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Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury
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Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury
Part of a letter from John Potter, Bishop of Oxford, to Francis Atterbury and from Atterbury to Jonathan Trelawny, 3rd Baronet, 1722, (1840). Part of a letter from Potter, to Atterbury, Bishop of Rochester, concerning a passage in St Pauls Epistle to the Corinthians. Part of a letter from Bishop Atterbury to Jonathan Trelawny, 3rd Baronet, Bishop of Exeter, respecting the time of the writing of St Johns Gospel. A print from Historical and Literary Curiosities consisting of Fac-similies of Original Documents, by Charles John Smith, Henry G Bohn, London, 1840
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Media ID 14927758
© The Print Collector / Heritage-Images
3rd Baronet Archbishop Of Canterbury Bishop Bishop Of Exeter Bishop Of Rochester Correspondence Francis Gospel Jonathan Letter Potter Signature Atterbury Bishop Of Oxford Francis Atterbury Trelawney Trelawny
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EDITORS COMMENTS
This print takes us back to the 18th century, immersing us in a world of historical correspondence between prominent figures in Christianity. The image showcases letters exchanged between John Potter, Bishop of Oxford, Francis Atterbury, Bishop of Rochester, and Jonathan Trelawny, 3rd Baronet. The intricate handwriting on these manuscripts reveals the intellectual depth and religious fervor that characterized this era. Each stroke of ink represents a piece of wisdom or theological insight shared among these esteemed individuals. Their signatures serve as testaments to their authority within the Church. The content of these letters is equally fascinating. One letter from Potter to Atterbury delves into an intriguing passage from St Paul's Epistle to the Corinthians, highlighting their scholarly engagement with scripture. Meanwhile, Atterbury's letter to Trelawny explores the timing surrounding the writing of St John's Gospel. This print not only captures a momentous exchange but also offers a glimpse into an era where handwritten communication was cherished and revered. It serves as a reminder that even in our digital age, there is something magical about holding tangible pieces of history in our hands. Created by Francis Atterbury himself and featuring his own signature alongside those of Jonathan Trelawny and John Potter, this print stands as both an artistic creation and an invaluable historical artifact.
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