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Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome, c.1758 c.1759. Creator: Hubert Robert
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Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome, c.1758 c.1759. Creator: Hubert Robert
Sculpteur travaillant a la statue d'un saint a Saint-Pierre de Rome, c.1758 c.1759. Sculptor working on the statue of a saint at St Peter's in Rome. The sculptor could be Michelangelo Slodtz
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Media ID 36272277
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Confessing Confession Confessional Confessional Box Hubert Robert Ladder Robert Hubert Robert Of The Ruins Rome Lazio Italy Saint Peters Basilica Scaffold Scaffolding Sculptor St Peters Basilica Rome Vatican Paris Museums Petit Palais
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EDITORS COMMENTS
Hubert Robert's captivating painting, "Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome" (Sculptor working on the statue of a saint at St. Peter's in Rome), dates back to the 18th century. This evocative artwork transports us to the hallowed halls of St. Peter's Basilica in Rome, where a dedicated sculptor labors over the creation of a saintly figure. The setting, bathed in soft, warm light, is a testament to the rich history and artistic heritage of the Vatican. The sculptor, whose identity remains a subject of debate, could be Michelangelo Slodtz or perhaps his son, René Michel Slodtz. They are engrossed in their work, their focused expressions a testament to their devotion and skill. The statue takes shape beneath their deft hands, the chisel striking the marble with a rhythmic, methodical cadence. The scene is filled with intriguing details. A ladder leans against the scaffold, suggesting the great height of the statue. A dog, perhaps a companion or protector, rests at the sculptor's feet. Nearby, a confessional box, with its red velvet curtains drawn, adds a sense of the sacred and the confessional nature of the space. This painting, now housed in the Petit Palais in Paris, is a reminder of the enduring allure of the artistic process and the profound impact of the works it produces. The interplay of light and shadow, the textures of the marble and the fabric, and the rich colors of the oil painting all serve to transport us to a bygone era, where art, religion, and history intertwined in a tapestry of beauty and meaning.
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