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Dead Christ With Joseph Of Arimathea And Nicodemus (Sepulcrum Christi), c1494-98. Creator: Perugino

Dead Christ With Joseph Of Arimathea And Nicodemus (Sepulcrum Christi), c1494-98. Creator: Perugino


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Dead Christ With Joseph Of Arimathea And Nicodemus (Sepulcrum Christi), c1494-98. Creator: Perugino

Dead Christ With Joseph Of Arimathea And Nicodemus (Sepulcrum Christi), c1494-98. Joseph of Arimathea looks on contemplatively as a tearful Nicodemus supports Christ's lifeless body on a stone tomb, which is inscribed in Latin with the artist's name and the work's subject, "sepulcher of Christ." Despite his bloody wounds, Christ is depicted with an idealized body, like that of a classical statue, and a serene expression, suggesting his eventual triumph over death

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Media ID 38688399

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1490s Art Museum Christ Antiphonetes Clark Art Institute Colourful Corpse Cristoforo Vannucci Pietro Di Early Renaissance Expression Facial Expression Ginger Hair Jesus Of Nazareth Joseph Of Arimathea Life Of Christ Museum Of Art Pedro Perugino Persecution Perugino Perugino Pietro Pietro Di Cristoforo Vannucci Pietro Perugino Pietro Vannucci Pietro Vannucci Perugino Red Hair Serene Serenity Skin Supporting Vannucci Pietro Christ Jesus Joseph Of Arimathaea Mausoleum


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > C > Joseph Clark

> Arts > Artists > P > Pietro Perugino

> Arts > Still life artwork > Still life art > Portrait painting

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Still life artwork > Oil paintings

> Arts > Still life artwork > Portrait painting

> Arts > Still life artwork > Textile fabric artworks

> Arts > Portraits > Classical portrait gallery > Classical portraits

> Arts > Portraits > Classical portrait gallery > Portrait art


EDITORS COMMENTS
In this poignant and powerful depiction of 'The Sepulchre of Christ', Italian master Pietro Perugino (c.1494-98) captures a moment of profound sorrow and reverence in the early Renaissance era. Joseph of Arimathea, bearded and contemplative, looks on as Nicodemus cradles Jesus' lifeless body on a stone tomb inscribed with the artist's name and subject. Despite Christ's gruesome wounds, his serene expression suggests an acceptance of fate and ultimate triumph over death. Perugino's use of direct gaze creates a sense of intimacy and connection between the viewer and the scene, drawing us into this moment of mourning and reverence. The subtle play of light on Jesus' idealized form adds depth and emotion to the composition, while Nicodemus' tearful expression conveys his anguish at losing his beloved teacher. This masterpiece from Perugino's workshop is a testament to the enduring power of art to evoke emotions, spark contemplation, and connect us across time and space. As we gaze upon this Sepulchre of Christ, we are reminded of the universal human experience: that even in death, there lies hope for eternal life.

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