Trace Collection (page 2)

The Cape Mounted Rifles on Police Duty (engraving)
1055304 The Cape Mounted Rifles on Police Duty (engraving) by English School, (19th century); Private Collection; (add.info.: The Cape Mounted Rifles on Police Duty)

Chapelle Saint-Leufroi; d apres un dessin trace en 1680 (engraving)
962959 Chapelle Saint-Leufroi; d apres un dessin trace en 1680 (engraving) by French School, (19th century); Private Collection; (add.info.: Chapelle Saint-Leufroi; d apres un dessin trace en 1680)

A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil)
827454 A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil) by Gatta, Saviero Xavier della (fl.1777-1820); 19.7x25.8 cm; Private Collection; (add.info)

Ezechiel trace sur une brique le plan de Jerusalem (engraving)
3625935 Ezechiel trace sur une brique le plan de Jerusalem (engraving) by French School, (19th century); Private Collection; (add.info.: Ezechiel trace sur une brique le plan de Jerusalem)

Horse, to illustrate Good Points (engraving)
969950 Horse, to illustrate Good Points (engraving) by English School, (20th century); Private Collection; (add.info.: Horse, to illustrate Good Points)

Un ministre du roi Zaide trace sur le sable une carte d Europe (engraving)
3645035 Un ministre du roi Zaide trace sur le sable une carte d Europe (engraving) by French School, (19th century); Private Collection; (add.info)

William Wordsworth: The White Doe of Rylstone (engraving)
6025630 William Wordsworth: The White Doe of Rylstone (engraving) by Foster, Myles Birket (1825-99) (after); Private Collection; (add.info.: The White Doe of Rylstone)

Memory of Bas Brhaut, 1858 (cliche verre)
487669 Memory of Bas Brhaut, 1858 (cliche verre) by Corot, Jean Baptiste Camille (1796-1875); 20.3x17.8 cm; Private Collection; (add.info)

Chessman, possibly 13th century, (ivory)
AMQ114274 Chessman, possibly 13th century, (ivory) by English School; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Delights of the Captive Balloon, a Reply to a Recent Suggestion (engraving)
1040465 The Delights of the Captive Balloon, a Reply to a Recent Suggestion (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Delights of the Captive Balloon)

Dancer Standing, Back View; Danseuse debout, vue de dos
1767913 Dancer Standing, Back View; Danseuse debout, vue de dos, 1872-1873 (pencil and chalk with traces of oil on paper) by Degas

The Woodcutters, (oil, gouache and pastel over traces of pencil on paper)
989529 The Woodcutters, (oil, gouache and pastel over traces of pencil on paper) by Raffaelli, Jean Francois (1850-1924); 58.5x76.8 cm; Private Collection; (add.info.: The Woodcutters)

Trace of the Franklin Expedition (engraving)
1102296 Trace of the Franklin Expedition (engraving) by English School, (19th century); Private Collection; (add.info.: Trace of the Franklin Expedition)

Bergerie, 1915-16 (pencil with traces of white chalk on paper)
825771 Bergerie, 1915-16 (pencil with traces of white chalk on paper) by Modigliani, Amedeo (1884-1920); 43.5x27.4 cm; Private Collection; (add.info.: Bergerie. Amedeo Modigliani (1884-1920)

Sand Arithmetic
philnormanphoto

Keep course. !
Huib Limberg

Autumnal Tracks
Carsten Meyerdierks

Traces
Vito Miribung

on tour
Uschi Hermann

Heart attack and ECG trace
Heart attack, conceptual computer artwork showing an ECG (electrocardiogram) trace from an unhealthy human heart. An ECG uses electrodes to measure the electrical activity of the heart during

14TH CENTURY STYLI
These styli, or stili, are used to write on waxed tablets, in which they leave a trace with their sharp points. The Romans used much the same instruments. Date: 14th century

Sossusvlei dunes in the Namib desert, Swakopmund, Namibia

Sand ripples, texture on a sand dune, Tassili nAjjer, Sahara desert, Algeria

Electromagnetic spectrum. Diagram showing the changing wavelengths of electromagnetic (EM) radiation (top) and the corresponding frequencies in Hertz (Hz)

Landscape With Traces Of Snow On The Mountain; Cumbria England

Wireless detector vans being equipped with devices whereby the Post Office could trace defaulters who had installed a wireless set but omitted to buy an annual ten shilling license, 1931

Advert for Goldsmiths & Silversmiths Edwardian jewellery
Selection of novelty jewellery inspired my nature. Date: 1901

