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Portrait of Harry Lim, Yannich Bruynoche, and Joe Thomas, Pied Piper, New York, N.Y. 1946. Creator: William Paul Gottlieb
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Portrait of Harry Lim, Yannich Bruynoche, and Joe Thomas, Pied Piper, New York, N.Y. 1946. Creator: William Paul Gottlieb
Portrait of Harry Lim, Yannich Bruynoche, and Joe Thomas, Pied Piper, New York, N.Y. 1946
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Media ID 36257003
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Bill Gottlieb Drum Kit Drumkit Drummer Drums Ethnicity Golden Age Of Jazz Gottlieb William P Gottlieb William Paul Instrument Instruments Java Javanese Jazz Age Jazz Club Joe Thomas Joseph Lewis Thomas Mixed Race Group Nightclub Pied Piper Thomas Joe William P Gottlieb William Paul Gottlieb Afro American Film Negative Group Portrait Jazz Musician Playing An Instrument
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EDITORS COMMENTS
This photograph, titled "Portrait of Harry Lim, Yannich Bruynoche, and Joe Thomas, Pied Piper, New York, N.Y. 1946," is a striking representation of the camaraderie and diversity of the jazz scene during the Golden Age of Jazz in America. Taken by renowned photographer William Paul Gottlieb, the image features three musicians - Harry Lim on the drums, Yannich Bruynoche on the bass, and Joe Thomas on the cymbals - gathered around a drum kit in a dimly lit jazz club. The trio, dressed in formal attire, exudes a sense of focus and intensity as they engage with their instruments. Harry Lim, a Chinese-American drummer, locks eyes with the camera, delivering a direct gaze that invites the viewer into their world. Yannich Bruynoche, a Javanese-American bassist, and Joe Thomas, an African-American drummer and percussionist, both look intently at their instruments, lost in the music. The photograph is a testament to the multicultural nature of jazz during this era, as musicians from diverse ethnic backgrounds came together to create a unique and powerful art form. The image is also a reminder of the importance of jazz clubs as spaces where people from all walks of life could come together to experience live music and connect with one another. The photograph, which is now part of the collections at the Library of Congress, is a valuable document of the jazz scene in New York City during the 1940s and a testament to the enduring influence of jazz on American culture.
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