Metal Print : Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome, c.1758 c.1759. Creator: Hubert Robert

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Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome, c.1758 c.1759. Creator: Hubert Robert

Sculpteur travaillant a la statue d'un saint a Saint-Pierre de Rome, c.1758 c.1759. Sculptor working on the statue of a saint at St Peter's in Rome. The sculptor could be Michelangelo Slodtz

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Media ID 36272277

© Heritage Art/Heritage Images

Confessing Confession Confessional Confessional Box Hubert Robert Ladder Robert Hubert Robert Of The Ruins Rome Lazio Italy Saint Peters Basilica Scaffold Scaffolding Sculptor St Peters Basilica Rome Vatican Paris Museums Petit Palais

16"x20" (51x41cm) Metal Print

Bring the timeless beauty of art history into your home with our Media Storehouse Metal Prints. This exquisite piece features Hubert Robert's painting, "Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome," circa 1758-1759. Witness the intricate details of the sculptor at work, believed to be Michelangelo Slodtz, as he creates a saint's statue at St. Peter's Basilica in Rome. Our high-quality Metal Prints offer vibrant colors, rich textures, and a sleek, modern design that will elevate any space. Experience the mastery of Hubert Robert's brushstrokes and the historical significance of this artwork like never before. Order your Metal Print today and bring a piece of art history into your home.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Dogs (Domestic) > Working > Related Images

> Animals > Mammals > Muridae > Peters Mouse

> Arts > Artists > H > Hubert Hubert

> Arts > Artists > Michelangelo Buonarroti > Sculpture

> Arts > Artists > Michelangelo > Sculpture

> Arts > Artists > Michelangelo > St Peter's Basilica

> Arts > Artists > Michelangelo > Vatican City

> Arts > Artists > Michelangelo

> Arts > Artists > P > Pierre Petit

> Arts > Artists > R > Hubert Robert

EDITORS COMMENTS
Hubert Robert's captivating painting, "Sculpteur travaillant à la statue d'un saint à Saint-Pierre de Rome" (Sculptor working on the statue of a saint at St. Peter's in Rome), dates back to the 18th century. This evocative artwork transports us to the hallowed halls of St. Peter's Basilica in Rome, where a dedicated sculptor labors over the creation of a saintly figure. The setting, bathed in soft, warm light, is a testament to the rich history and artistic heritage of the Vatican. The sculptor, whose identity remains a subject of debate, could be Michelangelo Slodtz or perhaps his son, René Michel Slodtz. They are engrossed in their work, their focused expressions a testament to their devotion and skill. The statue takes shape beneath their deft hands, the chisel striking the marble with a rhythmic, methodical cadence. The scene is filled with intriguing details. A ladder leans against the scaffold, suggesting the great height of the statue. A dog, perhaps a companion or protector, rests at the sculptor's feet. Nearby, a confessional box, with its red velvet curtains drawn, adds a sense of the sacred and the confessional nature of the space. This painting, now housed in the Petit Palais in Paris, is a reminder of the enduring allure of the artistic process and the profound impact of the works it produces. The interplay of light and shadow, the textures of the marble and the fabric, and the rich colors of the oil painting all serve to transport us to a bygone era, where art, religion, and history intertwined in a tapestry of beauty and meaning.

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