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The State Auction, 1784. Artist: Thomas Rowlandson

The State Auction, 1784. Artist: Thomas Rowlandson


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The State Auction, 1784. Artist: Thomas Rowlandson

The State Auction, 1784. William Pitt the Younger, as an auctioneer, disposing of British liberties in the House of Commons. Henry Dundas, Viscount Melville, as a porter, is holding up Lot 1, inscribed Rights of the People in 558 vol. A Foxite satire on the struggle between Charles James Fox and Pitt

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Media ID 15177496

© London Metropolitan Archives (City of London) / Heritage-Images

1st Viscount Melville Auction Auction Room Auctioneer Charles Fox Charles James Charles James Fox Dundas First Viscount Melville Henry Henry Dundas House Of Commons Parliament Pitt Porter Prime Minister Rowlandson The Younger Thomas Rowlandson Viscount Melville William Pitt William Pitt The Younger


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > C > James Charles

> Arts > Artists > C > William Charles

> Arts > Artists > H > Thomas Henry

> Arts > Artists > J > William James

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings


The State Auction, 1784

EDITORS COMMENTS
is a captivating print by artist Thomas Rowlandson that offers a satirical commentary on the political landscape of 18th century Britain. Depicting the House of Commons as an auction room, the artwork portrays William Pitt the Younger, then Prime Minister, assuming the role of an auctioneer. With wit and irony, Rowlandson suggests that Pitt is disposing of British liberties to further his own political agenda. In this scene, Henry Dundas, also known as Viscount Melville and a prominent statesman at the time, plays the part of a porter holding up Lot 1: "Rights of the People in 558 vol". This inscription humorously alludes to Foxite satire and highlights the ongoing struggle between Charles James Fox and Pitt for power. Rowlandson's etching skillfully captures both caricature and cartoon elements while providing valuable historical context. The image serves as a reminder of how politics can be influenced by personal ambition rather than serving the best interests of its people. Located within Guildhall Library and Art Gallery in England, this thought-provoking print showcases Rowlandson's talent for using art as social commentary. It invites viewers to reflect upon past political struggles while drawing parallels with contemporary society. As we observe this snapshot from history through monochrome lenses, it prompts us to question our own politicians' motives today – reminding us that vigilance remains crucial in protecting our rights and freedoms.

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