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Brandes in Her Dressing Room, c. 1895, (1946). Artist: Henri de Toulouse-Lautrec

Brandes in Her Dressing Room, c. 1895, (1946). Artist: Henri de Toulouse-Lautrec


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Brandes in Her Dressing Room, c. 1895, (1946). Artist: Henri de Toulouse-Lautrec

Brandes in Her Dressing Room, c.1895, (1946). Portrait of French comedienne JosUphine Brunschwig, also known as Marthe BrandTHs (1862-1930). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]

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Media ID 14989112

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Chase Dressing Room Edward T Edward T Chase Henri De Henri De Toulouse Henri De Toulouse Lautrec Henri Marie Raymond De Lautrec Toulouse Lautrec Toulouse Lautrec Monfa Impressionist


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Arts > Art Movements > Impressionism

> Arts > Artists > T > Henri Toulouse-Lautrec

> Arts > Artists > T > Toulouse-Lautrec

> Arts > Artists > Toulouse-Lautrec > Toulouse-Lautrec lithographs

> Arts > Artists > Toulouse-Lautrec > Toulouse-Lautrec posters

> Arts > Artists > Toulouse-Lautrec

> Arts > Contemporary art > Portraits > Impressionism

> Arts > Contemporary art > Portraits

> Arts > Contemporary art


EDITORS COMMENTS
This black and white lithograph, titled "Brandes in Her Dressing Room, c. 1895" transports us back to the vibrant world of 19th-century French theatre. Created by renowned artist Henri de Toulouse-Lautrec in 1946, this portrait captures the essence of JosUphine Brunschwig, a celebrated French comedienne known as Marthe BrandTHs. In this intimate scene, we find ourselves peering into Brandes' private sanctuary - her dressing room. The monochrome palette adds a timeless quality to the image while emphasizing the dramatic lighting that illuminates her delicate features. As we gaze at her contemplative expression, it becomes evident that she is preparing herself mentally for an upcoming performance. Toulouse-Lautrec's mastery lies not only in his ability to capture physical likeness but also in his talent for conveying emotion through his subjects' eyes and gestures. Through subtle brushstrokes and careful composition, he invites us to share in Brandes' anticipation and perhaps catch a glimpse of the vulnerability beneath her theatrical persona. This print serves as a precious window into both art history and cultural heritage. It allows us to witness firsthand the allure of late 19th-century Parisian theater – its glamour, its passion, and its dedication to storytelling through performance. As we admire this exquisite piece from Edward T. Chase's collection "The Etchings of the French Impressionists and Their Contemporaries" let us be transported back in time to an era

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