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No. 26: Mochizuki, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido... c. 1835/38. Creator: Ando Hiroshige. No. 26: Mochizuki, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido... c. 1835/38)
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No. 26: Mochizuki, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido... c. 1835/38. Creator: Ando Hiroshige. No. 26: Mochizuki, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido... c. 1835/38)
No. 26: Mochizuki, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", c. 1835/38
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Media ID 36206105
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Gradient Kisoji Kisokaido Local People Mule Mules Nakasendo Oban Pack Mule Shukuba Sixty Nine Stations Of The Kisokaido Trade Route Traveller Travellers Tree Lined Tree Trunk Treelined Treetrunk Uphill Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige
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No. 26: Mochizuki, from the series Sixty-nine Stations of the Kisokaido" is a captivating color woodblock print created by the renowned Japanese artist Ando Hiroshige during the mid-19th century. This masterpiece is a part of the larger series titled "Sixty-nine Stations of the Kisokaido," which chronicles the journey along the historic Nakasendo trade route in Japan during the Edo period. In this particular print, we find ourselves at the station of Mochizuki in Nagano Chubu, Japan. The image portrays a man, likely a traveler, leading a mule along a tree-lined road. The gradient of colors in the print, from the deep greens of the foliage to the warm browns of the road and the man's clothing, creates a sense of depth and texture. The presence of the mule and its load signify the importance of trade and transportation during this time. The local people and their animals played a crucial role in facilitating commerce along the Kisokaido, making this a vital stop on the journey. The artist's meticulous attention to detail is evident in the way he has depicted the natural surroundings, from the intricately patterned bark of the trees to the individual leaves and blossoms. Hiroshige's ability to capture the essence of the scene, from the bustling activity of the travelers to the tranquility of the natural world, makes this print a true masterpiece of the artistic school of ukiyo-e. This oban-sized print is a testament to the rich cultural heritage of Japan and the importance of the Kisokaido trade route in its history. It invites us to explore the beauty and complexity of a bygone era, transporting us back in time to the world of the Sixty-nine Stations of the Kisokaido.
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