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The Actor Onoe Tamizo I as Kewaizaka no Shosho Disguised as a Komuso in the Play... c. 1772. Creator: Shunsho
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The Actor Onoe Tamizo I as Kewaizaka no Shosho Disguised as a Komuso in the Play... c. 1772. Creator: Shunsho
The Actor Onoe Tamizo I as Kewaizaka no Shosho Disguised as a Komuso in the Play Furisode Kisaragi Soga, Performed at the Ichimura Theater in the Second Month, 1772, Japan, c. 1772
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Media ID 36200523
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Boot Boots Carriage Boot Courtesan Disguise Disguised Door Doors Drag Female Impersonator Geta Hosoban Ichimura Theatre Kabuki Kabuki Actor Katsukawa School Katsukawa Shunshō Katsumiyagawa Yusuke Kewaizaka No Shosho Komuso Miyagawa Shunsho Miyakawa Shunsho Monk Monks Onnagata Oyama Sandal Sandals Shoe Shoes Shoji Shunsho Shunsho Katsukawa Shunsho Miyagawa Shunsho Miyakawa Sliding Door Color Woodblock Print Playhouse
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This woodblock print, created by the renowned artist Shunsho, depicts Onoe Tamizo I in the role of Kewaizaka no Shosho, disguised as a Komuso monk in the Kabuki play "Furisode Kisaragi Soga," performed at the Ichimura Theater in the second month of 1772. The Edo period (1603-1868) print showcases the theatrical artistry and intricate details of the Japanese artistic school, specifically the Katsukawa School. Kewaizaka no Shosho, a courtesan, is seen here in disguise, wearing the traditional Komuso monk's robes and carrying a carriage boot, or hosoban, in his hand. The monk's distinctive hat, or komusō-bako, is placed beside him, adding to the illusion. The actor's expressive face, with a hint of a smile and a slight look away, adds depth to the character and the drama of the scene. The print is rich in color, with the black and green hues dominating the image. The actor's outfit is adorned with intricate patterns and designs, reflecting the meticulous attention to detail that was a hallmark of Kabuki theater during the eighteenth century. The use of geta, traditional Japanese wooden clogs, adds to the authenticity of the costume. This print is a testament to the artistic innovation and creativity of the Katsukawa School and its master, Shunsho. It provides a glimpse into the world of Kabuki theater and the elaborate costumes and disguises that were an integral part of the performances. The print is a valuable heritage piece, showcasing the rich cultural history of Japan and its artistic traditions.
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