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Study for "The Crucifixion and Death of Our Lord", 1909-1916

Study for 'The Crucifixion and Death of Our Lord', 1909-1916


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Study for "The Crucifixion and Death of Our Lord", 1909-1916

Study for " The Crucifixion and Death of Our Lord", 1909-1916

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Media ID 21238980

© Heritage Art/Heritage Images

Arms Folded Charcoal Charcoal On Laid Paper Crucified Crucifixion Edwardian Eyes Closed Eyes Shut John Singer Sargent Ominous Sargent John Singer Singer Sargent Studies Artistic Movement Posture


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> Arts > Art Movements > Realism

> Arts > Artists > John Singer Sargent > Portrait paintings

> Arts > Artists > John Singer Sargent

> Arts > Artists > John Singer Sargent

> Arts > Artists > S > John Singer Sargent

> Arts > Artists > W > John White

> Arts > Realistic drawings > Black and white realism > Fine art illustrations

> Arts > Realistic drawings > Portrait drawings > Fine art

> Arts > Street art graffiti > Portraits > Realism

> Arts > Street art graffiti > Realism > Realism art gallery


EDITORS COMMENTS
This print captures a study for "The Crucifixion and Death of Our Lord" by renowned American artist John Singer Sargent. Created between 1909-1916, this powerful artwork is a testament to Sargent's mastery of charcoal on laid paper. In this image, we see a solitary figure standing with arms folded in front of him, his eyes closed in deep contemplation. The man's posture exudes an air of solemnity and reverence as he embodies the weighty subject matter of crucifixion and death. Sargent's attention to detail brings forth a sense of realism that is both haunting and thought-provoking. Located at the National Gallery of Art in Washington, D. C. , this piece stands as a testament to America's artistic movement during the late 19th and early 20th centuries. It reflects the country's rich heritage art while exploring themes deeply rooted in Christianity. Sargent skillfully captures the ominous atmosphere surrounding Christ's crucifixion through his masterful use of light and shadow. This study serves as an important precursor to the final painting, showcasing Sargent's meticulous approach to composition and capturing emotion. As we gaze upon this mesmerizing portrait, we are reminded not only of Sargent's immense talent but also of the enduring power religion holds within our society. Through his artistry, he invites us into a moment frozen in time – one that compels us to reflect on faith, sacrifice, and redemption.

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