c1861, (1923). Artist: Frederic Shields

Vanity Fair. From The Pilgrims Progress (Bunyan), c1861, (1923). Artist: Frederic Shields
Vanity Fair. From The Pilgrims Progress (Bunyan), 1861, (1923). A 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of religious English literature

Background imageThe Studio Collection: The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler

The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler
The Trial Sermon, 1862, (1923). James Abbott McNeill Whistler (1834-1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom

Background imageThe Studio Collection: Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923)

Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923). Artist: John Dawson Watson
Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923). A 1678 Christian allegory written by John Bunyan

Background imageThe Studio Collection: Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham

Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham
Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). She Had Wandered Off Into This Day-Dream, and Almost Forgotten Mr

Background imageThe Studio Collection: The Passion Flowers of Life. c1860-1890, (1923). Artist: John Pettie

The Passion Flowers of Life. c1860-1890, (1923). Artist: John Pettie
The Passion Flowers of Life. c1860-1890, (1923). John Pettie RA (1839-1893) was a Scottish painter who spent most of his career in England

Background imageThe Studio Collection: The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney

The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney
The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Great Expectations is the thirteenth novel by Charles Dickens

Background imageThe Studio Collection: Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Artist: Dalziel Brothers

Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Artist: Dalziel Brothers
Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Fifty-two wood engravings by the Dalziel brothers; after Arthur Boyd Houghton

Background imageThe Studio Collection: Illustration from poem A Becketts Troth. c1860-1875, (1923). Artist: George John Pinwell

Illustration from poem A Becketts Troth. c1860-1875, (1923). Artist: George John Pinwell
Illustration from poem A Becketts Troth. c1860-1875, (1923). Gilbert a Becket. Romantic story of a 12th-century crusader, Gilbert O Becket, who is rescued by a Saracen woman

Background imageThe Studio Collection: Elijah and the Widows Son, c1840-1890, (1923). Artist: Ford Madox Brown

Elijah and the Widows Son, c1840-1890, (1923). Artist: Ford Madox Brown
Elijah and the Widows Son, c1840-1890, (1923).From the Book of Kings; God told Elijah to go to the town of Sarepta and to seek out a widow that would find him water and food (vv.7-9)

Background imageThe Studio Collection: Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
Illustration from Sister Annes Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist

Background imageThe Studio Collection: The Translator Presenting His Book to the Duke of Norfolk. c1500-1520, (1923)

The Translator Presenting His Book to the Duke of Norfolk. c1500-1520, (1923). Artist: Richard Pynson
The Translator Presenting His Book to the Duke of Norfolk. c1500-1520, 1923. Alexander Barclays Version of Sallusts Jugurtha

Background imageThe Studio Collection: Illustrations to The Vicar of Wakefield (Goldsmith). c1800-1860, (1923). Artist: William Mulready

Illustrations to The Vicar of Wakefield (Goldsmith). c1800-1860, (1923). Artist: William Mulready
Illustrations to The Vicar of Wakefield (Goldsmith). c1800-1860, (1923). The Vicar of Wakefield subtitled A Tale, Supposed to be written by Himself is a novel by Irish writer Oliver Goldsmith

Background imageThe Studio Collection: The Concert. From Matthew Brambles Trip to Bath. c1780-1820, (1923). Artist: Thomas Rowlandson

The Concert. From Matthew Brambles Trip to Bath. c1780-1820, (1923). Artist: Thomas Rowlandson
The Concert. From Matthew Brambles Trip to Bath. c1780-1820, (1923). Thomas Rowlandson (1756-1827), watercolour, pen & ink and pencil on paper laid on mount

Background imageThe Studio Collection: The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Artist: William Blake

The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Artist: William Blake
The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Job is the central figure of the Book of Job in the Bible

Background imageThe Studio Collection: Sion, c1830 (1915). Artist: Samuel Prout

Sion, c1830 (1915). Artist: Samuel Prout
Sion, c1830 (1915). Sion is the capital of the Swiss canton of Valais and of the district of Sion. From Sketches by Samuel Prout, edited by Charles Holme

Background imageThe Studio Collection: Lausanne, c1830 (1915). Artist: Samuel Prout

Lausanne, c1830 (1915). Artist: Samuel Prout
Lausanne, c1830 (1915). ausanne is a city in the French-speaking part of Switzerland. From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Background imageThe Studio Collection: Geneva, c1830 (1915). Artist: Samuel Prout

Geneva, c1830 (1915). Artist: Samuel Prout
Geneva, c1830 (1915). Geneva is a city in Switzerland that lies at the southern tip of expansive Lac Leman. From Sketches by Samuel Prout, edited by Charles Holme

Background imageThe Studio Collection: Schaffhausen, c1830 (1915). Artist: Samuel Prout

Schaffhausen, c1830 (1915). Artist: Samuel Prout
Schaffhausen, c1830 (1915). Schaffhausen is a city in northern Switzerland, the old town has many Renaissance era buildings decorated with exterior frescos and sculpture

Background imageThe Studio Collection: Basle, c1830 (1915). Artist: Samuel Prout

Basle, c1830 (1915). Artist: Samuel Prout
Basle, c1830 (1915). Basel is a city in northwestern Switzerland on the river Rhine. From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Background imageThe Studio Collection: Rome, c1830 (1915). Artist: Samuel Prout

Rome, c1830 (1915). Artist: Samuel Prout
Rome, c1830 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Background imageThe Studio Collection: Venice, c1830 (1915). Artist: Samuel Prout

Venice, c1830 (1915). Artist: Samuel Prout
Venice, c1830 (1915). Piazza San Marco in Venice, a city in northeastern Italy and the capital of the Veneto region. From Sketches by Samuel Prout, edited by Charles Holme




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"The Studio: A Glimpse into Artistic Masterpieces" Step inside "The Studio" and embark on a journey through time, as we explore the captivating works of renowned artists. From Grant DeVolson Wood's iconic portrayal of Paul Revere's midnight ride to Winslow Homer's mesmerizing depiction of "The Gulf Stream, " this collection showcases the diverse talents that have graced these hallowed walls. In one corner, Hablot Knight Browne's etching from David Copperfield transports us back to the 19th century, where we witness a poignant moment between characters. The intricate details and emotional depth in Browne's work leave an indelible mark on our hearts. Nico Jungmann's portrait of Neeltje Tuyp captures her essence with such realism that it feels as though she might step out from the canvas at any moment. Meanwhile, Henry Moore's stags heads evoke a sense of majesty and power, reminding us of nature’s grandeur. Kawanabe Kyosai takes us on an enchanting journey with his whimsical piece "The Snake and the Frog. " Through vibrant colors and playful imagery, he invites us to embrace our imagination and revel in the magic within everyday life. CRW Nevinson’s "Column on the March" immerses us in the chaos and heroism of war. With bold strokes and dynamic composition, he conveys both the tragedy and resilience found amidst conflict. Charles Edmund Brock brings warmth to our souls with his depiction of comfortable family dinners in "Let Me Think of Comfortable Family Dinners. " We can almost hear laughter echoing through generations as loved ones gather around a table filled with love. Frederic Leighton captures Tessa at Home from George Eliot’s Romola—a scene brimming with serenity amid historical turmoil. The delicate brushstrokes transport us into Tessa’s world, allowing for introspection amidst chaos.