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Jigsaw Puzzle : The Empty Churchyard of What Was All Hallows Staining, c1935. Creator: Walter Benington

The Empty Churchyard of What Was All Hallows Staining, c1935. Creator: Walter Benington




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The Empty Churchyard of What Was All Hallows Staining, c1935. Creator: Walter Benington

The Empty Churchyard of What Was All Hallows Staining, c1935. The church of All Hallows Staining in the City of London collapsed in 1671, possibly due to weakening of the foundations caused by too many burials in the churchyard close to the church walls. The word Staining, which means stone, was to distinguish it from other City churches of All Hallows which were built of wood. The tower, built c1320, is all that remains of the building. From " Wonderful London, Volume 3", edited by Arthur St John Adcock. [The Fleetway House, London, c1935]

Heritage Images features heritage image collections

Media ID 18324324

© The Print Collector/Heritage Images

Adcock Arthur St John Arthur St John Adcock Benington Churchyard Courtyard John Adcock Roller Spring Walter Walter Benington Wonderful London All Hallows Staining


Jigsaw Puzzle (520 Pieces)

Step into the past with our captivating jigsaw puzzle from Media Storehouse, featuring the hauntingly beautiful image of "The Empty Churchyard of What Was All Hallows Staining, c1935." This evocative puzzle, inspired by a photograph from Heritage Images, transports you back in time to the desolate churchyard of All Hallows Staining in the City of London. The once magnificent church, which collapsed in 1671, now stands as a silent testament to history. With intricate details and stunning contrasts, this 500-piece puzzle offers an engaging and rewarding challenge for puzzle enthusiasts. Bring a piece of history into your home and immerse yourself in the story of this enigmatic churchyard.

Made in the USA, 520-piece puzzles measure 16" x 20" (40.6 x 50.8 cm). Every puzzle is meticulously printed on glossy photo paper, which has a strong 1.33 mm thickness. Delivered in a black storage cardboard box, these puzzles are both stylish and practical. (Note: puzzles contain small parts and are not suitable for children under 3 years of age.)

Jigsaw Puzzles are an ideal gift for any occasion

Estimated Product Size is 40.5cm x 50.8cm (15.9" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Architecture > Religious

> Architecture > Towers > Churches

> Architecture > Towers > Related Images

> Arts > Artists > W > John White

> Arts > Artists > W > John Wood

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > City of London


The Empty Churchyard of What Was All Hallows Staining, c1935

EDITORS COMMENTS
. This print captures the haunting beauty of the empty churchyard that was once All Hallows Staining in the City of London. Taken by Walter Benington in the 1930s, this image transports us back to a time when this historic church stood tall. All Hallows Staining met its tragic fate in 1671 when it collapsed, possibly due to weakened foundations caused by excessive burials near its walls. The name "Staining" distinguished it from other wooden churches dedicated to All Hallows within the city. Today, only the tower remains as a testament to its former glory. In this monochrome scene, nature reclaims what was once a place of worship. Spring flowers bloom amidst crumbling gravestones and overgrown foliage, creating an eerie yet serene atmosphere. The contrast between life and decay is strikingly captured through Benington's lens. As we gaze upon this architectural relic nestled within bustling London, we are reminded of the passage of time and how history intertwines with our present landscape. This photograph serves as a poignant reminder that even grand structures can succumb to nature's relentless embrace. Through Arthur St John Adcock's publication "Wonderful London" this evocative image continues to captivate viewers today. It invites us to reflect on our own mortality while appreciating the enduring beauty found within forgotten corners of our urban landscape.

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