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Heads of Two Foxes Decapitated for Too Much Merrymaking, c1875. Creator: Tsukioka Yoshitoshi
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Heads of Two Foxes Decapitated for Too Much Merrymaking, c1875. Creator: Tsukioka Yoshitoshi
Heads of Two Foxes Decapitated for Too Much Merrymaking, c1875. From The Postal News, no. 628
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Media ID 36364768
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1870s Accident Beheaded Beheading Boot Boots Calligraphy Carriage Boot Decapitated Decapitation Geta Gory Incident Meiji Era Meiji Period Merrymaking News Pointing Postal News Public Sandal Sandals Shoe Shoes Taiso Tsukioka Yoshitoshi Yoshitoshi Tsukioka Colour Woodblock Print
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EDITORS COMMENTS
Heads of Two Foxes Decapitated for Too Much Merrymaking," a captivating woodblock print by the renowned Japanese artist Tsukioka Yoshitoshi, dates back to the Meiji Era of the late 19th century. This poignant and intriguing artwork, a part of the vast collection at the Los Angeles County Museum of Art (LACMA), showcases a chilling tale of two foxes, their heads severed, surrounded by a crowd of onlookers. The print, created in the 1870s, is a powerful representation of an ancient Japanese legend. The story goes that two foxes, carried away by the joyous spirit of merrymaking, danced so wildly that they accidentally beheaded themselves on the protruding carriage boots of a passing carriage. The image portrays the two foxes, one male and one female, standing before their decapitated heads, their bodies clad in traditional Japanese clothing. The male fox wears a kimono, while the female dons a colorful dress and traditional geta sandals. The print is a stunning example of Yoshitoshi's mastery of the woodblock print technique, with intricate details and bold, vibrant colors. The artist's use of calligraphy adds an elegant touch to the print, with the title and artist's signature written in beautiful, flowing script. The scene is set against a backdrop of a bustling crowd, with people of all ages and genders, dressed in their finest apparel, pointing and gesturing in awe at the bizarre incident. The print is a testament to the rich cultural heritage of Japan and its enduring fascination with folklore and tradition. This haunting and intriguing image, a poignant reminder of the capricious nature of life and the consequences of overindulgence, continues to captivate and intrigue viewers more than a century after it was created. The print is a must-see for anyone interested in Japanese art, folklore, or the history of woodblock printing.
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