Westall Collection

Pynes House, Exeter, Devon, 1825
Pynes House, Exeter, Devon, the seat of Sir Stafford Henry Northcote 1792-1850. Queen Anne style red brick house with slate roof and four brick chimney stacks built by architect Inigo Jones

Town Hall and Mansion House, Liverpool, 19th century. Artist: William Westall
Town Hall and Mansion House, Liverpool, 19th century

ENGLAND: FAMILY, c1810. Young family at the fireside. Steel engraving, English, after Richard Westall (1765-1836)

View of Oxford, 1814. Creator: Westall, William (1781-1850)
View of Oxford, 1814. Private Collection

Eton College Great Court, 1816. Creator: Westall, William (1781-1850)
Eton College Great Court, 1816. Private Collection

The Quadrangle, Hampton Court Palace, 1819. Creator: Westall, William (1781-1850)
The Quadrangle, Hampton Court Palace, 1819. Private Collection

St. Georges Church from the Docks, Liverpool, c1830. Creator: Edward Francis Finden
St. Georges Church from the Docks, Liverpool, c1830. Ships at the quayside, with warehouses and the spire of St George Derby Square

Aston Hall, Jacobean house in Birmingham, 1826 (engraving)
5912663 Aston Hall, Jacobean house in Birmingham, 1826 (engraving) by British School, (19th century); (add.info.: Aston Hall, Jacobean house in Birmingham, seat of James Watt (1769-1848)

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)
5912988 Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving) by British School, (19th century); (add.info.: Belvoir Castle, Leicestershire, seat of John Manners)

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

Elevation of a hunting lodge and plan of a verandah. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816

St Jermain, Cornwall, the seat of the Earl St. Germain
St.. Jermain, Port Eliot, Cornwall, the seat of John Craggs Eliot, Earl St. Germain. Crenellated mansion in a park. Handcoloured copperplate engraving after an illustration by John Gendall

Moor Park, Hertfordshire, the seat of Robert Williams, 1825. Built in the Palladian style by surveyor Sir James Thornhill from designs by Giacomo Leoni and gardens by Capability Brown

Kensington Palace, 1819 (colour aquatint engraving)
985733 Kensington Palace, 1819 (colour aquatint engraving) by Westall, William (1781-1850) (after); 40.7x31.8 cm; Private Collection; (add.info.: Kensington Palace)

Satan Exulting, (pencil and watercolour)
651873 Satan Exulting, (pencil and watercolour) by Westall, Richard (1765-1836); 56.5x38.7 cm; Private Collection; (add.info.: Satan Exulting. Richard Westall (1765-1836). Pencil and watercolour

Girl Feeding Pigs, 1800. Creator: Richard Westall
Girl Feeding Pigs, 1800

The Sermon, 1813, (1947). Creator: Unknown
The Sermon, 1813, (1947). A family listens to the minister preaching from his pulpit. Engraving after a painting. From " English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]

Saxonbury Lodge, 1835. Creator: William Westall
Saxonbury Lodge, 1835. Saxonbury Lodge, Frant, built in medieval style by Daniel Rowland in 1824. Engraving by William Westall after Thomas Henwood

Petworth Park, 1835. Creators: Unknown, William Westall
Petworth Park, 1835. Grade I listed country house, rebuilt in 1688 by Charles Seymour and known for an art collection made by George Wyndham

Canterbury. Gate of St. Augustine s, c1830. Creator: J Fife
Canterbury. Gate of St. Augustine s, c1830. The Great Gate of St Augustines Abbey, a Benedictine monastery at Canterbury in Kent

The Exchange and Nelsons Monument, Liverpool, c1830s. Creator: Edward Francis
The Exchange and Nelsons Monument, Liverpool, c1830s. View of the first Cotton Exchange Building, built in 1808, at Exchange Flags, and monument to Horatio Nelson, unveiled in 1813

Cardinal Wolsey Entering The Abbey of Leicester, 1530, (mid 19th century). Creator
Cardinal Wolsey Entering The Abbey of Leicester, 1530, (mid 19th century). Cardinal Thomas Wolsey (c1475-1530), was an English statesman and a cardinal of the Roman Catholic Church

A Fern-Cutters Child, c1800, (1925). Artist: Robert Mitchell Meadows
A Fern-Cutters Child, c1800, (1925). Countryside scene. From English Rural Life in the Eighteenth Century, by W. Gaunt. [The Connoisseur, London, 1925]

Charterhouse, Finsbury, London, 1816. Artist: William James Bennett
Charterhouse, Finsbury, London, 1816. View of Charterhouse from the playground with figures on the lawn including women with laundry

Thames Tunnel, London, 1827. Artist: T Blood
Thames Tunnel, London, 1827. Four views of the Thames Tunnel, showing a general view and section, along with sections showing construction workers and a carriage travelling through the tunnel

View of the Kings Theatre, Haymarket, London, 1837

Buckingham House, Westminster, London, 1819. Artist: Thomas Sutherland
Buckingham House, Westminster, London, 1819. Buckingham House was reconstructed as Buckingham Palace in the 1820s

Hythe Church and Martello Tower, 19th century. Artist: William Westall
Hythe Church and Martello Tower, 19th century. View with two figures and cattle in the foreground

River Dee and St Johns Church, 19th century. Artist: William Westall
River Dee and St Johns Church, 19th century. View with figures walking in the foreground

Artists in front of the Royal Academy, Somerset House, London, 1797
Titianus redivivius; or the seven wise men consulting the new Venetian oracle. - A scene in ye Academic Grove, No.1, 1797; scene showing artists in front of the Royal Academy at Somerset House in

