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Stocks Are Down- Heigh-Ho!!, August 10, 1799. August 10, 1799

Stocks Are Down- Heigh-Ho!!, August 10, 1799. August 10, 1799


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Stocks Are Down- Heigh-Ho!!, August 10, 1799. August 10, 1799

Stocks Are Down- Heigh-Ho!!, August 10, 1799

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Media ID 19986692

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Disappointed Disappointment George Moutard George Moutard Woodward Investment Investor Overweight R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Stocks And Shares Thomas Rowlandson Woodward Woodward George Moutard Hand Tinted


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > George Moutard Woodward

> Arts > Artists > W > Thomas Woodward

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Stocks Are Down- Heigh-Ho!!, August 10,1799

EDITORS COMMENTS
is a captivating and satirical print by Thomas Rowlandson that transports us back to the tumultuous financial landscape of 18th century Britain. This hand-colored etching depicts a scene filled with disappointment and frustration as investors react to the plummeting stock market. The vibrant colors bring to life a group of overweight and disgruntled individuals, their faces reflecting their shattered hopes. The artist's attention to detail captures the essence of this moment in history, showcasing both the physical weight of these disappointed investors and the heavy burden they carry due to their failed investments. Rowlandson's clever composition highlights the absurdity of human behavior during times of financial crisis. With exaggerated features and comical expressions, he emphasizes how greed can blind even the most rational minds. As viewers, we are invited to reflect on our own relationship with money and how it influences our decisions. This print serves as a reminder that throughout history, economic downturns have affected people from all walks of life. It also showcases Rowlandson's skill in using art as social commentary, shedding light on timeless themes such as disappointment, finance, investment, and human folly. Displayed at The Metropolitan Museum of Art (the Met), this piece continues to captivate audiences centuries later with its intricate details and thought-provoking message about the fragility of wealth.

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