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The Actor Nakamura Tomijuro I as Lady Hangaku (Hangaku Gozen) in the Play Wada-... c. 1777. Creator: Shunsho

The Actor Nakamura Tomijuro I as Lady Hangaku (Hangaku Gozen) in the Play Wada-... c. 1777. Creator: Shunsho


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The Actor Nakamura Tomijuro I as Lady Hangaku (Hangaku Gozen) in the Play Wada-... c. 1777. Creator: Shunsho

The Actor Nakamura Tomijuro I as Lady Hangaku (Hangaku Gozen) in the Play Wada-gassen Onna Maizuru, Performed at the Nakamura Theater in the Seventh Month, 1777, Japan, c. 1777

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Media ID 36220293

© Heritage Art/Heritage Images

Afraid Alarm Anger Angry Closed Door Doors Drag Fearful Female Impersonator Frighten Frightened Frightening Fury Hosoban I Nakamura Tomijuro Kabuki Kabuki Actor Katsukawa School Katsukawa Shunshō Katsumiyagawa Yusuke Keishi Miyagawa Shunsho Miyakawa Shunsho Nakamura Theatre Nakamura Tomijuro Nakamura Tomijuro I Onnagata Oyama Rage Scared Shunsho Shunsho Katsukawa Shunsho Miyagawa Shunsho Miyakawa Tomijuro Nakamura Tomijuro Nakamura I Color Woodblock Print Playhouse


EDITORS COMMENTS
This woodblock print, created by the renowned artist Shunsho, showcases Nakamura Tomijuro I in the role of Lady Hangaku (Hangaku Gozen) from the Kabuki play "Wada-gassen Onna Maizuru," performed at the Nakamura Theater in the seventh month of 1777 in Japan. The Edo Period (1603-1868) print is a stunning example of the Katsukawa School's artistic prowess. Tomijuro I masterfully portrays the fearful and frightened Lady Hangaku, dressed in a traditional Japanese kimono with a closed door as a backdrop. The door symbolizes the closed mind of the character, who is filled with anger, alarm, and fury. The intricate details of the clothing and apparel are expertly captured through the color woodblock printing technique, with each fold and crease of the fabric bringing the character to life. The print also showcases the dramatic nature of Kabuki theatre, with the actor's expressive face and intense gaze conveying the character's emotions. Tomijuro I's portrayal of Lady Hangaku as a female impersonator adds an additional layer of complexity to the print, highlighting the artistic school's innovative approach to gender roles in Kabuki theatre. This print is a valuable heritage art piece that showcases the rich cultural history of Japan during the eighteenth century. It is a must-see for anyone interested in Asian art, Kabuki theatre, or the history of acting and fashion in Japan. The Art Institute of Chicago is fortunate to have this masterpiece in its collection, allowing us to appreciate the artistic talent of Shunsho and Nakamura Tomijuro I.

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