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25 Rue Vanderschrick, Brussels, Belgium, (1902), c2014-2017. Artist: Alan John Ainsworth

25 Rue Vanderschrick, Brussels, Belgium, (1902), c2014-2017. Artist: Alan John Ainsworth


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25 Rue Vanderschrick, Brussels, Belgium, (1902), c2014-2017. Artist: Alan John Ainsworth

25 Rue Vanderschrick, Brussels, Belgium, c2014-2017. Ernest Blerot: 1900 onwards

Heritage Images features heritage image collections

Media ID 15344521

© Alan John Ainsworth / Heritage-Images

Ainsworth Alan John Alan John Ainsworth Balcony Bay Window Belgian Blerot Brussels Corner Ernest Ernest Blerot Housing Parked Rue Vanderschrick Saint Gilles 2010s


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Belgium

> Architecture > Styles > Art Nouveau Architecture

> Arts > Art Movements > Art Nouveau

> Europe > Belgium > Brussels

> Europe > Belgium > Posters

> Europe > Belgium > Related Images


EDITORS COMMENTS
This print captures the essence of 25 Rue Vanderschrick in Brussels, Belgium, dating back to 1902. The artist behind this remarkable piece is Alan John Ainsworth, who skillfully brings together elements from both the past and present. Ernest Blerot's architectural influence since 1900 can be seen in this art nouveau masterpiece. The image showcases a stunning blend of architectural features that define the building's exterior. With its vibrant colors and intricate details, it stands as a testament to the decorative arts of its time. The balcony and bay windows add an elegant touch while providing a glimpse into the bustling street below. In true Belgian fashion, an automobile is parked on the avenue, representing both road transport and modernity within this historical setting. This juxtaposition between old and new perfectly encapsulates the spirit of Brussels itself - a city where tradition meets progress. Located in Saint Gilles, this charming corner ensemble on Rue Vanderschrick exudes character against its backdrop of cobblestone lanes. It serves as a reminder of how architecture can shape not only our surroundings but also our cultural identity. Through Ainsworth's lens, we are transported to early 20th-century Europe while simultaneously experiencing contemporary life in Brussels during the 2010s. This photograph is more than just an artistic representation; it is a visual narrative that connects us with history and invites us to appreciate both heritage and innovation alike.

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