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Twenty-Five Views of the Capital (image 28 of 29), Late 19th century. Creator: Morikawa Sobun
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Twenty-Five Views of the Capital (image 28 of 29), Late 19th century. Creator: Morikawa Sobun
Twenty-Five Views of the Capital (image 28 of 29), Late 19th century
Heritage Images features heritage image collections
Media ID 36358293
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Album Cold Colour Woodblock Prints Gate Gateway Meiji Era Meiji Period Morikawa Sobun Peaceful Sobun Morikawa Tranquil Tranquility Tranquillity Way In
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EDITORS COMMENTS
Image 28 of Twenty-Five Views of the Capital by Morikawa Sobun (1857-1934) is a stunning color woodblock print from the late 19th century, showcasing a tranquil winter scene of a grand entrance gateway leading to a temple or shrine nestled in the mountains. The gate, adorned with intricate carvings and a vibrant red color, stands out against the snow-covered landscape, creating a stark contrast between the cold and the warmth of the sacred site within. The geographical feature in the background is a serene lake, reflecting the surrounding mountains and the towering trees that border its shores. The trees, with their bare branches and dusted with snow, add to the wintry atmosphere, while the plants and shrubs at the base of the gate provide a splash of color and life. This print, created during the Meiji Era (1868-1912), is a testament to the rich cultural heritage of Japan and its appreciation for the natural beauty of its landscape. The concept of capturing the essence of a place through art was a popular one during this period, and Morikawa Sobun's Twenty-Five Views of the Capital series is a prime example of this artistic tradition. The peaceful scene depicted in this print invites the viewer to imagine the stillness and tranquility of the location, a welcome escape from the hustle and bustle of everyday life. The attention to detail in the woodblock print, from the intricate designs on the gate to the individual snowflakes on the trees, is a testament to the skill and artistry of Morikawa Sobun and the woodblock printing process. Overall, this print is a beautiful representation of the natural beauty and cultural heritage of Japan during the late 19th century, and a reminder of the enduring appeal of woodblock prints as a form of artistic expression.
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