Two footprints in the sand on a beach

Running track with two lanes

Footprints of a Gentoo Penguin -Pygoscelis papua- in the snow, Whalers Bay, Deception Island, South Shetland Islands, Antarctic Peninsula, Antarctica

Paw print of a tiger paw, tiger track, Mudumalai National Park, Tamil Nadu, Tamilnadu, India, Asia

Harvested field with group of trees and long shadows, Stuer, Mecklenburg-Western Pomerania, Germany

Picture No. 10767724
Ron and Valerie Taylor - Taking the temperature of a Great White Shark that was tangled in a steel trace. (Carcharodon carcharias) Date:

Proton collision C014 / 1816
Particle tracks from a proton-proton collision seen by the ATLAS (a toroidal LHC apparatus) detector at CERN (the European particle physics laboratory) near Geneva, Switzerland

Cardiac stress test, artwork
Cardiac stress test. Artwork showing a patient undergoing a cardiac stress test on a treadmill. At top are ECG (electrocardiogram) traces showing the patients heart rate at rest (left)

Sound wave. Oscilloscope trace of a sound wave from a violin. A pure sound wave of a single pitch manifests itself as a sine wave of constant frequency

Theseus Enters Labyrinth
Ariadne, daughter of the Cretan King, Minos, watches Theseus as he enters the labyrinth to slay the Minotaur. The string will help him trace his way out again

Deep powder snow, Skiing, Tyrol, Austria

Robert Gamble
ROBERT GAMBLE at age 25 The caption - A child of many mercies - is suggestive of a dissenting churchman of some kind, but we have not been able to trace him. Date: CIRCA 1800

Excavating Nonsuch 1959
Excavation work at Nonsuch Palace, Surrey. In 1959 no visible trace of the building existed. Excavations revealed foundations and many relics of Henry VIIIs fantastic palace. Date: 1959

Sir William Curtius
SIR WILLIAM CURTIUS We can t trace him in any of our reference books. Date: 17TH CENTURY

15th Century Lady
Though she carries a devotional book, her sumptuous dress - robes et houppelande historiees - suggest a trace of vanity... Date: 15th century

Silhouette device
A safe and convenient machine to draw silhouettes, design by E Lorsay after Lavater. The subject sits on a seat, illuminated by a candle flame; the artist can then trace the shadow of their profile

Henri Mathieu De Turre
HENRI MATHIEU DE TURRE baron de VALOIS statesman whom I haven t been able to trace Date: 17th century

Colonel John Russell
Colonel JOHN RUSSELL military commander, presumably a Royalist, during the Civil War - but we can t trace him anywhere... Date: 17th century

Peter Duke of Kurland
PETER DUKE OF KURLAND Russian noble and statesman whom we haven t been able to trace. Date: CIRCA 1800

John Baker Hopkins
JOHN BAKER HOPKINS Writer - perhaps of adventure stories - who seems to have sunk without a trace... Date: CIRCA 1873

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"Tracing the Unseen: From Proton Collisions to Irregular Heartbeats" In the realm of science, trace hints can unlock mysteries that lie beyond our perception. Take for instance the Proton Collision C014 in 1797, a groundbreaking event that paved the way for new discoveries. Similarly, Three Jowett Models from 1952 left a lasting trace in automotive history. But they are not limited to scientific endeavors alone; they extend into the intricate workings of our bodies. Lead ion collisions and ECGs showcasing normal heart rates offer glimpses into our innermost rhythms. Yet, sometimes an irregular heartbeat leaves behind its own unique trace, prompting us to seek answers and solutions. Artistic expressions also leave their mark on our hearts and minds. The delicate strokes of human heart artwork remind us of both vulnerability and resilience within ourselves. Meanwhile, captivating images like Armstrong Whitworth AW15 Atalanta or Flannan Isles Lighthouse etch themselves onto our memories as timeless traces of human ingenuity. Beyond these man-made creations lies nature's own tapestry waiting to be traced. A track cutting through a green field near Ermatingen in Switzerland beckons exploration amidst cultivated landscapes—a testament to harmonious coexistence between humans and nature. Whether it is delving into microscopic particles colliding or admiring grandeur crafted by human hands or Mother Nature herself, tracing hints leads us down paths filled with wonderment and understanding. These traces connect past with present, unveiling stories waiting patiently to be discovered—reminders that even the faintest hint can hold profound significance in unraveling life's enigmatic tapestry.