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Taira No Koremochi Subjugates the Evil Demon at Togakushi Mountain, 1890. Creator: Tsukioka Yoshitoshi
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Taira No Koremochi Subjugates the Evil Demon at Togakushi Mountain, 1890. Creator: Tsukioka Yoshitoshi
Taira No Koremochi Subjugates the Evil Demon at Togakushi Mountain, 1890. From New Forms of the Thirty-six Ghosts
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Media ID 36359790
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Autumn Bad Mood Bad Temper Demon Disguise Disguised Leaf Leaves Legend Legendary Maple Leaf Maple Leaves Meiji Era Meiji Period New Forms Of The Thirty Six Ghosts Samurai Seduce Seducer Seducing Seduction Seductive Taiso Tsukioka Yoshitoshi Unhappy Yoshitoshi Tsukioka Colour Woodblock Print Metaphor
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EDITORS COMMENTS
Taira No Koremochi Subjugates the Evil Demon at Togakushi Mountain," a captivating woodblock print by the renowned Japanese artist Tsukioka Yoshitoshi, dates back to the Meiji Era of the late 19th century. This masterpiece is part of the "New Forms of the Thirty-Six Ghosts" series, showcasing the artist's exceptional storytelling abilities through vivid imagery. The print depicts Taira No Koremochi, a legendary samurai, seated at the foot of Mount Togakushi, a prominent geographical feature in Japan. The mountain is known for its association with the Togakushi Shrine and the legendary Togakushi Ninja. In this print, the mountain serves as the backdrop for a dramatic encounter between Koremochi and an evil demon. Koremochi, dressed in the traditional samurai attire, exudes an air of authority and determination. His stern expression and clenched fist suggest his bad temper and determination to subdue the demon. The demon, disguised as a beautiful woman, is depicted with a wicked grin and a seductive posture, attempting to seduce Koremochi. The use of autumnal colors, including red and gold, adds to the seasonal atmosphere and the metaphorical significance of the changing leaves (momiji gari) as a symbol of life's transience. The print is a testament to the rich cultural heritage of Japan and its artistic traditions. The intricate details, from the folds of the kimono to the veins on the leaves, demonstrate the artist's mastery of the woodblock printing technique. The print is a fascinating blend of drama, legend, and nature, making it a must-see for art enthusiasts and anyone interested in Japanese culture and history. This woodblock print is currently housed in the Los Angeles County Museum of Art (LACMA), adding to its significance as an important piece of Asian art and cultural heritage.
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