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Lady Canning and J. C. S. 1858-61. Creator: Unknown
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Lady Canning and J. C. S. 1858-61. Creator: Unknown
Lady Canning and J.C.S. 1858-61
Heritage Images features heritage image collections
Media ID 20167193
© Heritage Art/Heritage Images
British India British Raj Canning Canning Charlotte Canning Charlotte Elizabeth Canning Lady Charlotte Elizabeth Charlotte Charlotte Canning Charlotte Elizabeth Charlotte Elizabeth Canning Charlotte Stuart Countess Canning Elephant Howdah Imperialism Indian Elephant Lady Canning Lady Charlotte Elizabeth Lady Charlotte Elizabeth Canning Mahout Parasol Parasols Stuart Stuart Charlotte The Raj Vicereine Vicereine Of India Albumen Silver Print British Empire Hindoostan
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EDITORS COMMENTS
This print titled "Lady Canning and J. C. S. 1858-61" takes us back to the 19th century, immersing us in the rich history of British India. The creator remains unknown, but their artistry shines through this albumen silver print. The image showcases Lady Charlotte Elizabeth Canning, a prominent figure during the British Raj era. She is elegantly dressed in traditional clothing, exuding grace and poise. Standing beside her is an unidentified man, possibly an artist or painter capturing this momentous occasion. Intriguingly, they are accompanied by a majestic Indian elephant adorned with intricate accessories. The elephant's presence symbolizes the power and grandeur of the British Empire in Hindoostan (India). A mahout skillfully guides the gentle giant while Lady Canning holds a parasol to shield herself from the sun. This photograph not only captures a historical moment but also reflects on themes of imperialism and occupation prevalent during that time period. It serves as a reminder of Britain's influence over India and its people. Preserved at The Metropolitan Museum of Art, this heritage artwork allows us to delve into the past and appreciate both its artistic value and historical significance. As we gaze upon Lady Canning's regal countenance alongside her companion amidst breathtaking scenery, we can't help but be transported back to an era where tradition met colonialism in vibrant harmony.
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