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The Countess Canning, Simla, 1861. Creator: Unknown
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The Countess Canning, Simla, 1861. Creator: Unknown
The Countess Canning, Simla, 1861
Heritage Images features heritage image collections
Media ID 20170319
© Heritage Art/Heritage Images
British India British Raj Canning Canning Charlotte Canning Charlotte Elizabeth Canning Lady Charlotte Elizabeth Charlotte Charlotte Canning Charlotte Elizabeth Charlotte Elizabeth Canning Charlotte Stuart Countess Canning Himachal Pradesh Imperialism Lady Canning Lady Charlotte Elizabeth Lady Charlotte Elizabeth Canning Shimla Simla Simla Himachal Pradesh India Stuart Stuart Charlotte The Raj Vicereine Vicereine Of India Albumen Silver Print British Empire
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The Countess Canning, Simla, 1861 - A Glimpse into Victorian British India
EDITORS COMMENTS
. This black and white albumen print transports us back to the year 1861 in Simla, Himachal Pradesh, India. The subject of this intriguing portrait is none other than Lady Charlotte Elizabeth Canning, the Vicereine of India during that time. Although the creator remains unknown, their artistic prowess shines through in capturing the essence of this remarkable woman. Lady Canning's regal presence and refined beauty are evident as she gazes confidently into the lens. Her intricate attire reflects both her status as a member of British aristocracy and her immersion in Indian culture. This photograph serves as a testament to the imperialistic era when Britain held sway over vast territories across the globe. The Countess Canning played an influential role during her husband's tenure as Viceroy of India from 1856 to 1862. She was known for her philanthropic endeavors and dedication to improving healthcare facilities for women in colonial India. Preserved by The Metropolitan Museum of Art, this nineteenth-century artifact offers us a glimpse into an era characterized by imperialism and cultural exchange. It stands as a reminder of the complex relationship between Britain and its colonies during that time. As we admire this heritage art piece today, let us appreciate not only its aesthetic value but also reflect upon the historical context it represents – one where power dynamics shaped lives on both sides of colonial rule.
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