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Lady Kayo, Consort of Prince Hanzoku of India, Holding a Severed Head, 1865. Creator: Tsukioka Yoshitoshi
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Lady Kayo, Consort of Prince Hanzoku of India, Holding a Severed Head, 1865. Creator: Tsukioka Yoshitoshi
Lady Kayo, Consort of Prince Hanzoku of India, Holding a Severed Head, 1865. Series: One Hundred Ghost Tales from China and Japan
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Media ID 36368523
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1860s Beheaded Beheading Brutal Brutality Calligraphy Consort Decapitated Decapitation Fox Spirit Ghost Story Gory Historic Figure Historical Person Horror Hyaku Monogatari Japanese Mythology Kitsune Gao Legend Legendary Meiji Era Meiji Period One Hundred Ghost Tales Severed Severed Head Spirit Story Taiso Tsukioka Yoshitoshi Yoshitoshi Tsukioka Colour Woodblock Print
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EDITORS COMMENTS
Lady Kayo, Consort of Prince Hanzoku of India, Holding a Severed Head" is a captivating and chilling woodblock print created by the renowned Japanese artist Tsukioka Yoshitoshi in 1865. This print is part of his famous series "One Hundred Ghost Tales from China and Japan." The haunting image depicts Lady Kayo, a consort of Prince Hanzoku of India, standing in a nighttime setting with a severed head in her hand. The print showcases the intricate details of Japanese art during the Meiji Era (1868-1912). Lady Kayo is dressed in elegant traditional clothing, her hair styled in an elaborate updo, and her face expresses a mixture of shock and determination. In the background, the moon casts a pale glow over the scene, adding to the eerie atmosphere. The severed head at Lady Kayo's feet is that of the fox spirit, Kitsune Gao, who had been terrorizing the prince and his people. According to Japanese mythology, Kitsune are shape-shifting fox spirits known for their mischief and cunning. In this tale, Lady Kayo uses her wit and courage to outsmart the fox spirit, ultimately beheading it to protect her people. The print is a stunning example of color woodblock printing, with intricate details and bold, vibrant colors. The use of calligraphy adds to the historical and literary significance of the piece. The image is a testament to the rich heritage of Japanese art and mythology and continues to captivate audiences with its haunting beauty and intriguing storytelling. This print is now part of the collection at the Los Angeles County Museum of Art (LACMA), where it is displayed as a testament to the artistic and cultural heritage of Japan during the 19th century.
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