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Yokobue Waiting from Takiguchi Tokiyori by Moonlight at Horinji, 1890. Creator: Tsukioka Yoshitoshi
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Yokobue Waiting from Takiguchi Tokiyori by Moonlight at Horinji, 1890. Creator: Tsukioka Yoshitoshi
Yokobue Waiting from Takiguchi Tokiyori by Moonlight at Horinji, 1890. From One Hundred Aspects of the Moon
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Media ID 36361454
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Arashiyama Kyoto Japan Courtier Crying Details Distressed Full Moon Grief Grieving Lady In Waiting Love Story Lunar Meiji Era Meiji Period Moon Moonlight Moonlit Orange Orange Colour Priest Romance Romancing Taiso Tragedy Tragic Tsukioka Yoshitoshi Waiting Wind Windy Yoshitoshi Tsukioka Colour Woodblock Print Description
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EDITORS COMMENTS
Yokobue Waiting from Takiguchi Tokiyori by Moonlight at Horinji" is a captivating woodblock print created by the renowned Japanese artist Tsukioka Yoshitoshi in 1890. This artwork is part of his famous series "One Hundred Aspects of the Moon." The scene unfolds at Horinji Temple in Arashiyama, Kyoto, during the Meiji Era (1868-1912). The image portrays a distressed female figure, dressed in traditional Japanese attire, sitting on the ground in front of a temple, her face concealed by a long, flowing sleeve. She is identified as Yokobue, a lady-in-waiting to Takiguchi Tokiyori, a courtier who was in love with a priestess named Oshizu. The tragic love story between the two was a popular theme in Japanese literature and art during this period. The full moon casts a soft, ethereal glow over the scene, bathing the temple grounds in moonlight. The contrast between the orange and white colors of the moon and the surrounding landscape adds depth and dimension to the print. The woman's orange robes, which are adorned with intricate patterns, stand out against the cool, white night. The setting is tranquil, yet the air is heavy with emotion. Yokobue's crying face, hidden from view, suggests a deep sense of grief and heartache. The print captures the essence of the human condition, exploring themes of love, loss, and the passage of time. The attention to detail in the print is remarkable, from the delicate folds of the woman's robes to the intricate patterns on her sleeves. The print is a testament to the rich artistic heritage of Japan and the enduring appeal of traditional ukiyo-e art. This woodblock print is now part of the collection at the Los Angeles County Museum of Art (LACMA), where it continues to captivate audiences and inspire appreciation for the beauty and depth of Japanese art.
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