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Okiyo, Daughter of a Gardener in Mukojima and a Foreigner, 1875. Creator: Tsukioka Yoshitoshi
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Okiyo, Daughter of a Gardener in Mukojima and a Foreigner, 1875. Creator: Tsukioka Yoshitoshi
Okiyo, Daughter of a Gardener in Mukojima and a Foreigner, 1875. Series: The Postal News, no. 661
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Media ID 36368759
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1870s Age Difference Age Gap Bowl Calligraphy Daily Life Face To Face Foreigner Listening Material Meiji Era Meiji Period Position Postal News Socialising Table Cloth Tablecloth Taiso Tsukioka Yoshitoshi Veranda Verandah Yoshitoshi Tsukioka Colour Woodblock Print
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EDITORS COMMENTS
Okiyo, Daughter of a Gardener in Mukojima and a Foreigner," a captivating woodblock print by the renowned Japanese artist Tsukioka Yoshitoshi, dates back to the Meiji Era of the late 19th century, specifically 1875. This masterpiece is part of the series "The Postal News," no. 661. The print depicts an intriguing encounter between two individuals from different worlds: a young Japanese girl named Okiyo, dressed in traditional kimono and coat, and a foreign man, dressed in Western attire, including a hat, jacket, and trousers. The scene is set in the Mukojima district of Sumida City, Tokyo, Japan. Okiyo, with a youthful and innocent expression, is seated at a low table, facing the foreigner. She is engrossed in listening to him, her eyes fixed on him, while he appears to be deep in conversation. The table is adorned with a colorful tablecloth, a bowl, and other traditional Japanese furniture. The contrast between their apparel and the setting highlights the cultural exchange taking place during this period. The rich colors and intricate details of the kimono fabric, along with the calligraphy on the wall, showcase the traditional Japanese heritage. The foreigner's attire, on the other hand, represents the influence of Western culture. This full-length portrait, with its detailed composition and positioning of the subjects, is a testament to Yoshitoshi's exceptional skills in ukiyo-e, or the Japanese art of block printing. The artwork invites us to reflect on the social dynamics of the time, as well as the impact of globalization on Japanese society during the Meiji Era. Today, this precious piece of heritage art can be admired at the Los Angeles County Museum of Art (LACMA), a testament to the enduring legacy of Tsukioka Yoshitoshi and the rich cultural history of Japan.
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