Visitation Collection (#4)

St Jerome Visited By The Angels (oil on canvas)
3822443 St Jerome Visited By The Angels (oil on canvas) by Ribera, Jusepe de (c.1590-1652); 156x119.7 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; Spanish

Window depicting the Childhood of Christ (mostly modern): Visitation, Annunciation
1278319 Window depicting the Childhood of Christ (mostly modern): Visitation, Annunciation, 16th-19th century (stained glass) by French School; Eglise Saint Aventin, Creney-pres-Troyes

The Annunciation, the Visitation, and the Nativity, c. 1860 (stained glass)
3474718 The Annunciation, the Visitation, and the Nativity, c.1860 (stained glass) by Burne-Jones, E. (1833-98) & Halliday, M. F

Detail from the Miracle Window depicting St. Thomas visiting a sick man in his sleep
PC344991 Detail from the Miracle Window depicting St. Thomas visiting a sick man in his sleep (stained glass) by English School, (13th century); Canterbury Cathedral, Canterbury, Kent, UK; English

Roundel depicting the Annunciation to the Shepherds (stained glass)
BAL177069 Roundel depicting the Annunciation to the Shepherds (stained glass) by English School; Victoria & Albert Museum, London, UK; English, out of copyright

Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO193123 Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Gold and Enamel Cased Verge Watch, c. 1650 (gold and enamel)
1217558 Gold and Enamel Cased Verge Watch, c. 1650 (gold and enamel) by Bretonneau, Auguste (fl.1633-1643); Ashmolean Museum, University of Oxford

MS 39-1950 f. 61r The Visitation, 1464 (gold, silver & coloured ink on parchment)
876215 MS 39-1950 f.61r The Visitation, 1464 (gold, silver & coloured ink on parchment) by French School, (15th century); Fitzwilliam Museum, University of Cambridge

The Visitation, c. 1643 (oil on canvas)
827740 The Visitation, c.1643 (oil on canvas) by Champaigne, Philippe de (1602-74); 77x99 cm; Private Collection; (add.info.: The Visitation. Philippe de Champaigne (1602-1674). Oil on canvas

The Annunciation, c. 1490 / 1500. Creator: Israhel van Meckenem
The Annunciation, c. 1490/1500

The Visitation, c. 1631. Creator: Jacques Callot
The Visitation, c. 1631

The Annunciation, c. 1520. Creator: Unknown
The Annunciation, c. 1520

The Visitation, in or after 1630. Creator: Jacques Callot
The Visitation, in or after 1630

St. Simeon Salus; The Visitation; Deposition of the Virgins Clothes; St. Hiacintus

The Visitation, 1460 / 1480. Creator: Workshop of the Master of the Aachen Madonna
The Visitation, 1460/1480

A spooky, eerie country road passing through a hill. With a light in the distance. On a mysterious foggy, winters night

The Visitation, 1503. Creator: Dürer, Albrecht (1471-1528)
The Visitation, 1503. Private Collection

The Annunciation, late 15th-early 16th century. Creator: Hans Wechtlin the Elder
The Annunciation, late 15th-early 16th century

The Conversion of Saul, ca. 1650-1725. Creator: H Bem
The Conversion of Saul, ca. 1650-1725

Christ appearing to Mary Magdalen(?), 1740-1802. Creator: Giuseppe Canale
Christ appearing to Mary Magdalen(?), 1740-1802

The Visitation, 1540-50. Creator: Giorgio Ghisi
The Visitation, 1540-50. The visit of St. Mary, who was pregnant with Jesus, to St. Elizabeth. After Francesco Salviati

The Visitation. Creator: Carlo Maratti
The Visitation. The visit of St. Mary, who was pregnant with Jesus, to St. Elizabeth, who was pregnant with John the Baptist, as recorded in the Gospel of Luke

The Visitation, from The Life of the Virgin, 1503-4. Creator: Albrecht Durer
The Visitation, from The Life of the Virgin, 1503-4

The Visitation, 1625-74. Creator: Pieter de Jode II
The Visitation, 1625-74

The Visitation, 1561. Creator: Attributed to Enea Vico
The Visitation, 1561

Stained Glass Panel with the Visitation, German, 1444. Creator: Unknown
Stained Glass Panel with the Visitation, German, 1444. Virgin Mary and St. Elizabeth

The Visitation, German, ca. 1310-20. Creator: Unknown
The Visitation, German, ca. 1310-20. Virgin Mary and St. Elizabeth

