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Masataka, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Masataka, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Masataka, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka. Masataka, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka


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Masataka, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Masataka, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Masataka, from the series "Pictures of No Performances (Nogaku Zue)", 1898

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Media ID 24372213

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Bennosuke Tsukioka Blades Bowing Hanyu Sadanosuke Kogyo Sakamaki Kogyo Tsukioka Kohan Meiji Era Meiji Period Naginata Nenkyu Sadanosuke Hanyu Sakamaki Kogyo Samurai Samurai Sword Show Tsukioka Bennosuke Tsukioka Kogyo Turban Turbans Blade Colour Woodblock Print Head Dress Playhouse


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EDITORS COMMENTS
Masataka, a captivating portrayal of strength and grace, captured in this mesmerizing color woodblock print from the series "Pictures of No Performances (Nogaku Zue)" by Kogyo Tsukioka. Created in 1898 during the Meiji era, this artwork showcases the artistry and skill of Japanese theatrical traditions. Intricately detailed, Masataka stands tall with his head held high, donning an elaborate headdress that adds to his commanding presence. The vibrant colors bring life to every aspect of the scene - from his flowing robes to the gleaming samurai sword he holds with reverence. The artist's meticulous attention to detail is evident in every brushstroke and line, capturing not only Masataka's physical appearance but also conveying a sense of his character and spirit. As an actor performing Noh theater - a traditional form of drama dating back centuries - Masataka embodies both power and vulnerability. This piece transports us back in time to a world where theater was not just entertainment but also a reflection of cultural heritage. It invites us to imagine ourselves as part of the audience witnessing Masataka's performance on stage, feeling the intensity and emotion emanating from him. Displayed at the Art Institute Chicago, this print serves as a reminder that art has no boundaries or limitations when it comes to expressing human experiences across different cultures and time periods.

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