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Initial Letter V (Elephant) to Volpone, 1898. Creator: Aubrey Beardsley
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Initial Letter V (Elephant) to Volpone, 1898. Creator: Aubrey Beardsley
Initial Letter V (Elephant) to Volpone, 1898. Illustration for an edition of Ben Jonsons eponymous comedy play, published by Leonard Smithers. This and four others were the only ones of twenty-four contemplated drawings that Beardsley managed to complete before he died of consumption aged 25. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
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Media ID 24364768
© Shirley Markham Collection/Heritage Images
Aubrey Beardsley Aubrey Vincent Beardsley B Jonson Basket Beardsley Aubrey Beardsley Aubrey Vincent Ben Johnson Ben Jonson Benjamin Jonson Bunch Of Grapes Bunches Of Grapes Candle Candles Candlestick Decadent Movement Elephant Fruit Basket Grape Grapes Initial Jewel Jewelled Johnson Ben Jonson Ben Jonson Benjamin Leonard Charles Smithers Leonard Smithers R A Walker Rainforth Armitage Walker Shirley Markham Smithers Leonard Smithers Leonard Charles Walker Walker R A Walker Rainforth Armitage Graphic Design Volpone
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EDITORS COMMENTS
This print showcases Aubrey Beardsley's "Initial Letter V (Elephant) to Volpone" illustration, created in 1898 for an edition of Ben Jonson's renowned comedy play. Published by Leonard Smithers, this artwork is a testament to Beardsley's immense talent and creativity. It is one of the few completed drawings out of the twenty-four he had planned before his untimely death at the age of 25 due to consumption. Beardsley's distinctive art nouveau style shines through in this piece, featuring intricate details and exquisite craftsmanship. The initial letter 'V' takes center stage, beautifully adorned with jeweled embellishments that add a touch of opulence. An elegant elephant gracefully emerges from within the letterform, symbolizing strength and majesty. Surrounded by elements such as candles, grapes, and a fruit basket delicately rendered with precision, this composition exudes decadence and drama. The careful placement of these objects adds depth to the overall design while complementing the play's themes. A true masterpiece from one of Britain's most celebrated artists, this print captures Beardsley's genius in graphic design and illustration. Its inclusion in "The Best of Beardsley" edited by R. A Walker in 1948 further solidifies its significance as an iconic representation of nineteenth-century art.
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