The Visitation, the Virgin and Saint Elizabeth embracing in the center, flanked by other figures, after Barocci, 1589

Visitation; Saint Elizabeth embracing the Virgin at center as Saint Joseph walks toward them on the right and Zacharias greets them on the left; from Theatrum Pictorium, after Palma Il Vecchio, ca

Visitation, 1768-1837. Creator: Domingos Antonio de Sequeira
Visitation, 1768-1837

The Visitation with two Saints by Piero di Cosimo (1462-c.1521) - painting on wood for the Chapel of Gino Capponi in Santo Spirito, Florence Date: late 15th century

NUN OF VISIT. / FLANDERS
NUN OF THE VISITATION in Flanders

NUN OF THE VISITATION

Sculpture depicting the Visitation with Mary and Elizabeth on the door of the Annunciation Basilica, Nazareth, Galilee, Israel, Middle East

Stained-glass window of The Visitation, St. Petrus and St. Paulus Church, Knokke-Heist, Belgium, Europe

Detail of the Visitation of the Blessed Virgin Mary on the carved altar, dating from 1509, Mauer bei Melk church, Lower Austria, Austria, Europe

The Visitation on the Plougonven calvary, Plougonven, Finistere, Brittany, France, Europe

Detail of angels in a fresco in the Visitation church in Ein Kerem, Israel, Middle East

Visitation, Brazzaville, Congo, Africa

Fresco of the Visitation, Abondance abbey church, Abondance, Haute Savoie, France, Europe

Fresco of the Visitation, Abondance abbey church, Abondance, Haute Savoie, France, Europe

Arrival in Cologne, 1489. Creator: Hans Memling
Arrival in Cologne, 1489. Reliquary of Saint Ursula who disembarks in Cologne at the city gates assisted by her companions

The Annunciation, 1915. Creator: Unknown
The Annunciation, 1915. From " Woodcuts of the Fifteenth Century in the John Rylands Library - Manchester". [The University Press, Longmans, Green & Company and Bernard Quaritch

Abraham and the Three Angels, c. 1750 (pen and brown ink over black chalk with red wash)
3432800 Abraham and the Three Angels, c.1750 (pen and brown ink over black chalk with red wash) by Fontebasso, Francesco (1709-69); 46.04x33.02 cm; Los Angeles County Museum of Art, CA

Abraham and the Three Angels, c. 1770 (oil on canvas)
3247707 Abraham and the Three Angels, c.1770 (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 196x151 cm; Prado, Madrid, Spain; (add.info.: Genesis chapter 18: Abraham)

The Visitation, one of the five small tables that make up the Annunciation Altarpiece, c. 1440

The Visitation of the Blessed Virgin Mary, before 1669. Found in the Collection of Art History Museum, Vienne

The Visitation of the Blessed Virgin Mary (Magnificat), 1716. Found in the Collection of Muse e du Louvre, Paris

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"Journey through Time: Exploring the Significance in Art and History" Embark on a captivating journey as we delve into the concept of "visitation, " a theme that has inspired artists, theologians, and historians throughout centuries. From ancient illuminations to modern-day paintings, this collection showcases various interpretations of visitation. Let us begin with the renowned painting of the Visitation in the Visitation church located in Ein Kerem, Israel. This masterpiece depicts the momentous meeting between two holy figures - Virgin Mary and her cousin Saint Elizabeth. Their encounter symbolizes divine intervention and serves as an embodiment of faith. Godong's interpretation takes us back to this sacred event by capturing the essence of spiritual connection between these extraordinary women. The Visitation becomes a testament to their unwavering devotion and shared destiny. Moving forward, we encounter Romanesque art from Sagas featuring an altar adorned with scenes depicting not only the Visitation but also Nativity and Adoration. These intricate carvings transport us back in time, allowing us to witness multiple biblical events within one composition. However, our exploration doesn't end there; it takes an unexpected turn towards UFOs hovering over statues. This peculiar depiction challenges traditional notions by intertwining contemporary elements with religious symbolism. It invites contemplation about how they are be interpreted beyond conventional boundaries. Charles Hutin's painting titled "The Vision of St. Joseph in Egypt" introduces yet another facet - personal revelation experienced by individuals touched by divinity. Through his brushstrokes, Hutin captures St. Joseph's profound encounter with God during his sojourn in Egypt. Raphael's masterpiece "The Visitation" transports us further into history where he portrays this sacred event with unparalleled grace and elegance characteristic of Renaissance artistry. His meticulous attention to detail breathes life into each figure present at this pivotal moment.