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Poster Print : Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury

Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury




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Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury

Part of a letter from John Potter, Bishop of Oxford, to Francis Atterbury and from Atterbury to Jonathan Trelawny, 3rd Baronet, 1722, (1840). Part of a letter from Potter, to Atterbury, Bishop of Rochester, concerning a passage in St Pauls Epistle to the Corinthians. Part of a letter from Bishop Atterbury to Jonathan Trelawny, 3rd Baronet, Bishop of Exeter, respecting the time of the writing of St Johns Gospel. A print from Historical and Literary Curiosities consisting of Fac-similies of Original Documents, by Charles John Smith, Henry G Bohn, London, 1840

Heritage Images features heritage image collections

Media ID 14927758

© The Print Collector / Heritage-Images

3rd Baronet Archbishop Of Canterbury Bishop Bishop Of Exeter Bishop Of Rochester Correspondence Francis Gospel Jonathan Letter Potter Signature Atterbury Bishop Of Oxford Francis Atterbury Trelawney Trelawny


18x24 inch Poster Print

Step back in time with our exquisite collection of historic letter prints from Media Storehouse. This captivating set features two letters exchanged between John Potter, Bishop of Oxford, and Francis Atterbury, as well as Atterbury's response to Jonathan Trelawny, 3rd Baronet, in the year 1722. The letters, beautifully illustrated by the renowned artist Francis Atterbury, offer a fascinating glimpse into the past. Each print is meticulously reproduced from the original 1840 Heritage Images, ensuring the highest quality and authenticity. Bring history to life in your home or office with these unique and intriguing pieces.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > P > Paul Potter

> Arts > Artists > S > Charles John Smith

> Arts > Artists > S > Charles Smith

> Arts > Artists > S > Francis Smith

> Arts > Artists > W > Charles White

> Arts > Artists > W > John White

> Europe > United Kingdom > England > London > Sights > St Pauls Cathedral


EDITORS COMMENTS
This print takes us back to the 18th century, immersing us in a world of historical correspondence between prominent figures in Christianity. The image showcases letters exchanged between John Potter, Bishop of Oxford, Francis Atterbury, Bishop of Rochester, and Jonathan Trelawny, 3rd Baronet. The intricate handwriting on these manuscripts reveals the intellectual depth and religious fervor that characterized this era. Each stroke of ink represents a piece of wisdom or theological insight shared among these esteemed individuals. Their signatures serve as testaments to their authority within the Church. The content of these letters is equally fascinating. One letter from Potter to Atterbury delves into an intriguing passage from St Paul's Epistle to the Corinthians, highlighting their scholarly engagement with scripture. Meanwhile, Atterbury's letter to Trelawny explores the timing surrounding the writing of St John's Gospel. This print not only captures a momentous exchange but also offers a glimpse into an era where handwritten communication was cherished and revered. It serves as a reminder that even in our digital age, there is something magical about holding tangible pieces of history in our hands. Created by Francis Atterbury himself and featuring his own signature alongside those of Jonathan Trelawny and John Potter, this print stands as both an artistic creation and an invaluable historical artifact.

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