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Augustine Sacrificing Idol Manichaeans Augustine sacrifices
Wall Art and Photo Gifts from Liszt Collection
Augustine Sacrificing Idol Manichaeans Augustine sacrifices
Augustine Sacrificing to an Idol of the Manichaeans (?), Augustine sacrifices to an idol of the Manichaeans. The bishop kneels outside at a little chapel where a sheep and a goat are sacrificed for an idol. In the chapel two men with trumpets, outside a group of men watches, early life of St. Augustine, Aert van den Bossche (attributed to), Brussels, c. 1480, panel, oil paint (paint), support: h 97.3 cm × w 68.5 cm sightsize: h 97 cm × w 68 cm frame: h 118 cm × w 89.5
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19553311
© Artokoloro
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The captivating print titled "Augustine Sacrificing to an Idol of the Manichaeans" takes us back in time to witness a significant moment in the early life of St. Augustine. Painted by Aert van den Bossche around 1480, this panel showcases a scene filled with religious symbolism and historical context. In this image, we find ourselves outside a humble chapel where Bishop Augustine kneels before an idol of the Manichaeans. With solemn determination, he prepares to sacrifice a sheep and goat as an act of devotion or perhaps renunciation. The intensity on his face reflects his internal struggle between conflicting beliefs. Inside the chapel, two men stand with trumpets, possibly heralding the significance of this event. Outside, a group of men watches closely, their expressions revealing curiosity and contemplation. This artwork not only provides insight into St. Augustine's spiritual journey but also offers glimpses into medieval religious practices and societal dynamics. The meticulous brushwork and vibrant colors bring life to every detail captured within its frame. As we gaze upon this remarkable piece from the Liszt Collection, we are reminded that history is often shaped by personal choices made during moments like these – moments that define individuals' paths and leave lasting imprints on society itself.
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