The Studio Collection (#4)

Antwerp, c1820 (1915). Artist: Samuel Prout
Antwerp, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Strasbourg, c1820 (1915). Artist: Samuel Prout
Strasbourg, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Lyons, c1820 (1915). Artist: Samuel Prout
Lyons, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Amboise, c1820 (1915). Artist: Samuel Prout
Amboise, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Tours, c1820 (1915). Artist: Samuel Prout
Tours, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Chartres, c1820 (1915). Artist: Samuel Prout
Chartres, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Letter from Samuel Prout, 1843 (1915). Artist: Samuel Prout
Letter from Samuel Prout, 1843 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Samuel Prout, 1823 (1915). Artist: John Jackson
Samuel Prout, 1823 (1915). The painting is held at the National Portrait Gallery, London. From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

View in Ghent, c1820 (1915). Artist: Samuel Prout
View in Ghent, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]

Charles Holme: founder and first editor of The Studio, 1908. Artist: Philip A de Laszlo
Charles Holme: founder and first editor of The Studio, 1908. Charles Holme (1848-1923), English journalist and art critic, founding editor of The Studio from 1893. From The Studio Volume 95

An advertisement for Liberty and Co Ltd, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

Artemis Prologizes, 1898. Artist: Byam Shaw
Artemis Prologizes, 1898. A drawing from Poems by Robert Browning. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

The Princess and the Swineherd, 1898. Artist: Eleanor Fortescue-Brickdale
The Princess and the Swineherd, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

Counsel is Mine and Sound Prudence, 1898. Artist: Eleanor Fortescue-Brickdale
Counsel is Mine and Sound Prudence, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

An illustration for Sir Lancelot Du Lake, 1898. Artist: Eleanor Fortescue-Brickdale
An illustration for Sir Lancelot Du Lake, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

A woman sleeping in a chair, 1898. Artist: Eleanor Fortescue-Brickdale
A woman sleeping in a chair, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

Without Prejudice, 1898. Artist: Eleanor Fortescue-Brickdale
Without Prejudice, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

Enamelled bathroom tiles, 1898. Designed by A Charpentier and F Aubert. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

March, 1898. Artist: Granville Fele
March, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

An advertisement for Heal and Sons bedroom furniture, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

An illustration for Wynken, Blynken and Nod, 1899. Artist: Jessie Marion King
An illustration for Wynken, Blynken and Nod, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Study of a womans head, 1899. Artist: Hans Unger
Study of a womans head, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

A shepherd with his flock by a river, 1899. Artist: Robert Hermann Sterl
A shepherd with his flock by a river, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Winter, 1899. Artist: Paul Baum
Winter, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Study of an old womans head, 1899. Artist: Charles Cottet
Study of an old womans head, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Portrait of a man, 1899. Artist: Charles Cottet
Portrait of a man, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Le Repas D Adieu, 1899. Artist: Charles Cottet
Le Repas D Adieu, 1899. First sketch in colour for the centre panel of Au Pays de la Mer. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Bottom in scene from William Shakespeares Midsummer Nights Dream, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene
John Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

A Vollendam Worthy, 1898. Artist: Nico Jungmann
A Vollendam Worthy, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

A Vollendam Native, 1898. Artist: Nico Jungmann
A Vollendam Native, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

On the Wall, Vollendam, 1898. Artist: Nico Jungmann
On the Wall, Vollendam, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Orphans, 1898. Artist: E Borough Johnson
Orphans, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Study of a Dutch boatman, 1898. Artist: Nico Jungmann
Study of a Dutch boatman, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

A Salvation Army Shelter, 1898. Artist: E Borough Johnson
A Salvation Army Shelter, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Study of a womans head, 1896 (1898). Artist: E Borough Johnson
Study of a womans head, 1896 (1898). Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Pan reading to a woman by a brook, 1898. Artist: Aubrey Beardsley
Pan reading to a woman by a brook, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

A woman sitting on a rearing horse, 1898. Artist: Aubrey Beardsley
A woman sitting on a rearing horse, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Cliff Towers, 1898. Artist: C Harrison
Cliff Towers, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Women relaxing by the sea, 1898. Artist: Charles Conder
Women relaxing by the sea, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Charles Conder (1868-1909), English painter, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

L Imploration, 1898. Artist: Henri Jules Ferdinand Bellery-Defonaines
L Imploration, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

The old bridge at Kirkmichael, Perth and Kinross, Scotland, 1898. Artist: Aberbrothock
The old bridge at Kirkmichael, Perth and Kinross, Scotland, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

A set of decorative initial letters, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

The log house Idaho, near Ringwood, Hampshire, 1898. Artist: Edward William Charlton
The log house Idaho, near Ringwood, Hampshire, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Les Trois Freres, 1898. Artist: Ottilie Wilhelmine Roederstein
Les Trois Freres, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Shoki and Attendant Demons, 1898. Artist: Kawanabe Kyosai
Shoki and Attendant Demons, 1898. Fom a kakemono by Kawanabe Kyosai. Zhong Kui (Shoki) is a figure of Chinese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings

A hawk, 1898. Artist: Kawanabe Kyosai
A hawk, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

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"The Studio: A Glimpse into Artistic Masterpieces" Step inside "The Studio" and embark on a journey through time, as we explore the captivating works of renowned artists. From Grant DeVolson Wood's iconic portrayal of Paul Revere's midnight ride to Winslow Homer's mesmerizing depiction of "The Gulf Stream, " this collection showcases the diverse talents that have graced these hallowed walls. In one corner, Hablot Knight Browne's etching from David Copperfield transports us back to the 19th century, where we witness a poignant moment between characters. The intricate details and emotional depth in Browne's work leave an indelible mark on our hearts. Nico Jungmann's portrait of Neeltje Tuyp captures her essence with such realism that it feels as though she might step out from the canvas at any moment. Meanwhile, Henry Moore's stags heads evoke a sense of majesty and power, reminding us of nature’s grandeur. Kawanabe Kyosai takes us on an enchanting journey with his whimsical piece "The Snake and the Frog. " Through vibrant colors and playful imagery, he invites us to embrace our imagination and revel in the magic within everyday life. CRW Nevinson’s "Column on the March" immerses us in the chaos and heroism of war. With bold strokes and dynamic composition, he conveys both the tragedy and resilience found amidst conflict. Charles Edmund Brock brings warmth to our souls with his depiction of comfortable family dinners in "Let Me Think of Comfortable Family Dinners. " We can almost hear laughter echoing through generations as loved ones gather around a table filled with love. Frederic Leighton captures Tessa at Home from George Eliot’s Romola—a scene brimming with serenity amid historical turmoil. The delicate brushstrokes transport us into Tessa’s world, allowing for introspection amidst chaos.