Visitation Collection (#6)

Ain Karim Church Elizabeth Visitation 1940 Jerusalem
Ain Karim. Church of Elizabeths Visitation. 1940, Jerusalem, Israel

Ain Karim Church Elizabeth Visitation Grotto
Ain Karim. Church of Elizabeths Visitation, Grotto of Visitation. 1940, Jerusalem, Israel

Environs Jerusalem Grotto Visitation Ain Karem
Environs of Jerusalem. Grotto of Visitation, Ain Karem 1900, Israel

Visitation Song nian zhu gui cheng Ferreira Gaspar
Visitation, Song nian zhu gui cheng, Ferreira, Gaspar, 1571-1649, Woodcut, between 1619 and 1623, Folio from a block book, titled A method for reciting the rosary

Visitation Green Valentine 1739-1813 1794
The Visitation, Green, Valentine, 1739-1813, 1794

Visitation Paris France 1544 Tempera colors gold paint
The Visitation; Paris, France; 1544; Tempera colors and gold paint on uterine parchment; Leaf: 14.3 x 8.1 cm (5 5, 8 x 3 3, 16 in.)

Visitation Master Dresden Prayer Book Flemish
The Visitation; Master of the Dresden Prayer Book (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1)

Initial H Visitation Workshop Gerard Horenbout
Initial H: The Visitation; Workshop of Gerard Horenbout (Flemish, 1465 - 1541); Cologne (written), Germany; about 1500; Tempera colors and gold paint on parchment; Leaf: 15.2 x 11.1 cm (6 x 4 3)

Visitation Strasbourg France early 16th century
The Visitation; Strasbourg, France; early 16th century; Tempera colors on parchment; Leaf: 13.5 x 10.5 cm (5 5, 16 x 4 1, 8 in.)

Initial D Visitation Master Sir John Fastolf
Initial D: The Visitation; Master of Sir John Fastolf (French, active before about 1420 - about 1450); or England; about 1430 - 1440; Tempera colors, gold leaf

Initial D Visitation Master Lee Hours Flemish
Initial D: The Visitation; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Visitation Master Guillaume Lambert French active
The Visitation; Master of Guillaume Lambert (French, active about 1475 - 1485); Lyon, France; 1478 (based on date included in Easter calculation); Tempera colors, gold paint

Visitation Master Harvard Hannibal French active Paris
The Visitation; Master of the Harvard Hannibal (French, active Paris, France, 1415 - about 1430); Paris, France; about 1420 - 1430; Tempera, gold paint, gold leaf

Visitation Associate Georges Trubert French active Provence
The Visitation; Associate of Georges Trubert (French, active Provence, France 1469 - 1508); Provence, France; about 1480 - 1490; Tempera colors, gold leaf, gold and silver paint

Life Virgin Visitation 1504 Albrecht Dürer
The Life of the Virgin: The Visitation, c. 1504. Albrecht Durer (German, 1471-1528). Woodcut

Leaf Book Hours Visitation 1470-1480 Guillaume Vrelant
Leaf from a Book of Hours: The Visitation, c. 1470-1480. Guillaume Vrelant (Flemish, c. 1454-1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.5 cm (4 1/16 x 2 15/16 in.)

Visitation Theodor Rehbenitz German 1791 1861
The Visitation; Theodor Rehbenitz (German, 1791 - 1861); Italy; 1820; Graphite; 22.4 x 14.1 cm (8 13, 16 x 5 9, 16 in.)

Visitation York perhaps illuminated Northern
The Visitation; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Ebrasement de droite l Announciation et la Visitation
Ebrasement de droite: l Announciation et la Visitation; Henri Le Secq (French, 1818 - 1882); Amiens, France; 1852; Salted paper print from a Calotype negative; 31.4 x 21.6 cm (12 3, 8 x 8 1, 2 in.)

Leaf Book Hours Visitation 1415 Workshop Boucicaut Master
Leaf from a Book of Hours: The Visitation, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.)

Old Italian Masters Visitation 1888-1892 Timothy Cole
Old Italian Masters: The Visitation, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving

Fall Redemption Man Visitation 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Visitation, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Printed Book Hours Rome fol. 29v Visitation 1510
Printed Book of Hours (Use of Rome): fol.29v, The Visitation, 1510. Guillaume Le Rouge (French, Paris, active 1493-1517). 112 Printed folios on parchment, bound

Visitation Leaf Book Hours 5 6 Excised Leaves
The Visitation: Leaf from a Book of Hours (5 of 6 Excised Leaves), c. 1420. Or workshop Henri d Orquevaulx (French). Ink, tempera and gold on vellum; each leaf: 16.1 x 12.5 cm (6 5/16 x 4 15/16 in.)

Life Virgin Visitation Jacques Callot French
The Life of the Virgin: The Visitation. Jacques Callot (French, 1592-1635). Etching

Leaves Book Hours Visitation Christ Judgment
Leaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25)

The Visitation, ca. 1516. Creator: Lucas van Leyden
The Visitation, ca. 1516

Visitation of Virgin Mary, 1632-1634, by Peter Paul Rubens (
Peter Paul Rubens (1577-1640). Flemish painter. Visitation of Virgin Mary, 1632-1634. National Gallery. Prague. Czech Republic

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"Journey through Time: Exploring the Significance in Art and History" Embark on a captivating journey as we delve into the concept of "visitation, " a theme that has inspired artists, theologians, and historians throughout centuries. From ancient illuminations to modern-day paintings, this collection showcases various interpretations of visitation. Let us begin with the renowned painting of the Visitation in the Visitation church located in Ein Kerem, Israel. This masterpiece depicts the momentous meeting between two holy figures - Virgin Mary and her cousin Saint Elizabeth. Their encounter symbolizes divine intervention and serves as an embodiment of faith. Godong's interpretation takes us back to this sacred event by capturing the essence of spiritual connection between these extraordinary women. The Visitation becomes a testament to their unwavering devotion and shared destiny. Moving forward, we encounter Romanesque art from Sagas featuring an altar adorned with scenes depicting not only the Visitation but also Nativity and Adoration. These intricate carvings transport us back in time, allowing us to witness multiple biblical events within one composition. However, our exploration doesn't end there; it takes an unexpected turn towards UFOs hovering over statues. This peculiar depiction challenges traditional notions by intertwining contemporary elements with religious symbolism. It invites contemplation about how they are be interpreted beyond conventional boundaries. Charles Hutin's painting titled "The Vision of St. Joseph in Egypt" introduces yet another facet - personal revelation experienced by individuals touched by divinity. Through his brushstrokes, Hutin captures St. Joseph's profound encounter with God during his sojourn in Egypt. Raphael's masterpiece "The Visitation" transports us further into history where he portrays this sacred event with unparalleled grace and elegance characteristic of Renaissance artistry. His meticulous attention to detail breathes life into each figure present at this pivotal moment.