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"Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M. Jackson. "Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M
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"Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M. Jackson. "Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M
"Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Institution, 1856. Engraving of...a charming landscape, after the real English school; cool and umbrageous; the sky certainly more after the fashion of the present bleak spring-time than of roseate summer; but the rippling brook which meanders through the midst of the landscape, and the deep shade which pervades each leafy recess, are in strict keeping with it, and true to Nature in her soberer aspects. The market waggon in front, with its rustic burden, and the dog trotting on before, invest the composition with life and gaiety'. From "Illustrated London News", 1856
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Drinking Horse And Cart Jackson Jackson M M Jackson Peaceful Pictures Horse Drawn Horse Drawn Vehicle Horsedrawn
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Summer Time - Crossing the Ford,
EDITORS COMMENTS
a captivating painting by Thomas J. Soper showcased at the Exhibition of the National Institute in 1856, invites viewers to immerse themselves in a quintessential English countryside scene. The engraving, based on the original work, presents a charming landscape with a cool and umbrageous atmosphere. Although the sky appears more reminiscent of the present springtime than the radiant summer, the painting remains true to nature, capturing the essence of its soberer aspects. The composition is brought to life with the inclusion of a market wagon in the foreground, its rustic cargo and the energetic dog trotting ahead. The rippling brook that winds through the painting and the deep shade that pervades each leafy recess add to the peaceful and idyllic scene. This engraving, published in the Illustrated London News in 1856, is a testament to the regionalism and rural life of the nineteenth century. The horse-drawn vehicle, with its horse and cart, is a common mode of transport during this era, adding to the authenticity of the painting. The horses, with their powerful yet tranquil demeanor, embody the strength and grace of nature. The season of summer is evoked through the warm tones and the sense of relaxation that pervades the scene. This engraving, created by T.J. Soper and published in the Illustrated London News, offers a glimpse into the rural life of Britain during the nineteenth century, capturing the essence of a simpler time and the beauty of the English countryside.
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