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Miss Ida Heath, English Dancer, c. 1894, (1946). Artist: Henri de Toulouse-Lautrec

Miss Ida Heath, English Dancer, c. 1894, (1946). Artist: Henri de Toulouse-Lautrec


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Miss Ida Heath, English Dancer, c. 1894, (1946). Artist: Henri de Toulouse-Lautrec

Miss Ida Heath, English Dancer, c.1894, (1946). A high-kicking woman on stage. Parisian fin-de-siecle nightlife was colourful, with can-can artistes performing without underwear. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]

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Media ID 14989110

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Can Can Chase Edward T Edward T Chase Henri De Henri De Toulouse Henri De Toulouse Lautrec Henri Marie Raymond De Lautrec Night Life Nightclub Toulouse Lautrec Toulouse Lautrec Monfa Impressionist


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Animals > Mammals > Muridae > Heath Mouse

> Arts > Art Movements > Impressionism

> Arts > Artists > T > Henri Toulouse-Lautrec

> Arts > Artists > T > Toulouse-Lautrec

> Arts > Artists > Toulouse-Lautrec > Toulouse-Lautrec lithographs

> Arts > Artists > Toulouse-Lautrec > Toulouse-Lautrec posters

> Arts > Artists > Toulouse-Lautrec

> Arts > Contemporary art > Portraits

> Arts > Contemporary art


EDITORS COMMENTS
This black and white lithograph, titled "Miss Ida Heath, English Dancer" captures the essence of Parisian fin-de-siecle nightlife in the late 19th century. Created by renowned artist Henri de Toulouse-Lautrec in 1894 but printed in 1946, this artwork showcases a high-kicking woman on stage, exuding energy and grace. During this era, French can-can artistes were known for their daring performances that pushed societal boundaries. The vibrant atmosphere of Parisian nightclubs was brought to life through these talented dancers who captivated audiences with their mesmerizing moves. It is worth noting that can-can performers often defied convention by performing without underwear. Toulouse-Lautrec's expertise as an Impressionist painter shines through in this monochrome portrait. His attention to detail and ability to capture movement make Miss Ida Heath come alive on paper. Through his skilled brushstrokes or rather etchings, he immortalizes her beauty and talent. The print itself is part of a collection called "The Etchings of the French Impressionists and Their Contemporaries" by Edward T. Chase, published in Paris in 1946 by The Hyperion Press. This particular lithograph offers a glimpse into the vibrant world of dance during the late 19th century while also serving as a testament to Toulouse-Lautrec's artistic legacy. As we admire this remarkable piece from Heritage Images' collection, we are transported back to an

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