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Il n'y a pourtant qu'une heure qu je tire, 1839. Creator: Honore Daumier
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Il n'y a pourtant qu'une heure qu je tire, 1839. Creator: Honore Daumier
Il n'y a pourtant qu'une heure qu je tire, 1839. I've only been pulling it [the bell-rope] for an hour'. From Moeurs conjugales, 14
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Media ID 36352902
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Bell Broken Daumier Honore Daumier Honore Victorin Door Doors Drunk Drunken Drunkenness Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Top Hat Tophat Lithotint Parody Satirical
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Il n'y a pourtant qu'une heure qu'je tire
EDITORS COMMENTS
(I've only been pulling it for an hour), a captivating lithograph by the renowned French artist Honore Daumier, created in 1839. This intriguing image is part of Daumier's series "Moeurs conjugales" (Marital Manners). The print showcases a man, dressed in 19th-century attire, standing in front of a door, holding a bell-rope. His hat is askew on his head, and his face is contorted with the effort of pulling the rope. The door behind him is ajar, revealing a dimly lit interior. Daumier's masterful use of satire and humor is evident in this piece. The title of the series, "Marital Manners," suggests a commentary on the daily life and relationships of married couples. The man's drunken state and the late hour suggest that he may have been keeping his wife waiting, adding a layer of humor to the situation. The print is a testament to Daumier's skill as a cartoonist and lithographer. The contrast between the white door and the black and white clothing of the man creates a striking visual effect. The broken lines and rough textures add to the overall sense of humor and realism. This lithograph is a valuable addition to any art collection, showcasing the wit and social commentary of one of France's greatest artists. It is a window into the past, offering a glimpse into the daily life and relationships of 19th-century France. The Los Angeles County Museum of Art (LACMA) is fortunate to have this piece in its collection, allowing us to appreciate Daumier's artistry and legacy.
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