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Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803. Creator: James Barry

Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803. Creator: James Barry


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Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803. Creator: James Barry

Eastern Patriarch, from the first issue of Specimens of Polyautography, 1803

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Media ID 36192825

© Heritage Art/Heritage Images

Barry James Direction East Eastern Hand On Head Ireland Irish James Barry Patriarch Specimens Of Polyautography Wind Windswept Windy Lithotint Posture


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > James Barry

> Arts > Artists > H > Guy Head

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Portrait drawings > Fine art

> Europe > United Kingdom > Wales > South Glamorgan > Barry


EDITORS COMMENTS
This lithograph in black on cream wove paper, tipped onto a mount with an aquatint border in gray on cream weve paper, is a portrait of an Eastern Patriarch, as depicted in the first issue of James Barry's groundbreaking work, "Specimens of Polyautography," published in 1803. The image captures the enigmatic figure with a weather-beaten, windswept appearance, as if he has braved the elements for an extended period. The Patriarch's expressive posture and intense gaze convey a sense of wisdom and authority, while his long, flowing beard adds to his distinguished appearance. Born in Ireland in 1761, James Barry was a prolific British artist known for his mastery of the lithographic medium. This particular work, a lithotint, showcases Barry's exceptional skill in creating intricate textures and tonal variations, resulting in a strikingly realistic representation of the Eastern Patriarch's face and clothing. The image is further enhanced by the use of directional lighting, which casts dramatic shadows and highlights on the subject's face and robes. The Eastern Patriarch's portrait is a testament to Barry's artistic vision and technical prowess, and serves as a reminder of the rich artistic heritage of the 19th century. This work is now part of the permanent collection of the Art Institute of Chicago, where it continues to inspire and intrigue visitors from around the world.

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