Thomas More Collection (page 2)

Utopia by Thomas More, 1516. Artist: Anonymous
Utopia by Thomas More, 1516. Private Collection

Utopia by Thomas More, 1518. Artist: Holbein, Ambrosius (1494-ca. 1520)
Utopia by Thomas More, 1518. Private Collection

Portrait of Sir Thomas More, 1625-1630. Artist: Rubens, Pieter Paul (1577-1640)
Portrait of Sir Thomas More, 1625-1630. Found in the collection of the Museo del Prado, Madrid

The More Family, from the Sketch by Holbein at Basle Museum, 1527, (1903). Artist: Hans Holbein the Younger
The More Family, from the Sketch by Holbein at Basle Museum, 1527, (1903). Sir Thomas More (1478- 1535), venerated by Roman Catholics as Saint Thomas More, was an English lawyer, social philosopher

Plan of the island of Utopia, 1518. From Utopia, Thomas Mores work depicting an ideal state where reason ruled, first published in 1516. (Colorised black and white print)

Margaret Giggs, 1526-1527 (1945). Artist: Hans Holbein the Younger
Margaret Giggs, 1526-1527 (1945). Margaret Clement or Clements (1508-1570), nee Giggs, was one of the most learned women of the Tudor era and the foster daughter of Sir Thomas More

John More the Younger, 1526-1527 (1945). Artist: Hans Holbein the Younger
John More the Younger, 1526-1527 (1945). John More (1509-1547), the son of Sir Thomas More. The drawing is part of the Royal Collection Trust, Windsor Castle

Sir Thomas More, 1526-1527 (1945). Artist: Hans Holbein the Younger
Sir Thomas More, 1526-1527 (1945). Sir Thomas More (1478-1535), was an English lawyer, social philosopher, author, statesman and noted Renaissance humanist

Sir Thomas More and his Daughter Margaret, (1878). Artist: Robert Anderson
Sir Thomas More and his Daughter Margaret, (1878). Sir Thomas More (1478?1535) with his daughter Margaret Roper (nee More) (1505?1544) the English writer and translator

Sir Thomas More, taken from a series of cigarette cards, 1935
Sir Thomas More (1478-1535), English lawyer, social philosopher, author, statesman, and noted Renaissance humanist. He was an important councillor to Henry VIII

Inigo Jones gateway, Chiswick House, London, 1926-1927. Artist: King
Inigo Jones gateway, Chiswick House, London, 1926-1927. Originally erected on the Chelsea estate of Sir Thomas More, the gateway was later acquired by Lord Burlington

Sir Thomas More, 16th century English scholar, statesman and martyr, c1819. Artist: Holl
Sir Thomas More, 16th century English scholar, statesman and martyr, c1819. More (1478-1535) was Henry VIIIs Lord Chancellor from 1529-1532

The chest of Sir Thomas More, 19th century. Artist: Thomas Gwennap
The chest of Sir Thomas More, 19th century. Chest which belonged to Sir Thomas More, now in the possession of the Reverend Thomas Thurlow

Saint Sir Thomas More, English politician, scholar and martyr, (c1850). More (1478-1535) was Henry VIIIs Lord Chancellor from 1529-1532

Letter from Sir Thomas More to Henry VIII, 5th March 1534. Artist: Sir Thomas More
Letter from Sir Thomas More to Henry VIII, 5th March 1534. Letter written from Chelchith (Chelsea), by Sir Thomas More to King Henry VIII

Sir Thomas More, Catholic English lawyer, writer, and politician, (1748). Portrait of More (1478-1535) as Henry VIIIs Lord Chancellor

Sir Thomas More, 1774. Artist: T Cook
Sir Thomas More, 1774. Portrait of More (1478-1535) English statesman, scholar and saint and Henry VIIIs Lord Chancellor. More refused to subscribe to the Act of Supremacy which made Henry the head

Thomas More, English statesman, scholar and saint, c1527. Artist: Hans Holbein the Younger
Thomas More, English statesman, scholar and saint, c1527. Portrait of More (1478-1535) as Henry VIIIs Lord Chancellor. More refused to subscribe to the Act of Supremacy which made Henry the head of

Headpiece from Thomas Mores Utopia, 1518. First published in 1516, Utopia was a work depicting an ideal state where reason ruled

The Island of Utopia from the Utopia of Sir Thomas More. Sir Thomas More, 1478 -1535, aka Saint Thomas More. English lawyer, social philosopher, author, statesman, and noted Renaissance humanist

Source Size = 3823 x 5009
Old Chelsea Church: 1. Interior, Looking North-East; 2. Tomb of Sir Thomas More; 3. Sculptured Capital of Mores Chantry Chapel; 4. Chained Bibles and Book of Homilies

Elysium and Sartarus or the State of Final Retribution, 1791 (etching)
XYC291021 Elysium and Sartarus or the State of Final Retribution, 1791 (etching) by Barry, James (1741-1806); Yale Center for British Art, Yale Art Gallery Collection; Gift of Mr. and Mrs. John E

Salon of 1855. Erasmus at the house of Sir Thomas More, painting by Mr. Labouchere. engraving 1855

Map of the Island of Utopia and its Alphabet (engraving) (b / w photo)
XJF131244 Map of the Island of Utopia and its Alphabet (engraving) (b/w photo) by English School, (16th century); Private Collection; English, out of copyright

Salon of 1855. Erasmus at the house of Sir Thomas More, painting by Mr. Labouchere. engraving 1855

Simon Grynaeus, German theologian
Simon Grynaeus (1493-1541), German theologian. Grynaeus was born into a peasant family, yet managed to obtain an education at Pforzheim

Chelsea Old Church, Old St, London SW3 For commercial use please contact Photoslot at website:photoslot email: info@photoslot skype: photoslot

Chelsea Old Church, London SW3
Chelsea Old Church, Old St, London SW3 For commercial use please contact Photoslot at website:photoslot email: info@photoslot skype: photoslot

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"Thomas More: A Visionary and Martyr of the Renaissance" In this captivating woodcut from the third edition of Utopia, Sir Thomas More's revolutionary ideas come to life. The intricate details crafted by Hans Holbein the Younger transport us to a world where imagination meets reality. As we delve into More's life, we discover a man who embodied intellect and integrity. In this 1527 portrait by Frank Cadogan Cowper, his wisdom shines through his eyes, reflecting a mind constantly seeking knowledge and truth. However, it was not just his intellectual pursuits that defined him. This image of St. Thomass and the Bell Tower in the Tower of London reminds us of More's unwavering faith as he faced adversity with courage and grace. Cecily Heron gazes at us from another Holbein masterpiece, reminding us of More's strong familial ties. His love for his family was evident in every aspect of his life; they were truly the foundation upon which he built his legacy. More's role as Lord Chancellor to King Henry VIII is immortalized in an engraving from 1812. It symbolizes both power and responsibility - qualities that defined him during one of England's most tumultuous periods. Yet it is perhaps this poignant oil painting capturing Sir Thomas More on his way to execution that encapsulates the essence of who he truly was - a martyr for what he believed in. His unwavering commitment to justice cost him everything but left an indelible mark on history. Through these engravings depicting various aspects of More's life, we gain insight into why he remains such an influential figure today. His writings continue to inspire generations with their profound insights into human nature and society. Finally, "The Family of Sir Thomas More" engravings remind us that behind every great man stands a loving family who supported him throughout all trials and triumphs. Their unity exemplifies the values More held dear - love, compassion, and loyalty.