Second Battle of Porto, Portugal, 12th May 1809 (1819). Artist: T Fielding
Second Battle of Porto, Portugal, 12th May 1809 (1819). Less than a month after taking command of the British army in Portugal, the Duke of Wellington captured the city of Porto from the French

Battle of the Pyrenees, Spain, 28th July 1813 (1819). Artist: T Fielding
Battle of the Pyrenees, Spain, 28th July 1813 (1819). The battle saw the British under Wellington repel a French offensive to relieve the besieged garrisons of Pamplona and San Sebastian

Battle of Vimeiro, Portugal, 1st August 1808 (1819). Artist: T Fielding
Battle of Vimeiro, Portugal, 1st August 1808 (1819). The British army commanded by Wellington defeated the French under Junot. From The Victories of the Duke of Wellington, 1819

Battle of Talavera, Spain, 28th July 1809 (1819). Artist: T Fielding
Battle of Talavera, Spain, 28th July 1809 (1819). The British and Spanish army commanded by Wellington won an indecisive victory over the French commanded by Napoleons brother Joseph Bonaparte

Liberation of Madrid, 6th August 1812 (1819). Artist: T Fielding
Liberation of Madrid, 6th August 1812 (1819). Members of the clergy welcoming the Duke of Wellington to the city after the withdrawal of the occupying French

Battle of Badajoz, Spain, 6th April 1812 (1819). Artist: T Fielding
Battle of Badajoz, Spain, 6th April 1812 (1819). The British succeeded in capturing the city from the French bu suffered heavy casualties in the process

Battle of Busaco, Portugal, 27th September 1810 (1819). Artist: T Fielding
Battle of Busaco, Portugal, 27th September 1810 (1819). British and Portuguese troops commanded by Wellington repulsed the French under Massena. From The Victories of the Duke of Wellington, 1819

Battle of Vitoria, Spain, 21st June 1813 (1819). Artist: T Fielding
Battle of Vitoria, Spain, 21st June 1813 (1819). The victory for Wellington and his Spanish and Portuguese allies at Vitoria was decisive in bringing about the defeat of the French in the Peninsular

Capture of Toulouse, France, 10th April 1814 (1819). Artist: T Fielding
Capture of Toulouse, France, 10th April 1814 (1819). The Battle of Toulouse was fought after Napoleons surrender to the Sixth Coalition and abdication

Battle of Salamanca, Spain, 21st July 1812 (1819). Artist: T Fielding
Battle of Salamanca, Spain, 21st July 1812 (1819). The Battle of Salamanca was an important victory in the Peninsular War for an Anglo-Portuguese army under the Duke of Wellington over Marshal

Capture of San Sebastian, Spain, 31st August 1813 (1819). Artist: T Fielding
Capture of San Sebastian, Spain, 31st August 1813 (1819). British and Portuguese troops taking San Sebastian from the occupying French

The Battle of Quatre Bras on 16 June 1815, 1816. Private Collection

Faust and Lilith, 1831. Found in the Collection of Royal Academy of Arts, London

Byron, c1800, (1911). Artist: Richard Westall
Byron, c1800, (1911). George Gordon Byron (1788-1824) commonly known as Lord Byron, was an English poet and a leading figure in the Romantic movement

Landscape with Women, Sheep and Dog, c1811, (1938). Artist: Richard Westall
Landscape with Women, Sheep and Dog, c1811, (1938). Painting held at the Birmingham Museums Trust, Birmingham. From A Catalogue of the Pictures

King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & Artist: Anker Smith
King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & c, 1799. After Richard Westall (1765-1836)

King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. Artist: WC Wilson
King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. Artist: James Stow
Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

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"Exploring the Rich History of Westall: From Pynes House to Moor Park" Step back in time and immerse yourself in the captivating world of Westall, a name that resonates with historical significance. Let us take you on a journey through some remarkable landmarks and artworks associated with this illustrious name. Starting at Pynes House in Exeter, Devon, we find ourselves transported to 1825. This grand estate stands as a testament to architectural brilliance, showcasing the elegance and charm of its era. Moving northwards to Liverpool, we encounter the Town Hall and Mansion House from the 19th century. The artistic prowess of William Westall captures these magnificent structures in all their glory, preserving their beauty for generations to come. Delving deeper into English family life circa 1810, Richard Westall's steel engraving depicts a heartwarming scene by the fireside. It serves as a poignant reminder of cherished moments shared among loved ones during simpler times. A glimpse into Liverpool's past reveals St. Georges Church rising majestically from its docks around 1830. Edward Francis Finden masterfully immortalizes this architectural gem against an ever-changing backdrop of maritime activity. Venturing further across England brings us face-to-face with Aston Hall, an exquisite Jacobean house nestled in Birmingham's embrace since 1826. Its enchanting allure transports visitors back centuries while leaving them awe-inspired by its timeless beauty. Enmore Castle emerges next on our journey—a Somerset stronghold belonging to none other than the esteemed Earl of Egmont himself in 1825. This engraved depiction showcases both power and grace intertwined within its formidable walls. The historical narrative continues with Henry III engaging Archbishop Canterbury and Bishops Salisbury—an iconic moment captured forever through artistry that allows us insight into pivotal conversations shaping England's destiny. As we explore further architectural marvels associated with Westall's legacy, we discover an elevation plan for a hunting lodge and a verandah, showcasing the intricate craftsmanship that adorned these structures.